Vol. 22 No. 1 (2026): Revista O Mosaico No. 30

					View Vol. 22 No. 1 (2026): Revista O Mosaico No. 30

Dossiê: As Memórias dos Gestos nas Artes Performativas

Published: 2026-07-03

Dossiê: As memórias dos gestos nas artes perfomativas - Bloco I: convidados

  • The gravedigger as an experimental device between the white cube and the dark room

    Milla Jung
    1-11
    DOI: https://doi.org/10.33871/21750769.2026.22.1.12017
  • The gesture of remembering

    Dani Lima
    1-27
    DOI: https://doi.org/10.33871/21750769.2026.22.1.12135
  • Between word and movement: devices for the activation of imagination in dance creation

    Mônica Emilio Cerqueira Pereira
    1-18
    DOI: https://doi.org/10.33871/21750769.2026.22.1.12131
  • Criticism of creative processes: a possible approach to dance

    Cecilia Almeida Salles
    1-22
    DOI: https://doi.org/10.33871/21750769.2026.22.1.11976
  • Between singularities and differences in artistic creation

    Rosemeri Rocha da Silva, Mariana Christina Lemos, Mariana Hilda Batista
    1-23
    DOI: https://doi.org/10.33871/21750769.2026.22.1.12136

Dossiê - Bloco II: Criação artística e performance (imaginação, linguagem, presença)

  • The ballroom and couple dances through the lens of performance theories

    Jomar Ferreira Mesquita
    1-16
    DOI: https://doi.org/10.33871/21750769.2026.22.1.11998
  • Rebuceteo como modo de creación

    Luana Assis Navarro
    1-21
    DOI: https://doi.org/10.33871/21750769.2026.22.1.11975
  • There Will Be Worlds Within Me: The Black Trans Woman Macumbeira in the Scenic Experience ORI — The Meaning of (Re)existing

    Amanda Vieira Ferrugem, Tereza Mara Franzoni
    1-21
    DOI: https://doi.org/10.33871/21750769.2026.22.1.11970
  • Acoustic ecology as a foundation for artistic creation: sound installation, space, and memory

    Gabrielly Nichele Schimidt, Rael Bertarelli Gimenes Toffolo
    1-17
    DOI: https://doi.org/10.33871/21750769.2026.22.1.11996
  • Making the city: Portents of a self-other-world

    Luiz Nogueira da Silva Neto, Diego Elias Baffi
    1-27
    DOI: https://doi.org/10.33871/21750769.2026.22.1.11988
  • Bodies and kaleidoscopes: visual hybridity in the works of Dias & Riedweg

    Ana Maria Pupo, Fabio Jabur de Noronha
    1-24
    DOI: https://doi.org/10.33871/21750769.2026.22.1.11995

Dossiê - Bloco III: Corpo como arquivo e campo sensível (memória, escuta, gesto)

Dossiê - Bloco IV: Pedagogias e políticas do corpo

  • The body and its traces: dance practices as invitations to alterity

    Renata Santos Roel, Nadya Romanowski
    1-27
    DOI: https://doi.org/10.33871/21750769.2026.22.1.11740
  • Flowing futures: performance, dance and education

    Giovanna Rafaela de Lima
    1-29
    DOI: https://doi.org/10.33871/21750769.2026.22.1.12011
  • The body actively listening to space: freerunning as an aesthetic experience and performative art

    Welington Silva, Gisele
    1-18
    DOI: https://doi.org/10.33871/21750769.2026.22.1.11990
  • Dance, memory and freedom: an art-educational experience from the Aljube Museum

    Teresa Lousa, Laura Boavida Amaro
    1-16
    DOI: https://doi.org/10.33871/21750769.2026.22.1.12013

Em Fluxo

Resenhas

  • An invitation to a whole-body reading: commitment, fury, dance and education in a passionate thesis

    Bruna Ramos Tomaz
    1-12
    DOI: https://doi.org/10.33871/21750769.2026.22.1.10935
  • José Bento: Sculpting in the Anthropocene

    Ricardo Faustino Teles
    1-11
    DOI: https://doi.org/10.33871/21750769.2026.22.1.10955

Dramaturgias

  • Project Fat Whale: The Elephant in the Room

    Eva Monteiro
    1-16
    DOI: https://doi.org/10.33871/21750769.2026.22.1.10888