Vol. 13 (2025): Revista Vórtex

View Vol. 13 (2025): Revista Vórtex
Published: 2025-04-15

Original Article

  • Idiosyncrasies in rabeca making in Pernambuco: The case of Valério Bizunga, Olinda, Pernambuco, Brazil

    Erasmo Estrada, Jorge Ventura de Morais
    1-50
    DOI: https://doi.org/10.33871/vortex.2025.13.9210

  • Education and the professional life of Horn players in Brazil in the 21st Century

    Radegundis Aranha Tavares Feitosa, Maria Suellen Magalhães
    1-34
    DOI: https://doi.org/10.33871/vortex.2025.13.9496

  • The Invention of the Vocal Instrument in Got Lost, by Helmut Lachenmann

    Lucas Mateus Silva, William Teixeira da Silva
    1-32
    DOI: https://doi.org/10.33871/vortex.2025.13.9096

  • Huni Kuin shamanic chants: ayahuasca cerimonies, cosmologies and bridges between worlds

    Leonardo Bomfim
    DOI: https://doi.org/10.33871/vortex.2025.13.8946

  • Tinctoris on false concordances: a mistake made by all composers?

    Matheus Rocha Grain
    1-26
    DOI: https://doi.org/10.33871/vortex.2025.13.9467

  • An analysis of Ruggiero Ricci's conceptions of left-hand violin technique

    Brigitta Calloni
    1-32
    DOI: https://doi.org/10.33871/vortex.2025.13.9459

  • The Musical Interpreter and the Art Technique: Reflections on a Proposition by Mário de Andrade

    Luigi Brandão, Flavio Barbeitas
    1-25
    DOI: https://doi.org/10.33871/vortex.2025.13.9425

  • The music in concertato style in the Real Mosteiro de São Bento da Avé-Maria in Oporto between the 18th and the 19th century

    Rosana Marreco Brescia, Marco Brescia
    1-26
    DOI: https://doi.org/10.33871/vortex.2025.13.9600

  • Damiano Cozzella’s pop avant-garde: cultural hybridization and the composition as a critical act

    Fernando Magre, Mónica Vermes
    1-26
    DOI: https://doi.org/10.33871/vortex.2025.13.10593

  • ‘Chess studies’ for String Quartet: Composition based on chess

    Alberto Hortigüela, Sara Carvalho
    1-34
    DOI: https://doi.org/10.33871/vortex.2025.13.9479

  • Artistic Research in Theses and Dissertations at Brazilian Universities between 2018 and 2022

    Marta Macedo Brietzke, Mario Videira
    1-42
    DOI: https://doi.org/10.33871/vortex.2025.13.10394

  • The Chromatic False Relation: A Compositional Device and Diegetic Trope in the English Renaissance

    Eduardo Solá Chagas Lima
    1-49
    DOI: https://doi.org/10.33871/vortex.2025.13.9621

  • Cultural activism: musical memories of black associativism in Rio de Janeiro (1900-1930)

    Lurian Reis da Silva Lima
    1-26
    DOI: https://doi.org/10.33871/vortex.2025.13.9676

  • Pop Art as an Artistic Material of Modernity in Rock and Its Distinctions in England and the USA

    Vanessa Pironato Milani, José Cesar Fernandes Gomes
    1 - 28
    DOI: https://doi.org/10.33871/vortex.2025.13.10047

  • Noise as Timbre of Materiality

    Roberto Wu
    1-24
    DOI: https://doi.org/10.33871/vortex.2025.13.10840

  • "Alfonsina y el mar" in MPB: Brazilian reinterpretations of Argentine song

    Daniel Menezes Lovisi
    1-26
    DOI: https://doi.org/10.33871/vortex.2025.13.10354

  • Expanding the Pianist’s Toolbox: Approaches to Arpeggiation, Pedalling, and Gesture

    Óscar Caravaca González
    1-38
    DOI: https://doi.org/10.33871/vortex.2025.13.9839

  • Extended techniques on the trumpet: report of interaction between performers/composers and performers/constructors

    Adenilson Roberto Telles, Paulo adriano Ronqui
    1-37
    DOI: https://doi.org/10.33871/vortex.2025.13.9781

  • Thematic convergences between "Canto de amor e paz" and "Sinfonia 4" by Cláudio Santoro

    Paulo de Paula, Carlos Fernando Fiorini
    1-27
    DOI: https://doi.org/10.33871/vortex.2025.13.9830

  • The territory of Artistic Research: investigating the margins of polysemy

    Bibiana Bragagnolo
    1-26
    DOI: https://doi.org/10.33871/vortex.2025.13.9870

  • Music Conducting Pedagogy and Technology: A Descriptive Review of Literature

    Adamilson Abreu
    1-30
    DOI: https://doi.org/10.33871/vortex.2025.13.9841

  • Pianistic Expressivity: Interfaces between Cognition, Visual Metaphors, and Music Education

    Thiago, Elenisio
    1-26
    DOI: https://doi.org/10.33871/vortex.2025.13.10702

  • A Narrative Model in Three Versions of “My Favorite Things” by Jonathan Kreisberg.

    Rafael Gonçalves
    1 - 38
    DOI: https://doi.org/10.33871/vortex.2025.13.9849

  • Writings in the Dust, for Guitar and Electronic Sounds: Reflections on Mixed Music with Tape and Its Relationship with Tradition

    Felipe Vasconcelos, Renan Simões
    1-37
    DOI: https://doi.org/10.33871/vortex.2025.13.10837

  • Music virality on social platforms: A literature review

    Gabriel P. Oliveira, Ana Paula Couto da Silva, Mirella M. Moro
    1-32
    DOI: https://doi.org/10.33871/vortex.2025.13.10848

  • Reflections on guitar technique based on the experience of Nenéu Liberalquino

    Deyvison Lucas da Silva, Viviane dos Santos Louro
    1-26
    DOI: https://doi.org/10.33871/vortex.2025.13.10653

  • “Ayisyen kite lakay”: an introduction to the music of the Haitian diaspora in Brazil

    Caetano Maschio Santos
    1-33
    DOI: https://doi.org/10.33871/vortex.2025.13.10777

Dossier “Music and Women”

  • Mulheres e Música: à guisa de editorial

    Luciana Requião, Inês de Almeida Rocha
    1-6
    DOI: https://doi.org/10.33871/vortex.2025.13.11079

  • The Woman and the Guitar in Portugal: Cataloging Process

    Maria Beatriz Oliveira, Pedro Rodrigues
    1-28
    DOI: https://doi.org/10.33871/vortex.2025.13.9727

  • Women in the practice of Mbira in Mozambique: breaking down gender barriers.

    Micas Orlando Silambo
    1-41
    DOI: https://doi.org/10.33871/vortex.2025.13.9681

  • Women in Percussion: An Investigation of Composers and Works in Latin America and the Caribbean

    Juliane Larsen, Camila Cardoso
    1-34
    DOI: https://doi.org/10.33871/vortex.2025.13.9887

  • Sensible listening technologies: a feminist and decolonial methodology for music

    Isabel Porto Nogueira
    1-32
    DOI: https://doi.org/10.33871/vortex.2025.13.9958

  • Susanne K. Langer and the Problem of Musical and Artistic Significance.

    Clovis Salgado Gontijo Oliveira, Mauro Miguel de Araújo Teixeira
    1-29
    DOI: https://doi.org/10.33871/vortex.2025.13.9872

  • To Kill Prejudice, I Was Reborn: Two Black Women’s Voice in a Carnival Bloco

    Thiago de Souza Borges, Samuel Araújo
    1-21
    DOI: https://doi.org/10.33871/vortex.2025.13.9953

  • BatuCantada: Women in percussion subverting the musical patriarchy

    Vanessa Ramos de Oliveira Souza, Denise Marcos Bussoletti
    1-24
    DOI: https://doi.org/10.33871/vortex.2025.13.9951

  • Women in Samba: work, collective experiences, and cultural policies

    Laila Andresa Cavalcante Rosa, Julia Ricciardi Lima, Rayra Mayara Santos
    1-28
    DOI: https://doi.org/10.33871/vortex.2025.13.9960

  • It Is Black Song: Pride in Samba and in the Journeys of Dona Ivone Lara and Tia Doca of Portelaer’s

    Denise Santiago-Figueiredo, Ana Paola Laeber
    1-36
    DOI: https://doi.org/10.33871/vortex.2025.13.9893

  • An analysis of labor conditions of black and indigenous singers in the bahian music

    Júlia Melo Salgado, Daniele Pereira Canedo
    1-42
    DOI: https://doi.org/10.33871/vortex.2025.13.9886

  • The therapeutic power of black women's music: perspectives for the clinic

    Sara Santos Dias Costa, Maylla Monnik Rodrigues de Sousa Chaveiro
    1-22
    DOI: https://doi.org/10.33871/vortex.2025.13.9867

  • Black female composers and singers - aesthetic experience and representation in music

    Gisele Massola, Michele Castro
    1-25
    DOI: https://doi.org/10.33871/vortex.2025.13.9906

  • Leonor de Castro: the first female teacher at the Rio de Janeiro Music Conservatory

    Clara Fernandes Albuquerque
    1-30
    DOI: https://doi.org/10.33871/vortex.2025.13.9963

  • Magda Tagliaferro: the criticisms of the French music press and gender issues

    Anderson da Mata Daher
    1-26
    DOI: https://doi.org/10.33871/vortex.2025.13.9774

  • Compositional Achievements of Rebecca Clarke in the Sonata for Viola and Piano

    Adriana Lopes da Cunha Moreira, Laís Ferreira Lopes
    1-29
    DOI: https://doi.org/10.33871/vortex.2025.13.9925

  • The Influence of Symbolic Gender Violence on the Work of Female Composers

    Janaina Fellini, Gislaine Cristina Vagetti
    1-26
    DOI: https://doi.org/10.33871/vortex.2025.13.9801

  • Uma saudade que ficou: the silencing in Dinorá de Carvalho’s compositional work

    Tadeu Moraes Taffarello, Raquel Juliana Prado Leite de Sousa, Flávio Cardoso de Carvalho, Vitor Alves de Mello Lopes
    1-34
    DOI: https://doi.org/10.33871/vortex.2025.13.9869

  • Effects of LaxVox exercise on vocal tract resonance of lyric sopranos

    Suelen Scholl Matter, Marta Assumpção de Andrada e Silva , Zuleica Camargo, Leslie Piccolotto Ferreira, Nadja Sousa
    1-31
    DOI: https://doi.org/10.33871/vortex.2025.13.9912

  • Women and gender perspective: analyzing the repertoire of professional choirs in Southeast Brazil

    Maria Rúbia de Moraes Andreta, Susana Cecília Igayara-Souza
    1-37
    DOI: https://doi.org/10.33871/vortex.2025.13.9894

  • Women in the History of Music, in textbooks and in teacher education

    Andréia Schach Fey, Guilherme Romanelli
    1-25
    DOI: https://doi.org/10.33871/vortex.2025.13.9914

  • Women in samba: what do recent academic productions say?

    Yanne Angelim Dias, Maria Zelma de Araújo Madeira
    1-27
    DOI: https://doi.org/10.33871/vortex.2025.13.9936