Vol. 11 No. 2 (2023): Vortex Music Journal

View Vol. 11 No. 2 (2023): Vortex Music Journal
Published: 2023-07-14

Editorial

  • Editorial Vol. 11 N. 2 2023

    Fabio Guilherme Poletto, Felipe de Almeida Ribeiro
    i-ii
    DOI: https://doi.org/10.33871/23179937.2023.11.2.8256

Dossier “Homage to Sérgio Abreu: guitar, contexts, practices and characters”

  • Dossier "Homage to Sérgio Abreu: guitar, contexts, practices and characters" Dossiê “Homenagem a Sérgio Abreu: violão, contextos, práticas e personagens”

    Humberto Amorim, Ricardo Dias, Felipe de Almeida Ribeiro, Fabio Guilherme Poletto
    1-2
    DOI: https://doi.org/10.33871/23179937.2023.11.2.8362

  • Possível influência de Quincas Laranjeiras no desenvolvimento do estilo violonístico de Heitor Villa-Lobos

    Humberto Amorim, Sérgio Abreu
    1-38
    DOI: https://doi.org/10.33871/23179937.2023.11.2.8376

  • Two unpublished transcriptions by Sérgio Abreu: procedures, contexts and criteria for diplomatic editions

    Humberto Amorim, Ricardo Dias, Paulo Martelli
    1-46
    DOI: https://doi.org/10.33871/23179937.2023.11.2.8359

  • Sergio Abreu’s arrangement of the Poco Adagio, by C.P.E. Bach: comparison and instrumental analysis

    Cauã Canilha, Daniel Wolff, Edelton Gloeden
    1-41
    DOI: https://doi.org/10.33871/23179937.2023.11.2.7941

  • Behind the scenes of Francisco Mignone’s “Concerto for Guitar and Orchestra” reviewed by Sergio Abreu.

    Maurício Orosco
    1-27
    DOI: https://doi.org/10.33871/23179937.2023.11.2.7933

  • Sérgio Abreu and the history of his contribution with Quaternaglia and Brazilian Guitar Quartet

    Teresinha Prada, Hoberdan Peno
    1-27
    DOI: https://doi.org/10.33871/23179937.2023.11.2.7945

  • Investigating the Sérgio and Eduardo Abreu duo's discography

    Gilson Antunes
    1-18
    DOI: https://doi.org/10.33871/23179937.2023.11.2.7949

  • Sérgio Abreu's approaches for Fernando Sor's studies

    Bruno Madeira
    1-35
    DOI: https://doi.org/10.33871/23179937.2023.11.2.7916

  • The “Abreu’s Model” guitars present at the TSMD Ivanildo Rebouças da Silva in Cubatão-SP

    Jéssica Messias dos Santos, Tadeu Moraes Taffarello
    1-21
    DOI: https://doi.org/10.33871/23179937.2023.11.2.7946

  • Sérgio Abreu and Dona Monina: a duo beyond the Duo

    Roberta Mourim Cabral
    1-18
    DOI: https://doi.org/10.33871/23179937.2023.11.2.7935

  • Cataloging Sérgio Abreu guitars

    Walmor Angelo Boza, Daiane Boza, Juarez Bergmann Filho
    1-31
    DOI: https://doi.org/10.33871/23179937.2023.11.2.7950

  • Sérgio Abreu: the foundations of a guitar school

    Luciano Morais
    1-25
    DOI: https://doi.org/10.33871/23179937.2023.11.2.7948

  • Some Thoughts on Rhythm - Prologue of Alice Arztz's book "Rhythmic Mastery"

    Angel Tateishi; Alice Artzt
    1-8
    DOI: https://doi.org/10.33871/23179937.2023.11.2.7497

Original Article

  • Searching for Villa-Lobos’s First Piano Trio

    Paulo de Tarso Salles
    1-31
    DOI: https://doi.org/10.33871/23179937.2023.11.2.7488

  • Sound board's Frequency Response Analysis of Classical Guitars

    Milton Ernesto Romero Romero, Rafael Pedrosa Salgado, Evandro Mazina Martins
    1-31
    DOI: https://doi.org/10.33871/23179937.2023.11.2.7762

  • Temporal Success Analyses in Music Collaboration Networks: Brazilian and Global Scenarios

    Mariana O. Silva, Gabriel P. Oliveira, Danilo B. Seufitelli, Mirella M. Moro
    1-27
    DOI: https://doi.org/10.33871/23179937.2023.11.2.7185

  • Performer openness strategies and the discourse control procedures

    Daniel Pizaia, Fabio Furlanete
    1-29
    DOI: https://doi.org/10.33871/23179937.2023.11.2.7496

  • Right-hand guitar techniques incorporated unevenly in Spanish and English-speaking countries

    Ricardo Barceló
    1-30
    DOI: https://doi.org/10.33871/23179937.2023.11.2.7842

  • The Aesthetics of the Cold and its guitar idioms: an analysis of Vitor Ramil’s songbook

    Luan Augusto Langaro Teixeira, Beatriz Magalhães-Castro
    1-21
    DOI: https://doi.org/10.33871/23179937.2023.11.2.7955

Review

  • Listening after nature? Field recording in flux.

    Rui Miguel Paiva Chaves
    1-5
    DOI: https://doi.org/10.33871/23179937.2023.11.2.7637

Artistic Work

  • Waltzifiability hypothesis

    Angel Tateishi, Amanda Carpenedo, Jean Lopes Baiano
    1-23
    DOI: https://doi.org/10.33871/23179937.2023.11.2.7619

Ebook

  • Sérgio Abreu and his time

    Humberto Amorim, Ricardo Dias, Felipe de Almeida Ribeiro, Fabio Poletto
    1-228
    DOI: https://doi.org/10.33871/23179937.2023.11.2.8345