Vol. 12 (2024): Revista Vórtex

View Vol. 12 (2024): Revista Vórtex
Published: 2024-03-28

Original Article

  • Words, Sounds, and Images – Representations of the Guitar in Brazilian Literary Prose

    Cláudia Araújo Garcia
    1-28
    DOI: https://doi.org/10.33871/vortex.2024.12.8726

  • A constellation for Jocy de Oliveira’s artwork

    Claudia Helena Azevedo Alvarenga
    1-38
    DOI: https://doi.org/10.33871/vortex.2024.12.9225

  • Analysis and interpretation of the Sonatina for guitar by Sérgio Vasconcellos-Corrêa

    Jéfrey Antônio de Andrade, Rogério Tavares Constante
    1-44
    DOI: https://doi.org/10.33871/vortex.2024.12.8864

  • A quantitative comparison of viral and hit songs in the Brazilian music market

    Gabriel Oliveira, Ana Paula Couto da Silva, Mirella Moro
    1-29
    DOI: https://doi.org/10.33871/vortex.2024.12.8727

  • "Indios muzicos" of the 18th century: The Indigenous Musical Ensemble of Itapecerica (1767-1835)

    Daniel Issa Gonçalves, Paulo Augusto Castagna
    1-34
    DOI: https://doi.org/10.33871/vortex.2024.12.9301

  • The equivalence of sound and visual images in Di-stances, by Vânia Dantas Leite.

    Alexandre Fenerich
    1-27
    DOI: https://doi.org/10.33871/vortex.2024.12.8824

  • Reflections on the concepts of Meyer's Theory of Styles for musical performance

    Samuel Henrique da Silva Cianbroni, Regina Antunes Teixeira Dos Santos
    1-26
    DOI: https://doi.org/10.33871/vortex.2024.12.9270

  • The transit of lyric companies between the cities of Desterro and Rio Grande from 1850 to 1880

    Marcele Pedrotti Dutra Meneses, Marcos Holler
    1-32
    DOI: https://doi.org/10.33871/vortex.2024.12.8561

  • Rachel Reis' decolonial performance on the album Meu Esquema and Salvador's Afro-Latin music scene

    Nadja Vladi Gumes, Tatiana Rodrigues Lima
    1-33
    DOI: https://doi.org/10.33871/vortex.2024.12.8724

  • Space in Music: what we call ‘space’ in music and what it really is

    Fabio Wanderley Janhan Sousa
    1-24
    DOI: https://doi.org/10.33871/vortex.2024.12.8490

  • From Seeds to Gardens: Transcription and Orchestration in Notations VII by Pierre Boulez

    Igor Leão Maia, Felipe Mendes Vasconcelos, Samuel Araújo Alves
    1-31
    DOI: https://doi.org/10.33871/vortex.2024.12.8731

  • Violin in choro: interpretative possibilities based on compositions by J. E. Gramani

    Carolina Momm de Melo, Luiz Henrique Fiaminghi
    1-38
    DOI: https://doi.org/10.33871/vortex.2024.12.8415

  • Sonata form in Alberto Nepomuceno’s Symphony in G minor

    Norton Dudeque
    1-36
    DOI: https://doi.org/10.33871/vortex.2024.12.8621

  • “Indios muzicos” of the 18th Century: The Indigenous Musical Ensemble of Embu (1783-1829)

    Daniel Issa Gonçalves, Paulo Augusto Castagna
    1-31
    DOI: https://doi.org/10.33871/vortex.2024.12.8712

  • Lilinha Fernandes and Quincas Laranjeiras: two Swallows among passing Dreams

    Humberto Amorim
    1-42
    DOI: https://doi.org/10.33871/vortex.2024.12.8686

  • Rossiniana n° 1 by Mauro Giuliani: interpretation of "Assisa à piè d'un salice" from primary sources.

    Helvis Costa, Fabio Scarduelli
    1-39
    DOI: https://doi.org/10.33871/vortex.2024.12.8631

  • The paradigms of authenticity in the interpretation of Variações by Llobet on Op. 15 by Sor

    Luciano Souto, Adrielle Clara Silva Melo
    1-40
    DOI: https://doi.org/10.33871/vortex.2024.12.8286

  • Conceptions about singing and vocal production in Camillo Maffei's Discorso della voce (1562)

    Viviane Alves Kubo
    1-25
    DOI: https://doi.org/10.33871/vortex.2024.12.8773

  • Contemporary music at Fundação de Educação Artística in the decade before COVID-19 los impactos de la pandemia de COVID-19 en Belo Horizonte

    Guilherme Nascimento
    1-17
    DOI: https://doi.org/10.33871/vortex.2024.12.8464

  • Reinterpreting dual-aspect meter in 20th and 21st century repertoires

    Leandro Gumboski
    1-28
    DOI: https://doi.org/10.33871/vortex.2024.12.9169

  • The Spatial Dimension as an Expressive and Structuring Element in Phonograms from the 1950s

    Gilberto Assis Rosa
    1-22
    DOI: https://doi.org/10.33871/vortex.2024.12.9084

  • The concept of piano timbre: perspectives from five graduate pianists

    Nayane Nogueira Soares
    1-34
    DOI: https://doi.org/10.33871/vortex.2024.12.9190

  • "It will be an honor for the country and for the friend": the letters of Friar Pedro Sinzig to Curt Lange

    Marta Castello Branco
    1-25
    DOI: https://doi.org/10.33871/vortex.2024.12.9272

Dossier “New Sound Ecologies”

  • Editorial: New Sound Ecologies

    William Teixeira, Jacek Smolicki
    1-6
    DOI: https://doi.org/10.33871/vortex.2024.12.10335

  • Composing Sound Spaces: an interview with Hans Tutschku

    Ingrid Mayumi Yamazato de Souza, William Teixeira da Silva
    1-25
    DOI: https://doi.org/10.33871/vortex.2024.12.9523

  • Contributions of Gibson's Ecological Psychology to the Creation of Interactive Sound Installations

    Rael Bertarelli Gimenes Toffolo
    1-29
    DOI: https://doi.org/10.33871/vortex.2024.12.9513

  • Starling Murmurations as a Model for Sound Spatialization

    Said Bonduki, Leon Steidle
    DOI: https://doi.org/10.33871/vortex.2024.12.9579

  • Ecosystem [512]: Acoustic Ecology Surveys as Music

    Garrison Gerard
    1-27
    DOI: https://doi.org/10.33871/vortex.2024.12.9521

  • From Nature to Instrument: Mimetic Realism in Two Works by Carola Bauckholt

    Thiago Diniz Gonzaga de Lima, Igor Leão Maia
    1-45
    DOI: https://doi.org/10.33871/vortex.2024.12.9525

  • Performative Listening with Trees in the Sonic Ecology of Forests

    Suna Başlantı
    1-23
    DOI: https://doi.org/10.33871/vortex.2024.12.9511

  • The Critical Ear

    Sara Pinheiro
    1-17
    DOI: https://doi.org/10.33871/vortex.2024.12.9522

  • A Market of Noises and Sounds for Wellbeing (MONSWELL)

    Vinícius Andrade Pereira, Cássio de Borba Lucas
    1-20
    DOI: https://doi.org/10.33871/vortex.2024.12.9666

  • Etymology as sound analysis: a study of the terminological variation of Pantanal Birds

    Thierry Delmond, William Teixeira, Maristela Benites da Silva
    1-27
    DOI: https://doi.org/10.33871/vortex.2024.12.9504

  • Post-immersive Listening: Perspectives on the Mediation of Sonic Environments

    Budhaditya Chattopadhyay
    1-19
    DOI: https://doi.org/10.33871/vortex.2024.12.9663

  • Immersive sound image with circular arrangements of transducers spaced in equal segments

    Jose Augusto Mannis, Igor Abdo Aguilar, Amanda Chang Rodrigues
    1-46
    DOI: https://doi.org/10.33871/vortex.2024.12.9752

Ebony & Ivory: history, contexts and practices related to piano

  • Editorial: Ebony & Ivory - History, Contexts and Practices Related to Piano

    Alfonso Benetti
    1-14
    DOI: https://doi.org/10.33871/vortex.2024.12.9555

  • Play, perform, experiment, create: György Kurtág's 'Jatékók' and playful music-making

    Gustavo Rodrigues Penha, Silvio Ferraz Mello Filho
    1-37
    DOI: https://doi.org/10.33871/vortex.2024.12.8398

  • Intertextuality and Performance in “Três Sátiras para Piano” by José Alberto Kaplan

    Tassio Lima, Joana Holanda
    1-41
    DOI: https://doi.org/10.33871/vortex.2024.12.8485

  • An expert pianist's strategies for learning a song from a lead sheet

    Joao G A Lima, Danilo Ramos
    1-45
    DOI: https://doi.org/10.33871/vortex.2024.12.8443

  • Magdalena Tagliaferro: repertoire and performances according to French music critics

    Anderson da Mata Daher
    1-30
    DOI: https://doi.org/10.33871/vortex.2024.12.8546

  • Macedo Pinto’s Nove Instantâneos for piano sources, contexts, and pedagogical contribution

    Gustavo Afonso, Helena Marinho
    1-35
    DOI: https://doi.org/10.33871/vortex.2024.12.8450

Interview

  • Conducting pedagogues: a dialogue with Maestro Jean-François Rivest, act II

    Erickinson Lima, André Muniz
    1-29
    DOI: https://doi.org/10.33871/vortex.2024.12.8348

Translation

  • Music and Silence

    Gisèle Brelet; Gustavo Bonin, Juliana Di Fiori Pondian
    1-22
    DOI: https://doi.org/10.33871/vortex.2024.12.9117