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Vol. 11 No. 3 (2023): Vortex Music Journal
Vol. 11 No. 3 (2023): Vortex Music Journal
Published:
2023-12-24
Research Papers
Rhythms of Diplomacy: Pan-American Echoes in Guarnieri’s Flute Improviso No. 2
Pyero Talone
1-28
Visualizações: 85
76
PDF (Português (Brasil))
DOI:
https://doi.org/10.33871/23179937.2023.11.3.8218
The influence of instrumental timbre on the perception of tonal melodies
Jessé Meier de Andrade, Cristiane Hatsue Vital Otutumi
1-29
Visualizações: 94
78
PDF (Português (Brasil))
DOI:
https://doi.org/10.33871/23179937.2023.11.3.8209
Provincializing opera - the production of otherness in Les Indes Galantes
producción de alteridades en Les Indes Galantes
Maya Suemi Lemos
1-26
Visualizações: 89
112
PDF (Português (Brasil))
DOI:
https://doi.org/10.33871/23179937.2023.11.3.8229
Composition of “Karma” based on the Gestalt Modeling of “Ponteio No. 29” by Camargo Guarnieri
Helder Alves de Oliveira, Liduino Pitombeira
1-37
Visualizações: 61
63
PDF
DOI:
https://doi.org/10.33871/23179937.2023.11.3.8241
Memories and historical sense of the “persecution of samba” in Post-Abolition Rio de Janeiro
Lurian Reis da Silva Lima
1-22
Visualizações: 89
105
PDF (Português (Brasil))
DOI:
https://doi.org/10.33871/23179937.2023.11.3.7968
Bimanual Coordination on the Guitar: an Experimental Study with Music Undergraduate Students
un estudio experimental con estudiantes de pregrado en Música
Renan Colombo Simões, Daniel Wolff
1-39
Visualizações: 54
88
PDF (Português (Brasil))
DOI:
https://doi.org/10.33871/23179937.2023.11.3.8145
Modinha and its paradigms: arcadian and romantic modinha and the re-popularization of Catulo da Paixão Cearense
Pedro Vaccari
1-31
Visualizações: 67
101
PDF (Português (Brasil))
DOI:
https://doi.org/10.33871/23179937.2023.11.3.7989
Dossier”25 years without Gérard Grisey”
The Body of Time: a reading of Gérard Grisey's Prologue
una lectura de la obra Prologue de Gérard Grisey
Silvio Ferraz, William Teixeira
1-27
Visualizações: 65
110
PDF (Português (Brasil))
DOI:
https://doi.org/10.33871/23179937.2023.11.3.8224
“Our model is sound”: Gérard Grisey's spectralism, processes, temporalities and influences
Danilo Rossetti
1-24
Visualizações: 147
91
PDF (Português (Brasil))
DOI:
https://doi.org/10.33871/23179937.2023.11.3.8235
(I) Materialisms: Grisey, Dufourt, and the liminality between object, form, and subject in process music
Austeclínio Lopes de Farias, Tatiana Catanzaro
1-25
Visualizações: 31
51
PDF (Português (Brasil))
DOI:
https://doi.org/10.33871/23179937.2023.11.3.8246
Gérard Grisey's Vortex Temporum from the conductor's perspective
André Muniz, Erickinson Lima
1-40
Visualizações: 248
76
PDF (Português (Brasil))
DOI:
https://doi.org/10.33871/23179937.2023.11.3.8247
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