O território da Pesquisa Artística: investigando as margens da polissemia

Bibiana Bragagnolo

doi:10.33871/vortex.2025.13.9870

Authors

Bibiana Bragagnolo Universidade Federal de Mato Grosso https://orcid.org/0000-0002-1282-6534

DOI:

https://doi.org/10.33871/vortex.2025.13.9870

Keywords:

Artistic research, Research through art, Territory

Abstract

This paper investigates the field of Artistic Research (AR), which, although growing, faces difficulties in terms of its definitions. Based on some criticisms of the field, the aim of this research is to identify the marks that define AR as a distinct research territory. To this end, Frayling's (1993) typology will be used, understanding that the different understandings of AR are associated with the “research through the arts”. Based on this, and in dialogue with Chiantore (2020), three hallmarks of AR are exposed: the feedback between academic research and artistic practice, the intentionality of proposing itself as research and the particularity of its results. Finally, a structure for AR projects is proposed based on Stévance and Lacasse (2018). The path taken aims to facilitate the approach of interested researchers to the area, as well as highlighting its idiosyncrasies and, as a result, justifying and defending its existence.

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Author Biography

Bibiana Bragagnolo, Universidade Federal de Mato Grosso

Bibiana Bragagnolo is a pianist and researcher, focusing on artistic research, contemporary and experimental music and the inclusion of performance in musical analysis. She holds a PhD in Musicology from the Federal University of Paraíba, with a period at the University of Aveiro, funded by CAPES and under the supervision of Dr. Luca Chiantore. She is the leader, together with Dr. Leonardo P. Sanchez, of the CNPq-registered research group “Observatory and Laboratory of Artistic Research: performance, creation and contemporary culture in Latin America”. Bibiana is an Adjunct Professor at the Federal University of Mato Grosso, working in the Department of Arts, in the areas of piano, performance, culture and pedagogy of the instrument, in the Postgraduate Program in Contemporary Culture Studies, in the line of contemporary poetics, and in the Professional Master's Degree in Music. She coordinates the research project “Artistic research in Latin America: practices from the Global South”, funded by CNPq.

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