v. 8 n. 2 (2020): Revista Vórtex

Visualizar v. 8 n. 2 (2020): Revista Vórtex
Publicado: 15.09.2020

Artigos

  • Sight-reading as an important factor in the professional growth of future music teacher

    Anna Adamyan
    6
    DOI: https://doi.org/10.33871/23179937.2020.8.2.6

  • Developing a Crossover Idiomatic Writing for the Double Bass: Composing/Arranging & Playing, and ... Da capo !

    Fausto Borém
    7
    DOI: https://doi.org/10.33871/23179937.2020.8.2.7

  • On the nature of musical scores and the rationale to prepare them: formulating directives

    Marcus Alessi Bittencourt
    8
    DOI: https://doi.org/10.33871/23179937.2020.8.2.8

  • Sistema Composicional Intermarkoviano

    Esdras Sarmento Ferreira, Raphael Sousa Santos, Flávio Fernandes de Lima, Hugo Tremonte de Carvalho, Liduino Pitombeira
    9
    DOI: https://doi.org/10.33871/23179937.2020.8.2.9

  • O processo composicional intertextual de Estética do Frio III de Celso Loureiro Chaves

    João Francisco de Souza Corrêa
    10
    DOI: https://doi.org/10.33871/23179937.2020.8.2.10

  • Fundamentos teológico-polí­ticos da Musica Poetica alemã

    Cassiano de Almeida Barros
    11
    DOI: https://doi.org/10.33871/23179937.2020.8.2.11

  • Questões acerca do repertório no contexto coral adulto e juvenil

    Fábio Miguel, Willian Gomes Pedrozo, Emerson Pereira Tineo, Felipe Pillis Panelli, Felipe Rodrigues Ferreira Perez, André dos Santos, Maicon Pereira Jacinto, Regina Célia Corso Marcondes do Amaral
    12
    DOI: https://doi.org/10.33871/23179937.2020.8.2.12

  • Fantasia Sul América para saxofone solo, processos de assimilação e incorporação de repertório

    José de Carvalho Oliveira, Marco Tulio de Paula Pinto
    13
    DOI: https://doi.org/10.33871/23179937.2020.8.2.13

  • O uso da Loop Station em performance musical: implicações e exigências interpretativas

    Alexsander Jorge Duarte
    14
    DOI: https://doi.org/10.33871/23179937.2020.8.2.14

  • O Pós-Minimalismo de "Il Neige... de Nouveau!" : intertextualidade e forma como processo

    Rita de Cássia Domingues dos Santos, Danilo Rossetti
    15
    DOI: https://doi.org/10.33871/23179937.2020.8.2.15

  • O Ecletismo nas Canções de Câmara para Canto e Piano de Carlos Alberto Pinto Fonseca

    Angelo José Fernandes, Raíssa Amaral Magrini, Sarah Victória Santibanez Migliori, Heitor Basílio Coelho
    19
    DOI: https://doi.org/10.33871/23179937.2020.8.2.19

Entrevista

  • On Music and Political Concerns: An Interview with Hilda Paredes

    Luis Velasco-Pufleau, Hilda Paredes
    16
    DOI: https://doi.org/10.33871/23179937.2020.8.2.16

Tradução

  • O Novo Estado da Arte dos Estudos em Performance

    Ian Pace, Vitória Louveira, William Teixeira
    18
    DOI: https://doi.org/10.33871/23179937.2020.8.2.18

Editorial

Dossiê "The Toy Piano Takes the Stage"

  • Editorial "The Toy Piano Takes the Stage" Dossier

    Sara Carvalho

  • Occupied reflections: audience as performers

    Sara Carvalho
    1
    DOI: https://doi.org/10.33871/23179937.2020.8.2.1

  • Drawing texture with the toy piano

    Diana Blom
    2
    DOI: https://doi.org/10.33871/23179937.2020.8.2.2

  • The Toy Piano Is Not a Toy

    Antonietta Loffredo
    3
    DOI: https://doi.org/10.33871/23179937.2020.8.2.3

  • Visuals, Structure and Emotion: The Toy Piano in the Dramaturgy of Piano Recitals

    Késia Decoté Rodrigues
    4
    DOI: https://doi.org/10.33871/23179937.2020.8.2.4

  • Serendipity Poetry and Play in Toy Piano composition and Four Pieces for Toy Piano

    Brian Inglis
    5
    DOI: https://doi.org/10.33871/23179937.2020.8.2.5

Obra Artí­stica

  • A dor de todas as ruas vazias

    João Ricardo
    17
    DOI: https://doi.org/10.33871/23179937.2020.8.2.17

Completo