Vol. 14 (2026): Revista Vórtex

View Vol. 14 (2026): Revista Vórtex
Published: 2026-02-20

PrePrint (SciELO)

  • Creating from the Body: Gendered Agency in Contemporary Music Performance

    Iracema De Andrade Almeida
    1-27
    DOI: https://doi.org/10.33871/vortex.2026.14.11231

Original Article

  • Piano Repertoire for the Left Hand: A Performative Study of Portuguese Works

    Andre Roque Cardoso, Helena Marinho
    1-34
    DOI: https://doi.org/10.33871/vortex.2026.14.10853

  • A Brief Primer to Sergei Taneyev’s Treatise “Convertible Counterpoint in the Strict Style”

    Marcus Alessi Bittencourt, Lilian Cristyelen Martins
    1-46
    DOI: https://doi.org/10.33871/vortex.2026.14.11205

  • The Waldstein Gesture and the Tetradic Space

    Carlos Almada
    1 - 31
    DOI: https://doi.org/10.33871/vortex.2026.14.11073

  • The dialogue between singing and piano: a textural analysis of five songs by Camargo Guarnieri

    Polyane Schneider Hochheim, Ana Telles
    1-33
    DOI: https://doi.org/10.33871/vortex.2026.14.11049

  • A Musicology of Iron and Leather: Musithinking Foundations in Ketu’s Candomblé Toque

    Ferran Tamarit
    1-34
    DOI: https://doi.org/10.33871/vortex.2026.14.10939

  • Poetry and Music Relationship in Let my Love be Heard by Jake Runestad

    Lucas Gabriel Almeida Bispo, Luciano de Freitas Camargo
    1-34
    DOI: https://doi.org/10.33871/vortex.2026.14.11041

Dossier “Morton Feldman – A Silent Revolution Over 100 Years”

  • Morton Feldman @100

    Ming Tsao
    1-21
    DOI: https://doi.org/10.33871/vortex.2026.14.11610