About the Journal

The Vórtex Music Journal (ISSN 2317-9937) is an open access journal dedicated to music, within the following thematic fields: Creation, Aesthetics, Music Composition; Musical Performance; Analysis Perception, and Music Theory; Musicology and Ethnomusicology; Computer Music and Music Technology. The Editorial Policy encourages the submission of works on a continuous basis, in Portuguese, English or Spanish, in the formats of article, review, translation, and interview. The submitted papers are evaluated on a double blind peer review basis and, when published, are deposited and indexed in several bibliometric databases, such as DOAJ, Web of Science, RILM, Google Scholar etc.

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Current Issue

Vol. 12 (2024): Revista Vórtex
View Vol. 12 (2024): Revista Vórtex
Published: 2024-03-28

Research Papers

  • Violin in choro: interpretative possibilities based on compositions by J. E. Gramani

    Carolina Momm de Melo, Luiz Henrique Fiaminghi
    1-38

    Visualizações: 22
    DOI: https://doi.org/10.33871/vortex.2024.12.8415

  • The transit of lyric companies between the cities of Desterro and Rio Grande from 1850 to 1880

    Marcele Pedrotti Dutra Meneses, Marcos Holler
    1-30

    Visualizações: 56
    DOI: https://doi.org/10.33871/vortex.2024.12.8561

  • Rachel Reis' decolonial performance on the album Meu Esquema and Salvador's Afro-Latin music scene

    Nadja Vladi Gumes, Tatiana Rodrigues Lima
    1-30

    Visualizações: 131
    DOI: https://doi.org/10.33871/vortex.2024.12.8724

  • Space in Music: what we call ‘space’ in music and what it really is

    Fabio Wanderley Janhan Sousa
    1-23

    Visualizações: 15
    DOI: https://doi.org/10.33871/vortex.2024.12.8490

  • From Seeds to Gardens: Transcription and Orchestration in Notations VII by Pierre Boulez

    Igor Leão Maia, Felipe Mendes Vasconcelos, Samuel Araújo Alves
    1-30

    Visualizações: 51
    DOI: https://doi.org/10.33871/vortex.2024.12.8731

  • Sonata form in Alberto Nepomuceno’s Symphony in G minor

    Norton Dudeque
    1-34

    Visualizações: 33
    DOI: https://doi.org/10.33871/vortex.2024.12.8621

  • “Indios muzicos” of the 18th Century: The Indigenous Musical Ensemble of Embu (1783-1829)

    Daniel Issa Gonçalves, Paulo Augusto Castagna
    1-30

    Visualizações: 46
    DOI: https://doi.org/10.33871/vortex.2024.12.8712

  • Lilinha Fernandes and Quincas Laranjeiras: two Swallows among passing Dreams

    Humberto Amorim
    1-40

    Visualizações: 80
    DOI: https://doi.org/10.33871/vortex.2024.12.8686

  • Rossiniana n° 1 by Mauro Giuliani: interpretation of "Assisa à piè d'un salice" from primary sources.

    Helvis Costa, Fabio Scarduelli
    1-37

    Visualizações: 35
    DOI: https://doi.org/10.33871/vortex.2024.12.8631

  • The paradigms of authenticity in the interpretation of Variações by Llobet on Op. 15 by Sor

    Luciano Souto, Adrielle Clara Silva Melo
    1-39

    Visualizações: 66
    DOI: https://doi.org/10.33871/vortex.2024.12.8286

Interview

  • Conducting pedagogues: a dialogue with Maestro Jean-François Rivest, act II

    Erickinson Lima, André Muniz
    1-29

    Visualizações: 32
    DOI: https://doi.org/10.33871/vortex.2024.12.8348

Ebony & Ivory: history, contexts and practices related to piano

  • Play, perform, experiment, create: György Kurtág's 'Jatékók' and playful music-making

    Gustavo Rodrigues Penha, Silvio Ferraz Mello Filho
    1-35

    Visualizações: 7
    DOI: https://doi.org/10.33871/vortex.2024.12.8398

  • Magdalena Tagliaferro: repertoire and performances according to French music critics

    Anderson da Mata Daher
    1-27

    Visualizações: 19
    DOI: https://doi.org/10.33871/vortex.2024.12.8546

  • Macedo Pinto’s Nove Instantâneos for piano sources, contexts, and pedagogical contribution

    Gustavo Afonso, Helena Marinho
    1-35

    Visualizações: 21
    DOI: https://doi.org/10.33871/vortex.2024.12.8450
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