About the Journal

Revista Vórtex (ISSN 2317-9937 - Qualis A1) is an online, open-access journal dedicated to music and published in partnership with the Graduate Program in Music (PPGMUS) of the State University of Paraná (UNESPAR), Brazil. Revista Vórtex published its first issue in 2013, and since then has consolidated its editorial policy of excellence, being indexed internationally, with stratum A1 in the Qualis Capes evaluation.

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Current Issue

Vol. 12 (2024): Revista Vórtex
View Vol. 12 (2024): Revista Vórtex
Published: 2024-03-28

Research Papers

  • Words, Sounds, and Images – Representations of the Guitar in Brazilian Literary Prose

    DOI: https://doi.org/10.33871/vortex.2024.12.8726
    Cláudia Araújo Garcia
    1-28

  • A constellation for Jocy de Oliveira’s artwork

    DOI: https://doi.org/10.33871/vortex.2024.12.9225
    Claudia Helena Azevedo Alvarenga
    1-38

  • Analysis and interpretation of the Sonatina for guitar by Sérgio Vasconcellos-Corrêa

    DOI: https://doi.org/10.33871/vortex.2024.12.8864
    Jéfrey Antônio de Andrade, Rogério Tavares Constante
    1-44

  • A quantitative comparison of viral and hit songs in the Brazilian music market

    DOI: https://doi.org/10.33871/vortex.2024.12.8727
    Gabriel Oliveira, Ana Paula Couto da Silva, Mirella Moro
    1-29

  • "Indios muzicos" of the 18th century: The Indigenous Musical Ensemble of Itapecerica (1767-1835)

    DOI: https://doi.org/10.33871/vortex.2024.12.9301
    Daniel Issa Gonçalves, Paulo Augusto Castagna
    1-34

  • The equivalence of sound and visual images in Di-stances, by Vânia Dantas Leite.

    DOI: https://doi.org/10.33871/vortex.2024.12.8824
    Alexandre Fenerich
    1-27

  • Reflections on the concepts of Meyer's Theory of Styles for musical performance

    DOI: https://doi.org/10.33871/vortex.2024.12.9270
    Samuel Henrique da Silva Cianbroni, Regina Antunes Teixeira Dos Santos
    1-26

  • The transit of lyric companies between the cities of Desterro and Rio Grande from 1850 to 1880

    DOI: https://doi.org/10.33871/vortex.2024.12.8561
    Marcele Pedrotti Dutra Meneses, Marcos Holler
    1-32

  • Rachel Reis' decolonial performance on the album Meu Esquema and Salvador's Afro-Latin music scene

    DOI: https://doi.org/10.33871/vortex.2024.12.8724
    Nadja Vladi Gumes, Tatiana Rodrigues Lima
    1-33

  • Space in Music: what we call ‘space’ in music and what it really is

    DOI: https://doi.org/10.33871/vortex.2024.12.8490
    Fabio Wanderley Janhan Sousa
    1-24

  • From Seeds to Gardens: Transcription and Orchestration in Notations VII by Pierre Boulez

    DOI: https://doi.org/10.33871/vortex.2024.12.8731
    Igor Leão Maia, Felipe Mendes Vasconcelos, Samuel Araújo Alves
    1-31

  • Violin in choro: interpretative possibilities based on compositions by J. E. Gramani

    DOI: https://doi.org/10.33871/vortex.2024.12.8415
    Carolina Momm de Melo, Luiz Henrique Fiaminghi
    1-38

  • Sonata form in Alberto Nepomuceno’s Symphony in G minor

    DOI: https://doi.org/10.33871/vortex.2024.12.8621
    Norton Dudeque
    1-36

  • “Indios muzicos” of the 18th Century: The Indigenous Musical Ensemble of Embu (1783-1829)

    DOI: https://doi.org/10.33871/vortex.2024.12.8712
    Daniel Issa Gonçalves, Paulo Augusto Castagna
    1-31

  • Lilinha Fernandes and Quincas Laranjeiras: two Swallows among passing Dreams

    DOI: https://doi.org/10.33871/vortex.2024.12.8686
    Humberto Amorim
    1-42

  • Rossiniana n° 1 by Mauro Giuliani: interpretation of "Assisa à piè d'un salice" from primary sources.

    DOI: https://doi.org/10.33871/vortex.2024.12.8631
    Helvis Costa, Fabio Scarduelli
    1-39

  • The paradigms of authenticity in the interpretation of Variações by Llobet on Op. 15 by Sor

    DOI: https://doi.org/10.33871/vortex.2024.12.8286
    Luciano Souto, Adrielle Clara Silva Melo
    1-40

  • Conceptions about singing and vocal production in Camillo Maffei's Discorso della voce (1562)

    DOI: https://doi.org/10.33871/vortex.2024.12.8773
    Viviane Alves Kubo
    1-25

  • Contemporary music at Fundação de Educação Artística in the decade before COVID-19 los impactos de la pandemia de COVID-19 en Belo Horizonte

    DOI: https://doi.org/10.33871/vortex.2024.12.8464
    Guilherme Nascimento
    1-17

  • Reinterpreting dual-aspect meter in 20th and 21st century repertoires

    DOI: https://doi.org/10.33871/vortex.2024.12.9169
    Leandro Gumboski
    1-28

  • The Spatial Dimension as an Expressive and Structuring Element in Phonograms from the 1950s

    DOI: https://doi.org/10.33871/vortex.2024.12.9084
    Gilberto Assis Rosa
    1-22

  • The concept of piano timbre: perspectives from five graduate pianists

    DOI: https://doi.org/10.33871/vortex.2024.12.9190
    Nayane Nogueira Soares
    1-34

  • "It will be an honor for the country and for the friend": the letters of Friar Pedro Sinzig to Curt Lange

    DOI: https://doi.org/10.33871/vortex.2024.12.9272
    Marta Castello Branco
    1-25

Dossier “New Sound Ecologies”

  • Editorial: New Sound Ecologies

    DOI: https://doi.org/10.33871/vortex.2024.12.10335
    William Teixeira, Jacek Smolicki
    1-6

  • Composing Sound Spaces: an interview with Hans Tutschku

    DOI: https://doi.org/10.33871/vortex.2024.12.9523
    Ingrid Mayumi Yamazato de Souza, William Teixeira da Silva
    1-25

  • Contributions of Gibson's Ecological Psychology to the Creation of Interactive Sound Installations

    DOI: https://doi.org/10.33871/vortex.2024.12.9513
    Rael Bertarelli Gimenes Toffolo
    1-29

  • Starling Murmurations as a Model for Sound Spatialization

    DOI: https://doi.org/10.33871/vortex.2024.12.9579
    Said Bonduki, Leon Steidle

  • Ecosystem [512]: Acoustic Ecology Surveys as Music

    DOI: https://doi.org/10.33871/vortex.2024.12.9521
    Garrison Gerard
    1-27

  • From Nature to Instrument: Mimetic Realism in Two Works by Carola Bauckholt

    DOI: https://doi.org/10.33871/vortex.2024.12.9525
    Thiago Diniz Gonzaga de Lima, Igor Leão Maia
    1-45

  • Performative Listening with Trees in the Sonic Ecology of Forests

    DOI: https://doi.org/10.33871/vortex.2024.12.9511
    Suna Başlantı
    1-23

  • The Critical Ear

    DOI: https://doi.org/10.33871/vortex.2024.12.9522
    Sara Pinheiro
    1-17

  • A Market of Noises and Sounds for Wellbeing (MONSWELL)

    DOI: https://doi.org/10.33871/vortex.2024.12.9666
    Vinícius Andrade Pereira, Cássio de Borba Lucas
    1-20

  • Etymology as sound analysis: a study of the terminological variation of Pantanal Birds

    DOI: https://doi.org/10.33871/vortex.2024.12.9504
    Thierry Delmond, William Teixeira, Maristela Benites da Silva
    1-27

  • Post-immersive Listening: Perspectives on the Mediation of Sonic Environments

    DOI: https://doi.org/10.33871/vortex.2024.12.9663
    Budhaditya Chattopadhyay
    1-19

  • Immersive sound image with circular arrangements of transducers spaced in equal segments

    DOI: https://doi.org/10.33871/vortex.2024.12.9752
    Jose Augusto Mannis, Igor Abdo Aguilar, Amanda Chang Rodrigues
    1-46

Ebony & Ivory: history, contexts and practices related to piano

  • Editorial: Ebony & Ivory - History, Contexts and Practices Related to Piano

    DOI: https://doi.org/10.33871/vortex.2024.12.9555
    Alfonso Benetti
    1-14

  • Play, perform, experiment, create: György Kurtág's 'Jatékók' and playful music-making

    DOI: https://doi.org/10.33871/vortex.2024.12.8398
    Gustavo Rodrigues Penha, Silvio Ferraz Mello Filho
    1-37

  • Intertextuality and Performance in “Três Sátiras para Piano” by José Alberto Kaplan

    DOI: https://doi.org/10.33871/vortex.2024.12.8485
    Tassio Lima, Joana Holanda
    1-41

  • An expert pianist's strategies for learning a song from a lead sheet

    DOI: https://doi.org/10.33871/vortex.2024.12.8443
    Joao G A Lima, Danilo Ramos
    1-45

  • Magdalena Tagliaferro: repertoire and performances according to French music critics

    DOI: https://doi.org/10.33871/vortex.2024.12.8546
    Anderson da Mata Daher
    1-30

  • Macedo Pinto’s Nove Instantâneos for piano sources, contexts, and pedagogical contribution

    DOI: https://doi.org/10.33871/vortex.2024.12.8450
    Gustavo Afonso, Helena Marinho
    1-35

Interview

  • Conducting pedagogues: a dialogue with Maestro Jean-François Rivest, act II

    DOI: https://doi.org/10.33871/vortex.2024.12.8348
    Erickinson Lima, André Muniz
    1-29

Translation

  • Music and Silence

    DOI: https://doi.org/10.33871/vortex.2024.12.9117
    Gisèle Brelet; Gustavo Bonin, Juliana Di Fiori Pondian
    1-22
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