Vol. 12 (2024): Revista Vórtex

View Vol. 12 (2024): Revista Vórtex
Published: 2024-03-28

Research Papers

  • The equivalence of sound and visual images in Di-stances, by Vânia Dantas Leite.

    Alexandre Fenerich
    1-27

    Visualizações: 29
    DOI: https://doi.org/10.33871/vortex.2024.12.8824

  • "Indios muzicos" of the 18th century: The Indigenous Musical Ensemble of Itapecerica (1767-1835)

    Daniel Issa Gonçalves, Paulo Augusto Castagna
    1-34

    Visualizações: 13
    DOI: https://doi.org/10.33871/vortex.2024.12.9301

  • Reflections on the concepts of Meyer's Theory of Styles for musical performance

    Samuel Henrique da Silva Cianbroni, Regina Antunes Teixeira Dos Santos
    1-26

    Visualizações: 33
    DOI: https://doi.org/10.33871/vortex.2024.12.9270

  • Analysis and interpretation of the Sonatina for guitar by Sérgio Vasconcellos-Corrêa

    Jéfrey Antônio de Andrade, Rogério Tavares Constante
    1-44

    Visualizações: 29
    DOI: https://doi.org/10.33871/vortex.2024.12.8864

  • A constellation for Jocy de Oliveira’s artwork

    Claudia Helena Azevedo Alvarenga
    1-38

    Visualizações: 212
    DOI: https://doi.org/10.33871/vortex.2024.12.9225

  • Exploring the Potential of 3D Printing in Musical Instrument Manufacturing: A Systematic Review

    Gizele Iank Leite, Luiz Alberto Pilatti , Awdry Feisser Miquelin, Matheus Pereira Postigo
    1-23

    Visualizações: 40
    DOI: https://doi.org/10.33871/vortex.2024.12.8611

  • A quantitative comparison of viral and hit songs in the Brazilian music market

    Gabriel Oliveira, Ana Paula Couto da Silva, Mirella Moro
    1-29

    Visualizações: 52
    DOI: https://doi.org/10.33871/vortex.2024.12.8727

  • Violin in choro: interpretative possibilities based on compositions by J. E. Gramani

    Carolina Momm de Melo, Luiz Henrique Fiaminghi
    1-38

    Visualizações: 68
    DOI: https://doi.org/10.33871/vortex.2024.12.8415

  • The transit of lyric companies between the cities of Desterro and Rio Grande from 1850 to 1880

    Marcele Pedrotti Dutra Meneses, Marcos Holler
    1-32

    Visualizações: 72
    DOI: https://doi.org/10.33871/vortex.2024.12.8561

  • Rachel Reis' decolonial performance on the album Meu Esquema and Salvador's Afro-Latin music scene

    Nadja Vladi Gumes, Tatiana Rodrigues Lima
    1-33

    Visualizações: 192
    DOI: https://doi.org/10.33871/vortex.2024.12.8724

  • Space in Music: what we call ‘space’ in music and what it really is

    Fabio Wanderley Janhan Sousa
    1-24

    Visualizações: 46
    DOI: https://doi.org/10.33871/vortex.2024.12.8490

  • From Seeds to Gardens: Transcription and Orchestration in Notations VII by Pierre Boulez

    Igor Leão Maia, Felipe Mendes Vasconcelos, Samuel Araújo Alves
    1-31

    Visualizações: 71
    DOI: https://doi.org/10.33871/vortex.2024.12.8731

  • Sonata form in Alberto Nepomuceno’s Symphony in G minor

    Norton Dudeque
    1-36

    Visualizações: 58
    DOI: https://doi.org/10.33871/vortex.2024.12.8621

  • “Indios muzicos” of the 18th Century: The Indigenous Musical Ensemble of Embu (1783-1829)

    Daniel Issa Gonçalves, Paulo Augusto Castagna
    1-31

    Visualizações: 68
    DOI: https://doi.org/10.33871/vortex.2024.12.8712

  • Lilinha Fernandes and Quincas Laranjeiras: two Swallows among passing Dreams

    Humberto Amorim
    1-42

    Visualizações: 99
    DOI: https://doi.org/10.33871/vortex.2024.12.8686

  • Rossiniana n° 1 by Mauro Giuliani: interpretation of "Assisa à piè d'un salice" from primary sources.

    Helvis Costa, Fabio Scarduelli
    1-39

    Visualizações: 59
    DOI: https://doi.org/10.33871/vortex.2024.12.8631

  • The paradigms of authenticity in the interpretation of Variações by Llobet on Op. 15 by Sor

    Luciano Souto, Adrielle Clara Silva Melo
    1-40

    Visualizações: 87
    DOI: https://doi.org/10.33871/vortex.2024.12.8286

Interview

  • Conducting pedagogues: a dialogue with Maestro Jean-François Rivest, act II

    Erickinson Lima, André Muniz
    1-29

    Visualizações: 47
    DOI: https://doi.org/10.33871/vortex.2024.12.8348

Ebony & Ivory: history, contexts and practices related to piano

  • Editorial: Ebony & Ivory - History, Contexts and Practices Related to Piano

    Alfonso Benetti
    1-14

    Visualizações: 36
    DOI: https://doi.org/10.33871/vortex.2024.12.9555

  • Play, perform, experiment, create: György Kurtág's 'Jatékók' and playful music-making

    Gustavo Rodrigues Penha, Silvio Ferraz Mello Filho
    1-37

    Visualizações: 44
    DOI: https://doi.org/10.33871/vortex.2024.12.8398

  • Intertextuality and Performance in “Três Sátiras para Piano” by José Alberto Kaplan

    Tassio Lima, Joana Holanda
    1-41

    Visualizações: 39
    DOI: https://doi.org/10.33871/vortex.2024.12.8485

  • An expert pianist's strategies for learning a song from a lead sheet

    Joao G A Lima, Danilo Ramos
    1-45

    Visualizações: 56
    DOI: https://doi.org/10.33871/vortex.2024.12.8443

  • Magdalena Tagliaferro: repertoire and performances according to French music critics

    Anderson da Mata Daher
    1-30

    Visualizações: 35
    DOI: https://doi.org/10.33871/vortex.2024.12.8546

  • Macedo Pinto’s Nove Instantâneos for piano sources, contexts, and pedagogical contribution

    Gustavo Afonso, Helena Marinho
    1-35

    Visualizações: 38
    DOI: https://doi.org/10.33871/vortex.2024.12.8450

Translation

  • Music and Silence

    Gisèle Brelet; Gustavo Bonin, Juliana Di Fiori Pondian
    1-22

    Visualizações: 112
    DOI: https://doi.org/10.33871/vortex.2024.12.9117