O Novo Estado da Arte dos Estudos em Performance

Visualizações: 187

Autores

  • Ian Pace City University of London
  • Vitória Louveira Universidade Federal de Mato Grosso do Sul
  • William Teixeira Universidade Federal de Mato Grosso do Sul

DOI:

https://doi.org/10.33871/23179937.2020.8.2.18

Palavras-chave:

Performance musical, Estudos em performance, Pesquisa em performance

Resumo

A performance-como-pesquisa e a performance baseada em pesquisa são alvos de criÌticas constantes na academia. Autores como Clarke, Cook e Daniel Leech-Wilkinson integram um grupo muito proeminente de pesquisadores que abordam esse assunto. Cook se destaca com o livro Beyond the Score: Music as Performance (livro que seraÌ analisado durante este texto), no qual realiza criÌticas duras e, por vezes, precipitadas, aÌ€ performance da muÌsica de concerto, especialmente da que ele chama de "˜performance modernista'. Por meio dele eÌ possiÌvel conhecer outros autores de seu grupo que apoiam ideias similares. Acontece que Cook, com seu tom, parece esperar que seus leitores partam de conhecimentos taÌcitos acerca da realidade atual da performance musical e dos estudos em performance. A anaÌlise feita aqui, principalmente deste livro, vem para estabelecer um contraponto e para tentar conter algumas de suas ideias depreciativas sobre a pesquisa em performance, a performance musical e outros campos que permeiam a ramificação dos estudos em performance. [resumo elaborado pelos tradutores]

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Biografia do Autor

Ian Pace, City University of London

Ian Pace eÌ um pianista de reputação estabelecida, especializado nos mais distantes pontos do modernismo musical e do virtuosismo transcendental, aleÌm de escritor e musicoÌlogo com foco em questões de performance, muÌsica e sociedade e vanguarda. Ele nasceu em Hartlepool, estudou na Escola de MuÌsica de Chetham, The Queen's College, Oxford e, como Fulbright Scholar, na Juilliard School, em Nova York. Seu professor principal, e uma grande influeÌ‚ncia em seu trabalho,foi o pianista huÌngaro György SaÌndor, um aluno de BartoÌk. Atualmente eÌ professor da City University London.

Vitória Louveira, Universidade Federal de Mato Grosso do Sul

VitoÌria Louveira eÌ acadeÌ‚mica do Curso de MuÌsica - Licenciatura da UFMS e ministra aulas de violão na Escola de MuÌsica da UFMS. Atualmente eÌ bolsista de iniciação cientiÌfica do PIBIC-CNPq. ORCID: https://orcid.org/0000- 0002-7229-3100

William Teixeira, Universidade Federal de Mato Grosso do Sul

William Teixeira eÌ Doutor em MuÌsica pela USP e Professor Adjunto da UFMS. Como violoncelista jaÌ atuou como solista frente a grupos como a Orquestra SinfoÌ‚nica da UNICAMP, Orquestra SinfoÌ‚nica de Rio Claro, Orquestra de CaÌ‚mara da USP e a USP-FilarmoÌ‚nica. ORCID: https://orcid.org/0000-0002-6622-378X

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Publicado

30.09.2020

Como Citar

Pace, I., Louveira, V., & Teixeira, W. (2020). O Novo Estado da Arte dos Estudos em Performance. Revista Vórtex, 8(2), 18. https://doi.org/10.33871/23179937.2020.8.2.18

Edição

v. 8 n. 2 (2020): Revista Vórtex

Seção

Tradução

Licença

Copyright (c) 2021 Ian Pace, Vitória Louveira, William Teixeira

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