Vol. 14 (2026): Revista Vórtex

View Vol. 14 (2026): Revista Vórtex
Published: 2026-02-20

PrePrint (SciELO)

  • Creating from the Body: Gendered Agency in Contemporary Music Performance

    Iracema De Andrade Almeida
    1-27
    DOI: https://doi.org/10.33871/vortex.2026.14.11231

Original Article

  • Notes on the historical factors that led composition become distanced from music education

    Eduardo Wanderley Brasil, Fernando Gabriel Batista Lima, Fábio Silva Ventura, Caroline Caregnato
    1-31
    DOI: https://doi.org/10.33871/vortex.2026.14.11372

  • Compositional Planning of Trivium for Helder Alto Recorder

    Liduino José Pitombeira de Oliveira
    1-63
    DOI: https://doi.org/10.33871/vortex.2026.14.11516

  • Tradition, Innovation and Sustanability in Classical Guitar Construction

    Ricardo Barceló Ricardo Barceló
    1-44
    DOI: https://doi.org/10.33871/vortex.2026.14.11262

  • Layers of musical interaction: an analysis of Anders Lind's installation Lines

    Cristiane dos Guimarães Alvim Nunes, Marco Antonio Pasqualini de Andrade, Daniel Luís Barreiro
    1-38
    DOI: https://doi.org/10.33871/vortex.2026.14.11478

  • Instrumental Substitution and Repertoire Dissemination: a report on Directionlessness (2020/2022), by Luís Bittencourt

    Fernando Martins de Castro Chaib, Luis Alberto Teixeira Bittencourt
    1-42
    DOI: https://doi.org/10.33871/vortex.2026.14.11015

  • Second stage of Colombian electroacoustic music: dissemination and consolidation (1980–1999)

    Juan Diego Martinez Alvarez, Angelica Maria Rincon
    1-38
    DOI: https://doi.org/10.33871/vortex.2026.14.11168

  • Pan-American Sounds: Carleton Sprague Smith’s Role in Camargo Guarnieri’s Career and Music

    Pyero Talone
    1-35
    DOI: https://doi.org/10.33871/vortex.2026.14.11058

  • Rogério Duprat’s Film Music Manuscripts for Noite vazia and the Synthesizer at the Vera Cruz Studios

    Itamar Vidal, Danilo Rossetti
    1-47
    DOI: https://doi.org/10.33871/vortex.2026.14.11000

  • Guitar Articulation: A Pedagogical Proposal for the Method of Henrique Pinto

    Felipe Afonso, Fernando Aguera
    1-27
    DOI: https://doi.org/10.33871/vortex.2026.14.11115

  • Piano Repertoire for the Left Hand: A Performative Study of Portuguese Works

    Andre Roque Cardoso, Helena Marinho
    1-34
    DOI: https://doi.org/10.33871/vortex.2026.14.10853

  • A Brief Primer to Sergei Taneyev’s Treatise “Convertible Counterpoint in the Strict Style”

    Marcus Alessi Bittencourt, Lilian Cristyelen Martins
    1-46
    DOI: https://doi.org/10.33871/vortex.2026.14.11205

  • The dialogue between singing and piano: a textural analysis of five songs by Camargo Guarnieri

    Polyane Schneider Hochheim, Ana Telles
    1-33
    DOI: https://doi.org/10.33871/vortex.2026.14.11049

  • The Waldstein Gesture and the Tetradic Space

    Carlos Almada
    1 - 31
    DOI: https://doi.org/10.33871/vortex.2026.14.11073

  • A Musicology of Iron and Leather: Musithinking Foundations in Ketu’s Candomblé Toque

    Ferran Tamarit
    1-34
    DOI: https://doi.org/10.33871/vortex.2026.14.10939

  • Poetry and Music Relationship in Let my Love be Heard by Jake Runestad

    Lucas Gabriel Almeida Bispo, Luciano de Freitas Camargo
    1-34
    DOI: https://doi.org/10.33871/vortex.2026.14.11041

Dossier “Morton Feldman – A Silent Revolution Over 100 Years”

  • Morton Feldman @100

    Ming Tsao
    1-21
    DOI: https://doi.org/10.33871/vortex.2026.14.11610