Escuta Performativa com Árvores na Ecologia Sônica das Florestas
Visualizações: 48DOI:
https://doi.org/10.33871/vortex.2024.12.9511Palavras-chave:
Audição Performática, Ecologia Sônica, Paisagem sonora da floresta, Agência das Árvores, EncontrosResumo
Este artigo reflete sobre o estudo da escuta performativa com árvores na ecologia sônica das florestas, com base em uma etnografia multiespécie baseada na prática realizada em florestas distintas da Turquia. Ao integrar os conceitos de estudos sonoros, estudos de desempenho e teoria pós-humanista, apresento a escuta performativa como um método que destaca a importância do envolvimento incorporado e multissensorial com a ecologia sônica das florestas. Com base nas percepções do trabalho de campo, demonstro como a escuta performativa pode servir como uma ferramenta com potencial para aumentar a empatia e a compreensão da ação das plantas. Essa prática defende uma abordagem mais inclusiva das interações entre várias espécies, enfatizando o impacto transformador dos encontros e do som.
Downloads
Referências
ABRAM, David. Becoming animal: An earthly cosmology. New York: Pantheon Books. 2010 DOI: https://doi.org/10.1080/14688417.2010.10589067
AUGOYARD, Jean-Francois and TORGUE, Henri. Sonic experience: a guide to everyday sounds. McGill-Queen's Press-MQUP, 2006. DOI: https://doi.org/10.1515/9780773576919
BALDING, Mung and WILLIAMS, Kathryn JH. Plant blindness and the implications for plant conservation. Conservation Biology, 30(6), 1192-1199, 2016. doi: 10.1111/cobi.12738. DOI: https://doi.org/10.1111/cobi.12738
BARAD, Karen. Posthumanist performativity: Toward an understanding of how matter comes to matter. Signs: Journal of Women in Culture and Society, 28(3), 801–31, 2003. DOI: https://doi.org/10.1086/345321
BARAD, Karen. Meeting the universe halfway: Quantum physics and the entanglement of matter and meaning. Durham, NC: Duke University Press, 2007. DOI: https://doi.org/10.2307/j.ctv12101zq
BARAD, Karen. Matter feels, converses, suffers, desires, yearns and remembers. Interview with Karen Barad. In TUIN, Iris Van Der and DOLPHIJN, Rick. (Eds.). New Materialism: Interviews and Cartographies. Ann Arbor: Open Humanities Press, 2012. 48–70.
BUTLER, Judith. Gender Trouble: Feminism and the subversion of identity. 2nd ed. Routledge, 1999. https://doi.org/10.4324/9780203902752. DOI: https://doi.org/10.4324/9780203902752
COBUSSEN, Marcel. Towards a “New” Sonic Ecology. Inaugural lecture on the acceptance of position as professor of Auditory Culture at the Universiteit Leiden: Netherlands, 2016.
COOLEY, Timothy, ALLEN, Aaron S., HELLIER, Ruth, PEDELTY, Mark, VON GLAHN, Denise, TITON, Jeff T., and POST, Jennifer C. Call and Response: SEM President’s Roundtable 2018, “Humanities’ Responses to the Anthropocene”. Ethnomusicology, 64(2), 301-301, 2020. https://doi.org/10.5406/ethnomusicology.64.2.0301 DOI: https://doi.org/10.5406/ethnomusicology.64.2.0301
DALY, Lewis. The symbiosis of people and plants: Ecological engagements among the Makushi Amerindians of Amazonian Guyana. 2015. Dissertation. Institute of Social and Cultural Anthropology. University of Oxford.
DEMEY, Marie L., MISHRA, Ratnesh C. and VAN DER STRAETEN, Dominique. Sound perception in plants: From ecological significance to molecular understanding. Trends in Plant Science, 28, 7, 825-840, 2023. https://doi.org/10.1016/j.tplants.2023.03.003 DOI: https://doi.org/10.1016/j.tplants.2023.03.003
DESCOLA, Philippe. Beyond Nature and Culture. University of Chicago Press, 2013. DOI: https://doi.org/10.7208/chicago/9780226145006.001.0001
Di CROCE, Nicola. Attuning to disturbance: towards a multi-species sonic ecology. In: Sonic urbanism: Listening to non-human life. Theatrum Mundi, 2022. 12-19.
FARINA, Alma. Perspectives in ecoacoustics: A contribution to defining a discipline. Journal of Ecoacoustics, 2, 1-19, 2018. DOI: https://doi.org/10.22261/jea.trzd5i
FELD, Steven. On post-ethnomusicology alternatives: acoustemology. In: Giannattasio, Francesco and Giuriati, Giovanni. (Eds.). Perspectives on 21st-century comparative musicology: Ethnomusicology or Transcultural Musicology? Udine: Nota, 2017. 82-98.
GREGG, Melissa and SEIGWORTH, Gregory J. The affect theory reader. Durham: Duke University Press, 2010. DOI: https://doi.org/10.1215/9780822393047
GRUSIN, Richard. (Ed). The nonhuman turn. University of Minnesota Press, 2015.
GUILBAULT, Jocelyne. The politics of musical bonding: New prospects for cosmopolitan music studies. In: Giannattasio, Francesco and Giuriati, Giovanni. (Eds.). Perspectives on a 21st century comparative musicology: Ethnomusicology or Transcultural Musicology? Udine: Nota, 2017. 100-125.
HARAWAY, Donna. The companion species manifesto: Dogs, people, and significant otherness. Chicago: Prickly Paradigm Press, 2003.
HARAWAY, Donna. Staying with the trouble: Making kin in the Chthulucene. Durham: Duke University Press, 2016. DOI: https://doi.org/10.2307/j.ctv11cw25q
HASKELL, David George. The songs of trees: Stories from nature’s great connectors. Penguin, 2018.
HELMREICH, Stefan. Listening against soundscapes. Anthropology News, 51(9), 10, 2010. DOI: https://doi.org/10.1111/j.1556-3502.2010.51910.x
HELMREICH, Stefan. Transduction. In: NOVAK, David and SAKAKEENY, Matt. (Eds.). Keywords in sound. Duke University Press, 2015. 222-231. DOI: https://doi.org/10.2307/j.ctv11sn6t9.22
INGOLD, Tim. Against soundscape. In: ANGUS, Carlyle (Ed.). Autumn leaves: Sound and the environment in artistic practice. Paris: Double Entendre, 2007. 10-13.
JUNG, Jihye, KIM, Seon-Kyu, KIM, Joo Y., JEONG, Mi-Jeong, and RYU, Choong-Min. Beyond chemical triggers: Evidence for sound-evoked physiological reactions in plants. Frontiers in Plant Science, 9. 2018. https://doi.org/10.3389/fpls.2018.00025 DOI: https://doi.org/10.3389/fpls.2018.00025
KAPCHAN, Deborah. The Splash of Icarus: theorising sound writing/writing sound theory. In: Kapchan, Deborah. (Ed.). Theorizing Sound Writing. Wesleyan University Press, 2017. 1-22.
KIMMERER, Robin Wall. Braiding sweetgrass: Indigenous wisdom, scientific knowledge and the teachings of plants. Milkweed editions, 2013.
MIDDELHOFF, Frederike and PESELMANN, Arnika. The stories plants tell: An introduction to vegetal narrative cultures. Narrative Culture 10.2, 175-188, 2023. DOI: https://doi.org/10.1353/ncu.2023.a903843
MONTGOMERY, Beronda. Lessons from plants. Harvard University Press, 2021. DOI: https://doi.org/10.4159/9780674259423
OLIVEROS, Pauline. Deep listening: A composer’s sound practice. New York: Iuniverse, Inc, 2005.
PIJANOWSKI, Bryan, FARINA, Alma, GAGE, Stuart H., DUMYAHN, Sarah L., and KRAUSE, Bernie L. What is soundscape ecology? An introduction and overview of an emerging new science. Landscape ecology, 26, 1213-1232. 2011. DOI: https://doi.org/10.1007/s10980-011-9600-8
SCHECHNER, Richard. Performance studies: An introduction. 3rd ed. Routledge, 2013. DOI: https://doi.org/10.4324/9780203715345
TITON, Jeff Todd. Toward a sound ecology: New and selected essays. Indiana University Press, 2020. DOI: https://doi.org/10.2307/j.ctv14npk5q
TRUAX, Barry. Acoustic ecology and the world soundscape project. In: DROUMEVA, Milena and JORDAN, Randolph (Eds.). Sound, media, ecology. Cham, Switzerland: Palgrave Macmillan, 2019. 21-44. DOI: https://doi.org/10.1007/978-3-030-16569-7_2
TSING, Anna Lowenhaupt. The mushroom at the end of the world: On the possibility of life in capitalist ruins. Princeton University Press, 2015. DOI: https://doi.org/10.1515/9781400873548
WOHLLEBEN, Peter. The hidden life of trees: What they feel, how they communicate–discovering a hidden world. Munich: Ludwig, Random House, 2015.
Downloads
Publicado
Como Citar
Edição
Seção
Licença
Copyright (c) 2024 Suna Başlantı
Este trabalho está licenciado sob uma licença Creative Commons Attribution 4.0 International License.
Autores mantêm os direitos autorais e concedem à revista o direito de primeira publicação, com o trabalho simultaneamente licenciado sob a Licença Creative Commons Attribution que permite o compartilhamento do trabalho com reconhecimento da autoria e publicação inicial nesta revista.
