Vol. 12 (2024): Revista Vórtex

View Vol. 12 (2024): Revista Vórtex
Published: 2024-03-28

Research Papers

  • Words, Sounds, and Images – Representations of the Guitar in Brazilian Literary Prose

    DOI: https://doi.org/10.33871/vortex.2024.12.8726
    Cláudia Araújo Garcia
    1-28

  • A constellation for Jocy de Oliveira’s artwork

    DOI: https://doi.org/10.33871/vortex.2024.12.9225
    Claudia Helena Azevedo Alvarenga
    1-38

  • Analysis and interpretation of the Sonatina for guitar by Sérgio Vasconcellos-Corrêa

    DOI: https://doi.org/10.33871/vortex.2024.12.8864
    Jéfrey Antônio de Andrade, Rogério Tavares Constante
    1-44

  • A quantitative comparison of viral and hit songs in the Brazilian music market

    DOI: https://doi.org/10.33871/vortex.2024.12.8727
    Gabriel Oliveira, Ana Paula Couto da Silva, Mirella Moro
    1-29

  • "Indios muzicos" of the 18th century: The Indigenous Musical Ensemble of Itapecerica (1767-1835)

    DOI: https://doi.org/10.33871/vortex.2024.12.9301
    Daniel Issa Gonçalves, Paulo Augusto Castagna
    1-34

  • The equivalence of sound and visual images in Di-stances, by Vânia Dantas Leite.

    DOI: https://doi.org/10.33871/vortex.2024.12.8824
    Alexandre Fenerich
    1-27

  • Reflections on the concepts of Meyer's Theory of Styles for musical performance

    DOI: https://doi.org/10.33871/vortex.2024.12.9270
    Samuel Henrique da Silva Cianbroni, Regina Antunes Teixeira Dos Santos
    1-26

  • The transit of lyric companies between the cities of Desterro and Rio Grande from 1850 to 1880

    DOI: https://doi.org/10.33871/vortex.2024.12.8561
    Marcele Pedrotti Dutra Meneses, Marcos Holler
    1-32

  • Rachel Reis' decolonial performance on the album Meu Esquema and Salvador's Afro-Latin music scene

    DOI: https://doi.org/10.33871/vortex.2024.12.8724
    Nadja Vladi Gumes, Tatiana Rodrigues Lima
    1-33

  • Space in Music: what we call ‘space’ in music and what it really is

    DOI: https://doi.org/10.33871/vortex.2024.12.8490
    Fabio Wanderley Janhan Sousa
    1-24

  • From Seeds to Gardens: Transcription and Orchestration in Notations VII by Pierre Boulez

    DOI: https://doi.org/10.33871/vortex.2024.12.8731
    Igor Leão Maia, Felipe Mendes Vasconcelos, Samuel Araújo Alves
    1-31

  • Violin in choro: interpretative possibilities based on compositions by J. E. Gramani

    DOI: https://doi.org/10.33871/vortex.2024.12.8415
    Carolina Momm de Melo, Luiz Henrique Fiaminghi
    1-38

  • Sonata form in Alberto Nepomuceno’s Symphony in G minor

    DOI: https://doi.org/10.33871/vortex.2024.12.8621
    Norton Dudeque
    1-36

  • “Indios muzicos” of the 18th Century: The Indigenous Musical Ensemble of Embu (1783-1829)

    DOI: https://doi.org/10.33871/vortex.2024.12.8712
    Daniel Issa Gonçalves, Paulo Augusto Castagna
    1-31

  • Lilinha Fernandes and Quincas Laranjeiras: two Swallows among passing Dreams

    DOI: https://doi.org/10.33871/vortex.2024.12.8686
    Humberto Amorim
    1-42

  • Rossiniana n° 1 by Mauro Giuliani: interpretation of "Assisa à piè d'un salice" from primary sources.

    DOI: https://doi.org/10.33871/vortex.2024.12.8631
    Helvis Costa, Fabio Scarduelli
    1-39

  • The paradigms of authenticity in the interpretation of Variações by Llobet on Op. 15 by Sor

    DOI: https://doi.org/10.33871/vortex.2024.12.8286
    Luciano Souto, Adrielle Clara Silva Melo
    1-40

  • Conceptions about singing and vocal production in Camillo Maffei's Discorso della voce (1562)

    DOI: https://doi.org/10.33871/vortex.2024.12.8773
    Viviane Alves Kubo
    1-25

  • Contemporary music at Fundação de Educação Artística in the decade before COVID-19 los impactos de la pandemia de COVID-19 en Belo Horizonte

    DOI: https://doi.org/10.33871/vortex.2024.12.8464
    Guilherme Nascimento
    1-17

  • Reinterpreting dual-aspect meter in 20th and 21st century repertoires

    DOI: https://doi.org/10.33871/vortex.2024.12.9169
    Leandro Gumboski
    1-28

  • The Spatial Dimension as an Expressive and Structuring Element in Phonograms from the 1950s

    DOI: https://doi.org/10.33871/vortex.2024.12.9084
    Gilberto Assis Rosa
    1-22

  • The concept of piano timbre: perspectives from five graduate pianists

    DOI: https://doi.org/10.33871/vortex.2024.12.9190
    Nayane Nogueira Soares
    1-34

  • "It will be an honor for the country and for the friend": the letters of Friar Pedro Sinzig to Curt Lange

    DOI: https://doi.org/10.33871/vortex.2024.12.9272
    Marta Castello Branco
    1-25

Dossier “New Sound Ecologies”

  • Editorial: New Sound Ecologies

    DOI: https://doi.org/10.33871/vortex.2024.12.10335
    William Teixeira, Jacek Smolicki
    1-6

  • Composing Sound Spaces: an interview with Hans Tutschku

    DOI: https://doi.org/10.33871/vortex.2024.12.9523
    Ingrid Mayumi Yamazato de Souza, William Teixeira da Silva
    1-25

  • Contributions of Gibson's Ecological Psychology to the Creation of Interactive Sound Installations

    DOI: https://doi.org/10.33871/vortex.2024.12.9513
    Rael Bertarelli Gimenes Toffolo
    1-29

  • Starling Murmurations as a Model for Sound Spatialization

    DOI: https://doi.org/10.33871/vortex.2024.12.9579
    Said Bonduki, Leon Steidle

  • Ecosystem [512]: Acoustic Ecology Surveys as Music

    DOI: https://doi.org/10.33871/vortex.2024.12.9521
    Garrison Gerard
    1-27

  • From Nature to Instrument: Mimetic Realism in Two Works by Carola Bauckholt

    DOI: https://doi.org/10.33871/vortex.2024.12.9525
    Thiago Diniz Gonzaga de Lima, Igor Leão Maia
    1-45

  • Performative Listening with Trees in the Sonic Ecology of Forests

    DOI: https://doi.org/10.33871/vortex.2024.12.9511
    Suna Başlantı
    1-23

  • The Critical Ear

    DOI: https://doi.org/10.33871/vortex.2024.12.9522
    Sara Pinheiro
    1-17

  • A Market of Noises and Sounds for Wellbeing (MONSWELL)

    DOI: https://doi.org/10.33871/vortex.2024.12.9666
    Vinícius Andrade Pereira, Cássio de Borba Lucas
    1-20

  • Etymology as sound analysis: a study of the terminological variation of Pantanal Birds

    DOI: https://doi.org/10.33871/vortex.2024.12.9504
    Thierry Delmond, William Teixeira, Maristela Benites da Silva
    1-27

  • Post-immersive Listening: Perspectives on the Mediation of Sonic Environments

    DOI: https://doi.org/10.33871/vortex.2024.12.9663
    Budhaditya Chattopadhyay
    1-19

  • Immersive sound image with circular arrangements of transducers spaced in equal segments

    DOI: https://doi.org/10.33871/vortex.2024.12.9752
    Jose Augusto Mannis, Igor Abdo Aguilar, Amanda Chang Rodrigues
    1-46

Ebony & Ivory: history, contexts and practices related to piano

  • Editorial: Ebony & Ivory - History, Contexts and Practices Related to Piano

    DOI: https://doi.org/10.33871/vortex.2024.12.9555
    Alfonso Benetti
    1-14

  • Play, perform, experiment, create: György Kurtág's 'Jatékók' and playful music-making

    DOI: https://doi.org/10.33871/vortex.2024.12.8398
    Gustavo Rodrigues Penha, Silvio Ferraz Mello Filho
    1-37

  • Intertextuality and Performance in “Três Sátiras para Piano” by José Alberto Kaplan

    DOI: https://doi.org/10.33871/vortex.2024.12.8485
    Tassio Lima, Joana Holanda
    1-41

  • An expert pianist's strategies for learning a song from a lead sheet

    DOI: https://doi.org/10.33871/vortex.2024.12.8443
    Joao G A Lima, Danilo Ramos
    1-45

  • Magdalena Tagliaferro: repertoire and performances according to French music critics

    DOI: https://doi.org/10.33871/vortex.2024.12.8546
    Anderson da Mata Daher
    1-30

  • Macedo Pinto’s Nove Instantâneos for piano sources, contexts, and pedagogical contribution

    DOI: https://doi.org/10.33871/vortex.2024.12.8450
    Gustavo Afonso, Helena Marinho
    1-35

Interview

  • Conducting pedagogues: a dialogue with Maestro Jean-François Rivest, act II

    DOI: https://doi.org/10.33871/vortex.2024.12.8348
    Erickinson Lima, André Muniz
    1-29

Translation

  • Music and Silence

    DOI: https://doi.org/10.33871/vortex.2024.12.9117
    Gisèle Brelet; Gustavo Bonin, Juliana Di Fiori Pondian
    1-22