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Found 102 items.

  • Teaching and Learning Electronic Music Composition

    Joachim Heintz
    1-8
    27.02.2020
    DOI: https://doi.org/10.33871/23179937.2020.8.1.1-8

  • Uma saudade que ficou: o silenciamento na produção composicional de Dinorá de Carvalho

    Tadeu Moraes Taffarello, Raquel Juliana Prado Leite de Sousa, Flávio Cardoso de Carvalho, Vitor Alves de Mello Lopes
    1-34
    20.08.2025
    DOI: https://doi.org/10.33871/vortex.2025.13.9869

  • Drawing texture with the toy piano

    Diana Blom
    2
    15.09.2020
    DOI: https://doi.org/10.33871/23179937.2020.8.2.2

  • A invenção do instrumento vocal em Got Lost , de Helmut Lachenmann

    Lucas Mateus Silva, William Teixeira
    1-32
    28.05.2025
    DOI: https://doi.org/10.33871/vortex.2025.13.9096

  • ‘Chess studies’ para quarteto de cordas: Composiçao baseada em xadrez

    Alberto Hortigüela, Sara Carvalho
    1-34
    22.07.2025
    DOI: https://doi.org/10.33871/vortex.2025.13.9479

  • The analogies toy: poetic algorithm as a composition strategy

    Armando Lôbo
    1-7
    27.02.2020
    DOI: https://doi.org/10.33871/23179937.2020.8.1.1-7

  • Teledescante nº1: polyphony in time of plague

    Maurício Funcia De Bonis, Fábio Scucuglia
    5
    30.11.2021
    DOI: https://doi.org/10.33871/23179937.2021.9.2.5

  • From Scratch

    Sergio Kafejian
    1.41
    15.12.2020
    DOI: https://doi.org/10.33871/23179937.2020.8.3.1.41

  • The Guitar as a Laboratory for Experimentation

    Camilo A. Mendez San Juan
    1.10
    15.12.2020
    DOI: https://doi.org/10.33871/23179937.2020.8.3.1.10

  • Shared musical creativity: teaching composer-performer collaboration

    Luciane Cardassi, Guilherme Bertissolo
    13
    27.02.2020
    DOI: https://doi.org/10.33871/23179937.2020.8.1.13

  • Some Compositional Approaches in the Practice of live-electronic music from the perspective of technique and technological tools

    Vinícius Cesar de Oliveira, Thales Roel P. Pessanha
    8
    15.12.2021
    DOI: https://doi.org/10.33871/23179937.2021.9.3.8

  • El Cimarrón by Hans Werner Henze – A New Approach to Political Song

    Jose Mario Ortiz
    1-12
    29.12.2017
    DOI: https://doi.org/10.33871/23179937.2017.5.3.2160

  • Música e silêncio

    Gisèle Brelet; Gustavo Bonin, Juliana Di Fiori Pondian
    1-22
    16.09.2024
    DOI: https://doi.org/10.33871/vortex.2024.12.9117

  • Historicized Composition and Creative Ethnomusicology

    Dániel Péter Biró
    1-22
    30.06.2013
    DOI: https://doi.org/10.33871/23179937.2013.1.1.367

  • Making Complex Music with Simple Algorithms, is it Even Possible?

    Risto Holopainen
    3
    30.11.2021
    DOI: https://doi.org/10.33871/23179937.2021.9.2.3

  • Parsimonious relations between Guitar Textural Proposals

    Bernardo Ramos Pinto, Pauxy Gentil-Nunes
    1.1
    15.12.2020
    DOI: https://doi.org/10.33871/23179937.2020.8.3.1.1

  • Pandemics, Delays, and Pure Data: on 'afterlives' (2020), for Flute and Live Electronics and Visuals

    José Henrique Padovani
    17
    30.11.2021
    DOI: https://doi.org/10.33871/23179937.2021.9.2.17

  • Dragonslayer: musical composition and mythical thought

    Luigi Antonio Irlandini
    5
    15.12.2021
    DOI: https://doi.org/10.33871/23179937.2021.9.3.5

  • On the nature of musical scores and the rationale to prepare them: formulating directives

    Marcus Alessi Bittencourt
    8
    15.09.2020
    DOI: https://doi.org/10.33871/23179937.2020.8.2.8

  • Composition of “Karma” based on the Gestalt Modeling of “Ponteio No. 29” by Camargo Guarnieri

    Helder Alves de Oliveira, Liduino Pitombeira
    1-37
    30.01.2024
    DOI: https://doi.org/10.33871/23179937.2023.11.3.8241

  • The Practice of Teaching Composition

    Dániel Péter Biró
    1-11
    27.02.2020
    DOI: https://doi.org/10.33871/23179937.2020.8.1.1-11

  • Serendipity Poetry and Play in Toy Piano composition and Four Pieces for Toy Piano

    Brian Inglis
    5
    15.09.2020
    DOI: https://doi.org/10.33871/23179937.2020.8.2.5

  • Gesture as a metaphorical process: an exploration through musical composition

    Sara Carvalho
    1-9
    30.06.2017
    DOI: https://doi.org/10.33871/23179937.2017.5.1.1852

  • Análise e interpretação do primeiro movimento da Sonatina para violão de Sérgio Vasconcellos-Corrêa

    Jéfrey Antônio de Andrade, Rogério Tavares Constante
    1-44
    09.09.2024
    DOI: https://doi.org/10.33871/vortex.2024.12.8864

  • A vanguarda pop de Damiano Cozzella: hibridação cultural e a composição como ato crítico

    Fernando Magre, Mónica Vermes
    1-26
    08.07.2025
    DOI: https://doi.org/10.33871/vortex.2025.13.10593
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