Composition of “Karma” based on the Gestalt Modeling of “Ponteio No. 29” by Camargo Guarnieri

Visualizações: 61

Autores

DOI:

https://doi.org/10.33871/23179937.2023.11.3.8241

Palavras-chave:

Gestalt Modeling, Systemic Modeling, Musical Analysis, Guarnieri, Compositional Planning

Resumo

This work consists of two parts, the first being the analysis of “Ponteio No. 29”, by Camargo Guarnieri, based on the methodology called Gestalt Modeling (hereinafter GM). The analysis was carried out from the perspective of Gestalt Theory based on two laws of perceptual organization. It aimed to stipulate the general guidelines for the hypothetical system that created that work by Guarnieri and, finally, to generate subsidies for the planning of a new composition using this same compositional system. The compositional planning of the new work consists of the second part of this paper. The final conclusions indicate that GM is: 1) a useful and distinctive resource for the analysis of musical works and composition, as it coherently presents new ways of organizing musical elements; and 2) a possible methodology for compositional pedagogy, as it provides subsidies for a conscious practice and the development of students’ own compositional language.

Downloads

Não há dados estatísticos.

Biografia do Autor

Helder Alves de Oliveira, Universidade de São Paulo

Helder Oliveira holds a Doctorate in Music Composition from the Federal University of Rio de Janeiro and was a 2019–20 Fulbright Visiting Researcher at Louisiana State University. He has received several composition awards worldwide, and his works have been played by several groups, such as Mivos Quartet, KC VITAs, Chorus Austin Chamber Ensemble, Thüringen Philharmonie Gotha-Eisenach, and Goiás Phillharmonic Orchestra. Helder has articles on compositional procedures published in national journals and conference proceedings. He is a member of the MusMat research group at UFRJ, and Postdoctoral fellow at University of São Paulo (USP).

Liduino Pitombeira, Universidade Federal do Rio de Janeiro

Liduino Pitombeira is a professor of composition at the Federal University of Rio de Janeiro – School of Music and is part of the MusMat research group (PPGM-UFRJ). His works have been performed by several groups in Brazil and abroad, including the Berlin Philharmonic Wind Quintet and the São Paulo State Symphony Orchestra. Pitombeira has a PhD in Composition and Theory from Louisiana State University (USA). He has several articles published in journals and conference proceedings in Brazil.

Referências

ANDRADE, Mário de. As danças dramáticas do Brasil. In: Oneida Alvarenga (Org.), Danças dramáticas do Brasil. Tomo I. São Paulo: Itatiaia/ Instituto Nacional do Livro/ Fundação Pró-Memória, 1982. pp. 23–84.

BASTOS, Rita. Notas sobre o Ensino da Geometria (Grupo de Trabalho de Geometria da APM): Simetria. Educação e Matemática, n. 88, pp. 9–11, May/June. 2006.

BERRY, Wallace. Structural Functions in Music. New York: Dover Publications, Inc., 1987.

BERRY, Wallace. Form in Music. 2. ed. Englewood Cliffs: Prentice Hall, Inc., 1986.

BERTALANFFY, Ludwig von. Teoria Geral dos Sistemas. Translation: Francisco M. Guimarães. Petrópolis: Vozes, 2010.

BLOOM, Harold. A angústia da influência: uma teoria da poesia. Translation: Marcos Santarrita. 2. ed. Rio de Janeiro: Imago, 2002.

CAPLIN, William E. Classical Form: A Theory of Formal Functions… New York: Oxford University Press, 1998. DOI: https://doi.org/10.1093/oso/9780195104806.001.0001

DESOLNEUX, Agnès; MOISAN, Lionel; MOREL, Jean-Michel. From Gestalt Theory to Image analysis: A Probabilistic Approach. New York: springer, 2008. DOI: https://doi.org/10.1007/978-0-387-74378-3

DOWLING, W. J.; FUJITANI, Diane S. Contour, Interval and Pitch Recognition in Memory for Melodies. Journal of the Acoustical Society of America, v. 49, n. 2B, pp. 524–531, 1971. DOI: https://doi.org/10.1121/1.1912382

EHRENFELS, Christian von. Über Gestaltqualitäten. Vierteljahrsschrift für wissenschaftliche Philosophie, n. 14, pp. 249–292, 1890.

EHRENFELS, Christian von. On ‘Gestalt Qualities’. In: SMITH, Barry (Ed.) Foundations of Gestalt Theory. Munich: Philosophia Verlag, 1988. pp. 82–117. DOI: https://doi.org/10.2307/j.ctv2x8v91j.5

GOMES FILHO, João. Gestalt do Objeto: Sistema de Leitura Visual da Forma. 6. ed. São Paulo: Escrituras, 2004.

HINDEMITH, Paul (composer). Ludus tonalis. Kyiv: ћузична краина (Musical Country), 1980. Score, 45p. Piano.

KLIR, George. Facets of Systems Science. New York: Plenum, 2001. DOI: https://doi.org/10.1007/978-1-4615-1331-5

KOFFKA, Kurt. Principles of Gestalt Psychology. London: Kegan Paul, Trench, Trubner & Co., Ltd.; New York: Harcourt, Brace & Co., 1936.

KÖHLER, Wolfgang. Gestalt Psychology: An Introduction to New Concepts in Modern Psychology. New York: Liveright Publishing Corporation, 1992.

KORSYN, Kevin. Toward a New Poetics of Musical Influence. Music and Analysis, v. 10, n. 1/2, p. 3–72, 1991. DOI: https://doi.org/10.2307/853998

KOSTKA, Sefan; SANTA, Matthew. Materials and Techniques of Post-Tonal Music. 5. ed. New York: Routledge, 2018. DOI: https://doi.org/10.4324/9781315229485

KRISTEVA, Julia. História da Linguagem. Lisboa: Edições 70, 1969.

KRISTEVA, Julia. Introdução à Semanálise. Translation: Lúcia Helena França Ferraz. 2. ed. São Paulo: Perspectiva, 2005.

LERDAHL, Fred; JACKENDOFF, Ray. A Generative Theory of Tonal Music. Cambridge: MIT Press, 1983.

LIMA, F. F. Desenvolvimento de sistemas composicionais a partir da intertextualidade. João Pessoa. 2011. Dissertation (Master in Music). Centro de Ciências Humanas, Letras e Artes, Federal University of Paraíba, João Pessoa, 2011.

LIPSCOMB, Scott D. The Cognitive Organization of Musical Sound. In: HODGES, D. (Ed.). Handbook of music psychology. 2. ed. San Antonio: IMR Press, 1996. pp. 133–75.

LONGSTALFF, J. S. Cognitive Structures of Kinesthetic Space Reevaluating Rudolf Laban's Choreutics in the Context of Spatial Cognition and Motor Control. 1996. Thesis (Doctorate in Philosophy). Human Movement Studies, Laban Centre, City University of London, London, 1996. 2 v.

MARX, A. B. Die Lehre von der musikalischen Komposition. Leipzig: Druck and Verlag von Breitkopf und Härtel, 1841.

MEADOWS, Donella H. Thinking in Systems: a Primer. London: Earthscan, 2009.

MESQUITA, Gabriel. A acústica da influência: uma recomposição da intertextualidade na música. 2018. Dissertation (Master in Music) – School of Music, Federal University of Rio de Janeiro, Rio de Janeiro, 2018.

MESQUITA, Gabriel. ||: (À) Bússola Intertextual (é) O Estranho Retorno Infinito :|| 2023. Thesis (Doctor Degree in Music) – School of Music, Federal University of Rio de Janeiro, Rio de Janeiro, 2023.

MESSIAEN, Olivier. Tecnica de mi lenguaje musical. Translation: Daniel Bravo López. 4. ed. Paris: Alphonse Leduc, 1993.

MEYER, Leonard B. Emotion and Meaning in Music. Chicago: The University of Chicago Press, 1956.

OLIVEIRA, Helder A. Modelagem Gestáltica: modelos sistêmicos a partir de princípios da Teoria da Gestalt. 2020. Dissertation (Doctorate in Music) – School of Music, Federal University of Rio de Janeiro, Rio de Janeiro, 2020.

OLIVEIRA, Helder A.; PITOMBEIRA, Liduino. Gestalt modeling of Ponteio No. 30 by Camargo Guarnieri. Journal of the Brazilian Society for Music Theory and Analysis, v. 7, n. 2, pp. 22–57, 2022. DOI: https://doi.org/10.52930/mt.v7i2.207

OLIVEIRA, Helder A.; PITOMBEIRA, Liduino; SANTOS, Raphael Souza. Modelagem gestáltica do Ponteio Nº 28 de Camargo Guarnieri. Journal of the Brazilian Society for Music Theory and Analysis, v. 8, n. 1, p. 1–33, 2023. DOI: https://doi.org/10.52930/mt.v8i1.223

OSBORNE, Harold. Artistic Unity and Gestalt. The Phisolophical Quaterly, v. 14, n. 56, pp. 214–228, 1964. DOI: https://doi.org/10.2307/2955463

PALMER, Stephen E. Organizing Objects and Scenes. In: LEVITIN, Daniel J. (Ed.). Foundations of cognitive psychology: Core Readings. Cambridge: The MIT Press, 2002. pp. 189–211.

PISTON, Walter. Orchestration. London: Victor Gollancz LTD, 1969.

PITOMBEIRA, Liduino. Modelagem sistêmica como metodologia pré-composicional. In: Congresso da Associação Nacional de Pesquisa e Pós-Graduação em Música, 27., Campinas. Anais... Campinas: ANPPOM, 2017a. pp. 1–19.

PITOMBEIRA, Liduino. Formal Design, Textural Profile, and Degree of Harmonic Endogeny as modeling factors. Anais do II Congresso da TeMA. Florianópolis: UDESC, 2017b, p.42-51.

PITOMBEIRA, Liduino. Compositional Systems: Overview and Applications. MusMat – Brazilian Journal of Music and Mathematics. v. 4, n. 1, p. 39–62, 2020.

SMITH, Barry. Gestalt Theory: An Essay in Philosophy. In: SMITH, Barry (Ed.) Foundations of Gestalt Theory. Munich: Philosophia Verlag, 1988. pp. 11–81. DOI: https://doi.org/10.2307/j.ctv2x8v91j.4

SOUZA, L. G. S.; TAFFARELLO, T. Simetria e Música. Música em Contexto. Brasília, v. 7, n. 1, pp. 51–74, 2013. Available on: <https://periodicos.unb.br/index.php/Musica/article/view/11094/9756>. Access on: 9 July 2023.

STRAUS, Joseph N. Remaking the Past: Musical Modernism and the Influence of the Tonal Tradition. Cambridge: Harvard University Press, 1990. DOI: https://doi.org/10.4159/harvard.9780674436336

TODOROVIC, D. Gestalt principles. Available on: <http://www.scholarpedia.org/article/Gestalt_principles>. 2008. Access on: 9 July 2023. DOI: https://doi.org/10.4249/scholarpedia.5345

WERTHEIMER, Max. Gestalt theory. In: ELLIS, Willis D. (Ed.). A Source Book of Gestalt Psychologie. Highland: The Gestalt Journal Press, 1997a. pp. 1–11. DOI: https://doi.org/10.1037/11496-001

WERTHEIMER, Max. Laws of organization in perceptual forms. In: Ellis, Willis D. (Ed.). A Source Book of Gestalt Psychology. Highland: The Gestalt Journal Press, 1997b. pp. 71–88. DOI: https://doi.org/10.1037/11496-005

Downloads

Publicado

30.01.2024

Como Citar

Alves de Oliveira, H., & Pitombeira, L. (2024). Composition of “Karma” based on the Gestalt Modeling of “Ponteio No. 29” by Camargo Guarnieri. Revista Vórtex, 11(3), 1–37. https://doi.org/10.33871/23179937.2023.11.3.8241

Edição

Seção

Artigos

Métricas