O Novo Estado da Arte dos Estudos em Performance
Visualizações: 187DOI:
https://doi.org/10.33871/23179937.2020.8.2.18Palabras clave:
Performance musical, Estudos em performance, Pesquisa em performanceResumen
A performance-como-pesquisa e a performance baseada em pesquisa são alvos de criÌticas constantes na academia. Autores como Clarke, Cook e Daniel Leech-Wilkinson integram um grupo muito proeminente de pesquisadores que abordam esse assunto. Cook se destaca com o livro Beyond the Score: Music as Performance (livro que seraÌ analisado durante este texto), no qual realiza criÌticas duras e, por vezes, precipitadas, aÌ€ performance da muÌsica de concerto, especialmente da que ele chama de "˜performance modernista'. Por meio dele eÌ possiÌvel conhecer outros autores de seu grupo que apoiam ideias similares. Acontece que Cook, com seu tom, parece esperar que seus leitores partam de conhecimentos taÌcitos acerca da realidade atual da performance musical e dos estudos em performance. A anaÌlise feita aqui, principalmente deste livro, vem para estabelecer um contraponto e para tentar conter algumas de suas ideias depreciativas sobre a pesquisa em performance, a performance musical e outros campos que permeiam a ramificação dos estudos em performance. [resumo elaborado pelos tradutores]
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