Audição pós-imersiva: Perspectivas sobre a mediação de ambientes sônicos
DOI:
https://doi.org/10.33871/vortex.2024.12.9663Palavras-chave:
artistic research, sonic ecologies, recorded sound, soundscape composition, field recording, film sound, audiovisual mediaResumo
Encontros não planejados podem surgir de movimentos complexos através de geografias, com a imponderabilidade desempenhando um papel crucial. O artista midiático Budhaditya Chattopadhyay encontra inesperadamente o pesquisador Budhaditya Chattopadhyay em um café em Budapeste. Este é o oitavo encontro deles, após interações anteriores em Copenhague (2017), Haia (2021c), Calcutá (2021b), Berlim (2022a), Beirute (2022b), Basel (2023) e Rampurhat (2024). Cada interação promoveu uma troca reflexiva de ideias, fundindo suas perspectivas artísticas e teóricas sobre som, escuta, experiências migratórias e ativismo decolonial. Apesar das diferentes lentes que trazem, suas conversas geram novos insights. No café movimentado, cercados por estudantes desengajados, sintomas do isolamento típico de universidades europeias, os dois se envolvem em discussões ponderadas sobre ecologias acústicas, ambientes sonoros, gravações de campo e mídias audiovisuais. Seu diálogo reflete um espírito de camaradagem, destacando o valor das trocas interdisciplinares na promoção do conhecimento e da compreensão entre os domínios artístico e acadêmico.
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