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Vol. 11 No. 3 (2023): Vortex Music Journal
Vol. 11 No. 3 (2023): Vortex Music Journal
Published:
2023-12-24
Research Papers
Rhythms of Diplomacy: Pan-American Echoes in Guarnieri’s Flute Improviso No. 2
DOI:
https://doi.org/10.33871/23179937.2023.11.3.8218
Pyero Talone
1-28
PDF (Português (Brasil))
The influence of instrumental timbre on the perception of tonal melodies
DOI:
https://doi.org/10.33871/23179937.2023.11.3.8209
Jessé Meier de Andrade, Cristiane Hatsue Vital Otutumi
1-29
PDF (Português (Brasil))
Provincializing opera - the production of otherness in Les Indes Galantes
producción de alteridades en Les Indes Galantes
DOI:
https://doi.org/10.33871/23179937.2023.11.3.8229
Maya Suemi Lemos
1-26
PDF (Português (Brasil))
Composition of “Karma” based on the Gestalt Modeling of “Ponteio No. 29” by Camargo Guarnieri
DOI:
https://doi.org/10.33871/23179937.2023.11.3.8241
Helder Alves de Oliveira, Liduino Pitombeira
1-37
PDF
Memories and historical sense of the “persecution of samba” in Post-Abolition Rio de Janeiro
DOI:
https://doi.org/10.33871/23179937.2023.11.3.7968
Lurian Reis da Silva Lima
1-22
PDF (Português (Brasil))
Bimanual Coordination on the Guitar: an Experimental Study with Music Undergraduate Students
un estudio experimental con estudiantes de pregrado en Música
DOI:
https://doi.org/10.33871/23179937.2023.11.3.8145
Renan Colombo Simões, Daniel Wolff
1-39
PDF (Português (Brasil))
Modinha and its paradigms: arcadian and romantic modinha and the re-popularization of Catulo da Paixão Cearense
DOI:
https://doi.org/10.33871/23179937.2023.11.3.7989
Pedro Vaccari
1-31
PDF (Português (Brasil))
Dossier”25 years without Gérard Grisey”
The Body of Time: a reading of Gérard Grisey's Prologue
una lectura de la obra Prologue de Gérard Grisey
DOI:
https://doi.org/10.33871/23179937.2023.11.3.8224
Silvio Ferraz, William Teixeira
1-27
PDF (Português (Brasil))
“Our model is sound”: Gérard Grisey's spectralism, processes, temporalities and influences
DOI:
https://doi.org/10.33871/23179937.2023.11.3.8235
Danilo Rossetti
1-24
PDF (Português (Brasil))
(I) Materialisms: Grisey, Dufourt, and the liminality between object, form, and subject in process music
DOI:
https://doi.org/10.33871/23179937.2023.11.3.8246
Austeclínio Lopes de Farias, Tatiana Catanzaro
1-25
PDF (Português (Brasil))
Gérard Grisey's Vortex Temporum from the conductor's perspective
DOI:
https://doi.org/10.33871/23179937.2023.11.3.8247
André Muniz, Erickinson Lima
1-40
PDF (Português (Brasil))
Language
English
Português (Brasil)
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Keywords
monswell
processing
audio feedback systems
machine listening
live-electronics
music analysis
interactive systems
audio descriptors
percussion
ubiquitous hardware
live coding
improvisation
dmis
ceammc
puredata
guqin
libpd
cyclone
max/msp
aesthetic
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