About the Journal

Revista Vórtex (ISSN 2317-9937 - Qualis A1) is an online, open-access journal dedicated to music and published in partnership with the Graduate Program in Music (PPGMUS) of the State University of Paraná (UNESPAR), Brazil. Revista Vórtex published its first issue in 2013, and since then has consolidated its editorial policy of excellence, being indexed internationally, with stratum A1 in the Qualis Capes evaluation.

Announcements

Current Issue

Vol. 13 (2025): Revista Vórtex
View Vol. 13 (2025): Revista Vórtex
Published: 2025-04-15

Research Papers

  • Idiosyncrasies in rabeca making in Pernambuco: The case of Valério Bizunga, Olinda, Pernambuco, Brazil

    Erasmo Estrada, Jorge Ventura de Morais
    1-50
    DOI: https://doi.org/10.33871/vortex.2025.13.9210

  • Education and the professional life of Horn players in Brazil in the 21st Century

    Radegundis Aranha Tavares Feitosa, Maria Suellen Magalhães
    1-34
    DOI: https://doi.org/10.33871/vortex.2025.13.9496

  • The Invention of the Vocal Instrument in Got Lost, by Helmut Lachenmann

    Lucas Mateus Silva, William Teixeira da Silva
    1-32
    DOI: https://doi.org/10.33871/vortex.2025.13.9096

  • Huni Kuin shamanic chants: ayahuasca cerimonies, cosmologies and bridges between worlds

    Leonardo Bomfim
    DOI: https://doi.org/10.33871/vortex.2025.13.8946

  • Tinctoris on false concordances: a mistake made by all composers?

    Matheus Rocha Grain
    1-26
    DOI: https://doi.org/10.33871/vortex.2025.13.9467

  • An analysis of Ruggiero Ricci's conceptions of left-hand violin technique

    Brigitta Calloni
    1-32
    DOI: https://doi.org/10.33871/vortex.2025.13.9459

  • The Musical Interpreter and the Art Technique: Reflections on a Proposition by Mário de Andrade

    Luigi Brandão, Flavio Barbeitas
    1-25
    DOI: https://doi.org/10.33871/vortex.2025.13.9425

  • The music in concertato style in the Real Mosteiro de São Bento da Avé-Maria in Oporto between the 18th and the 19th century

    Rosana Marreco Brescia, Marco Brescia
    1-26
    DOI: https://doi.org/10.33871/vortex.2025.13.9600

  • Damiano Cozzella’s pop avant-garde: cultural hybridization and the composition as a critical act

    Fernando Magre, Mónica Vermes
    1-26
    DOI: https://doi.org/10.33871/vortex.2025.13.10593

  • ‘Chess studies’ for String Quartet: Composition based on chess

    Alberto Hortigüela, Sara Carvalho
    1-34
    DOI: https://doi.org/10.33871/vortex.2025.13.9479

  • Artistic Research in Theses and Dissertations at Brazilian Universities between 2018 and 2022

    Marta Macedo Brietzke, Mario Videira
    1-42
    DOI: https://doi.org/10.33871/vortex.2025.13.10394

  • The Chromatic False Relation: A Compositional Device and Diegetic Trope in the English Renaissance

    Eduardo Solá Chagas Lima
    1-49
    DOI: https://doi.org/10.33871/vortex.2025.13.9621

  • Cultural activism: musical memories of black associativism in Rio de Janeiro (1900-1930)

    Lurian Reis da Silva Lima
    1-26
    DOI: https://doi.org/10.33871/vortex.2025.13.9676

  • Pop Art as an Artistic Material of Modernity in Rock and Its Distinctions in England and the USA

    Vanessa Pironato Milani, José Cesar Fernandes Gomes
    1 - 28
    DOI: https://doi.org/10.33871/vortex.2025.13.10047

  • Noise as Timbre of Materiality

    Roberto Wu
    1-24
    DOI: https://doi.org/10.33871/vortex.2025.13.10840

  • "Alfonsina y el mar" in MPB: Brazilian reinterpretations of Argentine song

    Daniel Menezes Lovisi
    1-26
    DOI: https://doi.org/10.33871/vortex.2025.13.10354

  • Expanding the Pianist’s Toolbox: Approaches to Arpeggiation, Pedalling, and Gesture

    Óscar Caravaca González
    1-38
    DOI: https://doi.org/10.33871/vortex.2025.13.9839

  • Extended techniques on the trumpet: report of interaction between performers/composers and performers/constructors

    Adenilson Roberto Telles, Paulo adriano Ronqui
    1-37
    DOI: https://doi.org/10.33871/vortex.2025.13.9781

  • Thematic convergences between "Canto de amor e paz" and "Sinfonia 4" by Cláudio Santoro

    Paulo de Paula, Carlos Fernando Fiorini
    1-27
    DOI: https://doi.org/10.33871/vortex.2025.13.9830

  • The territory of Artistic Research: investigating the margins of polysemy

    Bibiana Bragagnolo
    1-26
    DOI: https://doi.org/10.33871/vortex.2025.13.9870

  • Music Conducting Pedagogy and Technology: A Descriptive Review of Literature

    Adamilson Abreu
    1-30
    DOI: https://doi.org/10.33871/vortex.2025.13.9841

  • Pianistic Expressivity: Interfaces between Cognition, Visual Metaphors, and Music Education

    Thiago, Elenisio
    1-26
    DOI: https://doi.org/10.33871/vortex.2025.13.10702

  • A Narrative Model in Three Versions of “My Favorite Things” by Jonathan Kreisberg.

    Rafael Gonçalves
    1 - 38
    DOI: https://doi.org/10.33871/vortex.2025.13.9849

  • Writings in the Dust, for Guitar and Electronic Sounds: Reflections on Mixed Music with Tape and Its Relationship with Tradition

    Felipe Vasconcelos, Renan Simões
    1-37
    DOI: https://doi.org/10.33871/vortex.2025.13.10837

  • Music virality on social platforms: A literature review

    Gabriel P. Oliveira, Ana Paula Couto da Silva, Mirella M. Moro
    1-32
    DOI: https://doi.org/10.33871/vortex.2025.13.10848

Dossier “Music and Women”

  • Mulheres e Música: à guisa de editorial

    Luciana Requião, Inês de Almeida Rocha
    1-6
    DOI: https://doi.org/10.33871/vortex.2025.13.11079

  • The Woman and the Guitar in Portugal: Cataloging Process

    Maria Beatriz Oliveira, Pedro Rodrigues
    1-28
    DOI: https://doi.org/10.33871/vortex.2025.13.9727

  • Women in the practice of Mbira in Mozambique: breaking down gender barriers.

    Micas Orlando Silambo
    1-41
    DOI: https://doi.org/10.33871/vortex.2025.13.9681

  • Women in Percussion: An Investigation of Composers and Works in Latin America and the Caribbean

    Juliane Larsen, Camila Cardoso
    1-34
    DOI: https://doi.org/10.33871/vortex.2025.13.9887

  • Sensible listening technologies: a feminist and decolonial methodology for music

    Isabel Porto Nogueira
    1-32
    DOI: https://doi.org/10.33871/vortex.2025.13.9958

  • Susanne K. Langer and the Problem of Musical and Artistic Significance.

    Clovis Salgado Gontijo Oliveira, Mauro Miguel de Araújo Teixeira
    1-29
    DOI: https://doi.org/10.33871/vortex.2025.13.9872

  • To Kill Prejudice, I Was Reborn: Two Black Women’s Voice in a Carnival Bloco

    Thiago de Souza Borges, Samuel Araújo
    1-21
    DOI: https://doi.org/10.33871/vortex.2025.13.9953

  • BatuCantada: Women in percussion subverting the musical patriarchy

    Vanessa Ramos de Oliveira Souza, Denise Marcos Bussoletti
    1-24
    DOI: https://doi.org/10.33871/vortex.2025.13.9951

  • Women in Samba: work, collective experiences, and cultural policies

    Laila Andresa Cavalcante Rosa, Julia Ricciardi Lima, Rayra Mayara Santos
    1-28
    DOI: https://doi.org/10.33871/vortex.2025.13.9960

  • It Is Black Song: Pride in Samba and in the Journeys of Dona Ivone Lara and Tia Doca of Portelaer’s

    Denise Santiago-Figueiredo, Ana Paola Laeber
    1-36
    DOI: https://doi.org/10.33871/vortex.2025.13.9893

  • An analysis of labor conditions of black and indigenous singers in the bahian music

    Júlia Melo Salgado, Daniele Pereira Canedo
    1-42
    DOI: https://doi.org/10.33871/vortex.2025.13.9886

  • The therapeutic power of black women's music: perspectives for the clinic

    Sara Santos Dias Costa, Maylla Monnik Rodrigues de Sousa Chaveiro
    1-22
    DOI: https://doi.org/10.33871/vortex.2025.13.9867

  • Black female composers and singers - aesthetic experience and representation in music

    Gisele Massola, Michele Castro
    1-25
    DOI: https://doi.org/10.33871/vortex.2025.13.9906

  • Leonor de Castro: the first female teacher at the Rio de Janeiro Music Conservatory

    Clara Fernandes Albuquerque
    1-30
    DOI: https://doi.org/10.33871/vortex.2025.13.9963

  • Magda Tagliaferro: the criticisms of the French music press and gender issues

    Anderson da Mata Daher
    1-26
    DOI: https://doi.org/10.33871/vortex.2025.13.9774

  • Compositional Achievements of Rebecca Clarke in the Sonata for Viola and Piano

    Adriana Lopes da Cunha Moreira, Laís Ferreira Lopes
    1-29
    DOI: https://doi.org/10.33871/vortex.2025.13.9925

  • The Influence of Symbolic Gender Violence on the Work of Female Composers

    Janaina Fellini, Gislaine Cristina Vagetti
    1-26
    DOI: https://doi.org/10.33871/vortex.2025.13.9801

  • Uma saudade que ficou: the silencing in Dinorá de Carvalho’s compositional work

    Tadeu Moraes Taffarello, Raquel Juliana Prado Leite de Sousa, Flávio Cardoso de Carvalho, Vitor Alves de Mello Lopes
    1-34
    DOI: https://doi.org/10.33871/vortex.2025.13.9869

  • Effects of LaxVox exercise on vocal tract resonance of lyric sopranos

    Suelen Scholl Matter, Marta Assumpção de Andrada e Silva , Zuleica Camargo, Leslie Piccolotto Ferreira, Nadja Sousa
    1-31
    DOI: https://doi.org/10.33871/vortex.2025.13.9912

  • Women and gender perspective: analyzing the repertoire of professional choirs in Southeast Brazil

    Maria Rúbia de Moraes Andreta, Susana Cecília Igayara-Souza
    1-37
    DOI: https://doi.org/10.33871/vortex.2025.13.9894

  • Women in the History of Music, in textbooks and in teacher education

    Andréia Schach Fey, Guilherme Romanelli
    1-25
    DOI: https://doi.org/10.33871/vortex.2025.13.9914

  • Women in samba: what do recent academic productions say?

    Yanne Angelim Dias, Maria Zelma de Araújo Madeira
    1-27
    DOI: https://doi.org/10.33871/vortex.2025.13.9936
View All Issues