About the Journal

Revista Vórtex (ISSN 2317-9937 - Qualis A1) is an online, open-access journal dedicated to music and published in partnership with the Graduate Program in Music (PPGMUS) of the State University of Paraná (UNESPAR), Brazil. Revista Vórtex published its first issue in 2013, and since then has consolidated its editorial policy of excellence, being indexed internationally, with stratum A1 in the Qualis Capes evaluation.

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Current Issue

Vol. 14 (2026): Revista Vórtex
View Vol. 14 (2026): Revista Vórtex
Published: 2026-02-20

PrePrint (SciELO)

  • Creating from the Body: Gendered Agency in Contemporary Music Performance

    Iracema De Andrade Almeida
    1-27
    DOI: https://doi.org/10.33871/vortex.2026.14.11231

Original Article

  • Brian K. Smith: Affect, Cognition, and Musical Artificial Intelligence

    Anselmo Guerra
    1-27
    DOI: https://doi.org/10.33871/vortex.2026.14.12179

  • dddd: Closing the Abstraction Gap in Pure Data for Computer-Aided Composition

    Charles Klippel Neimog
    1-22
    DOI: https://doi.org/10.33871/vortex.2026.14.12468

  • Creative Processes in Improvised Musical Performance: A Microgenetic Analysis

    Diogo Monzo, Monica Souza Neves-Pereira
    1-28
    DOI: https://doi.org/10.33871/vortex.2026.14.11446

  • Post-Colonial Disputes in Kriolu Rap: lusophony’s erasures in a communicational perspective.

    Mário A. O. M. Rolim, Thiago Soares, Guilherme Souto
    1-25
    DOI: https://doi.org/10.33871/vortex.2026.14.11252

  • Material Culture on the Caminho das Tropas: Musical Artifacts in the Farms and Town of Castro

    Matheus Theodorovitz Prust
    1-34
    DOI: https://doi.org/10.33871/vortex.2026.14.11365

  • The Dissonant and the Noise: otherness and popular music in Brazil in the 1960s and 1970s.

    Allan de Paula Oliveira
    1-30
    DOI: https://doi.org/10.33871/vortex.2026.14.11135

  • Notes on the historical factors that led composition become distanced from music education

    Eduardo Wanderley Brasil, Fernando Gabriel Batista Lima, Fábio Silva Ventura, Caroline Caregnato
    1-31
    DOI: https://doi.org/10.33871/vortex.2026.14.11372

  • A Compositional Application of the Intertextual Compass and the Strange Infinite Return

    Gabriel Mesquita
    1-46
    DOI: https://doi.org/10.33871/vortex.2026.14.11210

  • Compositional Planning of Trivium for Helder Alto Recorder

    Liduino José Pitombeira de Oliveira
    1-63
    DOI: https://doi.org/10.33871/vortex.2026.14.11516

  • Performing the Immersive: Electroacoustic Music at the Threshold of Technology

    César Rennó-Costa, Alyson Souza, Stefane Orichuela, João Anisio da Nobrega, Leonardo Pereira, Jonatas Manzolli, Cleber Campos
    1-39
    DOI: https://doi.org/10.33871/vortex.2026.14.11748

  • Tradition, Innovation and Sustanability in Classical Guitar Construction

    Ricardo Barceló Ricardo Barceló
    1-44
    DOI: https://doi.org/10.33871/vortex.2026.14.11262

  • Layers of musical interaction: an analysis of Anders Lind's installation Lines

    Cristiane dos Guimarães Alvim Nunes, Marco Antonio Pasqualini de Andrade, Daniel Luís Barreiro
    1-38
    DOI: https://doi.org/10.33871/vortex.2026.14.11478

  • Instrumental Substitution and Repertoire Dissemination: a report on Directionlessness (2020/2022), by Luís Bittencourt

    Fernando Martins de Castro Chaib, Luis Alberto Teixeira Bittencourt
    1-42
    DOI: https://doi.org/10.33871/vortex.2026.14.11015

  • Second stage of Colombian electroacoustic music: dissemination and consolidation (1980–1999)

    Juan Diego Martinez Alvarez, Angelica Maria Rincon
    1-38
    DOI: https://doi.org/10.33871/vortex.2026.14.11168

  • Pan-American Sounds: Carleton Sprague Smith’s Role in Camargo Guarnieri’s Career and Music

    Pyero Talone
    1-35
    DOI: https://doi.org/10.33871/vortex.2026.14.11058

  • Rogério Duprat’s Film Music Manuscripts for Noite vazia and the Synthesizer at the Vera Cruz Studios

    Itamar Vidal, Danilo Rossetti
    1-47
    DOI: https://doi.org/10.33871/vortex.2026.14.11000

  • Guitar Articulation: A Pedagogical Proposal for the Method of Henrique Pinto

    Felipe Afonso, Fernando Aguera
    1-27
    DOI: https://doi.org/10.33871/vortex.2026.14.11115

  • Piano Repertoire for the Left Hand: A Performative Study of Portuguese Works

    Andre Roque Cardoso, Helena Marinho
    1-34
    DOI: https://doi.org/10.33871/vortex.2026.14.10853

  • A Brief Primer to Sergei Taneyev’s Treatise “Convertible Counterpoint in the Strict Style”

    Marcus Alessi Bittencourt, Lilian Cristyelen Martins
    1-46
    DOI: https://doi.org/10.33871/vortex.2026.14.11205

  • The dialogue between singing and piano: a textural analysis of five songs by Camargo Guarnieri

    Polyane Schneider Hochheim, Ana Telles
    1-33
    DOI: https://doi.org/10.33871/vortex.2026.14.11049

  • The Waldstein Gesture and the Tetradic Space

    Carlos Almada
    1 - 31
    DOI: https://doi.org/10.33871/vortex.2026.14.11073

  • A Musicology of Iron and Leather: Musithinking Foundations in Ketu’s Candomblé Toque

    Ferran Tamarit
    1-34
    DOI: https://doi.org/10.33871/vortex.2026.14.10939

  • Poetry and Music Relationship in Let my Love be Heard by Jake Runestad

    Lucas Gabriel Almeida Bispo, Luciano de Freitas Camargo
    1-34
    DOI: https://doi.org/10.33871/vortex.2026.14.11041

Dossier “Morton Feldman – A Silent Revolution Over 100 Years”

  • Morton Feldman @100

    Ming Tsao
    1-21
    DOI: https://doi.org/10.33871/vortex.2026.14.11610
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