About the Journal

Revista Vórtex (ISSN 2317-9937 - Qualis A1) is an online, open-access journal dedicated to music and published in partnership with the Graduate Program in Music (PPGMUS) of the State University of Paraná (UNESPAR), Brazil. Revista Vórtex published its first issue in 2013, and since then has consolidated its editorial policy of excellence, being indexed internationally, with stratum A1 in the Qualis Capes evaluation.

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Vol. 12 (2024): Revista Vórtex
View Vol. 12 (2024): Revista Vórtex
Published: 2024-03-28

Research Papers

  • Analysis and interpretation of the Sonatina for guitar by Sérgio Vasconcellos-Corrêa

    Jéfrey Antônio de Andrade, Rogério Tavares Constante
    1-44

    Visualizações: 29
    DOI: https://doi.org/10.33871/vortex.2024.12.8864

  • A constellation for Jocy de Oliveira’s artwork

    Claudia Helena Azevedo Alvarenga
    1-38

    Visualizações: 212
    DOI: https://doi.org/10.33871/vortex.2024.12.9225

  • Exploring the Potential of 3D Printing in Musical Instrument Manufacturing: A Systematic Review

    Gizele Iank Leite, Luiz Alberto Pilatti , Awdry Feisser Miquelin, Matheus Pereira Postigo
    1-23

    Visualizações: 40
    DOI: https://doi.org/10.33871/vortex.2024.12.8611

  • A quantitative comparison of viral and hit songs in the Brazilian music market

    Gabriel Oliveira, Ana Paula Couto da Silva, Mirella Moro
    1-29

    Visualizações: 52
    DOI: https://doi.org/10.33871/vortex.2024.12.8727

  • The equivalence of sound and visual images in Di-stances, by Vânia Dantas Leite.

    Alexandre Fenerich
    1-27

    Visualizações: 29
    DOI: https://doi.org/10.33871/vortex.2024.12.8824

  • "Indios muzicos" of the 18th century: The Indigenous Musical Ensemble of Itapecerica (1767-1835)

    Daniel Issa Gonçalves, Paulo Augusto Castagna
    1-34

    Visualizações: 13
    DOI: https://doi.org/10.33871/vortex.2024.12.9301

  • Reflections on the concepts of Meyer's Theory of Styles for musical performance

    Samuel Henrique da Silva Cianbroni, Regina Antunes Teixeira Dos Santos
    1-26

    Visualizações: 33
    DOI: https://doi.org/10.33871/vortex.2024.12.9270

  • Violin in choro: interpretative possibilities based on compositions by J. E. Gramani

    Carolina Momm de Melo, Luiz Henrique Fiaminghi
    1-38

    Visualizações: 68
    DOI: https://doi.org/10.33871/vortex.2024.12.8415

  • The transit of lyric companies between the cities of Desterro and Rio Grande from 1850 to 1880

    Marcele Pedrotti Dutra Meneses, Marcos Holler
    1-32

    Visualizações: 72
    DOI: https://doi.org/10.33871/vortex.2024.12.8561

  • Rachel Reis' decolonial performance on the album Meu Esquema and Salvador's Afro-Latin music scene

    Nadja Vladi Gumes, Tatiana Rodrigues Lima
    1-33

    Visualizações: 192
    DOI: https://doi.org/10.33871/vortex.2024.12.8724

  • Space in Music: what we call ‘space’ in music and what it really is

    Fabio Wanderley Janhan Sousa
    1-24

    Visualizações: 46
    DOI: https://doi.org/10.33871/vortex.2024.12.8490

  • From Seeds to Gardens: Transcription and Orchestration in Notations VII by Pierre Boulez

    Igor Leão Maia, Felipe Mendes Vasconcelos, Samuel Araújo Alves
    1-31

    Visualizações: 71
    DOI: https://doi.org/10.33871/vortex.2024.12.8731

  • Sonata form in Alberto Nepomuceno’s Symphony in G minor

    Norton Dudeque
    1-36

    Visualizações: 58
    DOI: https://doi.org/10.33871/vortex.2024.12.8621

  • “Indios muzicos” of the 18th Century: The Indigenous Musical Ensemble of Embu (1783-1829)

    Daniel Issa Gonçalves, Paulo Augusto Castagna
    1-31

    Visualizações: 68
    DOI: https://doi.org/10.33871/vortex.2024.12.8712

  • Lilinha Fernandes and Quincas Laranjeiras: two Swallows among passing Dreams

    Humberto Amorim
    1-42

    Visualizações: 99
    DOI: https://doi.org/10.33871/vortex.2024.12.8686

  • Rossiniana n° 1 by Mauro Giuliani: interpretation of "Assisa à piè d'un salice" from primary sources.

    Helvis Costa, Fabio Scarduelli
    1-39

    Visualizações: 59
    DOI: https://doi.org/10.33871/vortex.2024.12.8631

  • The paradigms of authenticity in the interpretation of Variações by Llobet on Op. 15 by Sor

    Luciano Souto, Adrielle Clara Silva Melo
    1-40

    Visualizações: 87
    DOI: https://doi.org/10.33871/vortex.2024.12.8286

Interview

  • Conducting pedagogues: a dialogue with Maestro Jean-François Rivest, act II

    Erickinson Lima, André Muniz
    1-29

    Visualizações: 47
    DOI: https://doi.org/10.33871/vortex.2024.12.8348

Ebony & Ivory: history, contexts and practices related to piano

  • Editorial: Ebony & Ivory - History, Contexts and Practices Related to Piano

    Alfonso Benetti
    1-14

    Visualizações: 36
    DOI: https://doi.org/10.33871/vortex.2024.12.9555

  • Play, perform, experiment, create: György Kurtág's 'Jatékók' and playful music-making

    Gustavo Rodrigues Penha, Silvio Ferraz Mello Filho
    1-37

    Visualizações: 44
    DOI: https://doi.org/10.33871/vortex.2024.12.8398

  • Intertextuality and Performance in “Três Sátiras para Piano” by José Alberto Kaplan

    Tassio Lima, Joana Holanda
    1-41

    Visualizações: 39
    DOI: https://doi.org/10.33871/vortex.2024.12.8485

  • An expert pianist's strategies for learning a song from a lead sheet

    Joao G A Lima, Danilo Ramos
    1-45

    Visualizações: 56
    DOI: https://doi.org/10.33871/vortex.2024.12.8443

  • Magdalena Tagliaferro: repertoire and performances according to French music critics

    Anderson da Mata Daher
    1-30

    Visualizações: 35
    DOI: https://doi.org/10.33871/vortex.2024.12.8546

  • Macedo Pinto’s Nove Instantâneos for piano sources, contexts, and pedagogical contribution

    Gustavo Afonso, Helena Marinho
    1-35

    Visualizações: 38
    DOI: https://doi.org/10.33871/vortex.2024.12.8450

Translation

  • Music and Silence

    Gisèle Brelet; Gustavo Bonin, Juliana Di Fiori Pondian
    1-22

    Visualizações: 112
    DOI: https://doi.org/10.33871/vortex.2024.12.9117
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