Reflexões sobre os conceitos da Teoria dos Estilos de Meyer para a performance musical
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https://doi.org/10.33871/vortex.2024.12.9270Palabras clave:
Estilo musical, Performance musical, Interpretação Musical, Idioma, MeyerResumen
O presente artigo tem como objetivo apresentar reflexões sobre estilo como um conceito multifacetado que vai além da questão de época/período em certa tradição cultural, envolvendo aspectos ideológicos e psicológicos. Vertentes em referência ao estilo são reveladas através da expressão (composição e performance/interpretação), da organização (análise) e da recepção (audição). Para Meyer, a caracterização dos estilos é dependente de níveis de restrição da linguagem musical, a saber: leis, regras e estratégias. Este conjunto de restrições é ainda demarcado em função do idioma e do dialeto compartilhados e/ou singularizados em uma dada região e época. Visto que tal postulação apresenta uma perspectiva teórico-musicológica e, sobretudo composicional, neste artigo é proposta uma ponderação sobre o percurso em direção à construção de estilos na performance musical, propondo uma disposição inversa à ordem dos elementos da Teoria, tendo principalmente o idioma como o elemento balizador para potencializar escolhas para a construção de uma performance.
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Derechos de autor 2024 Samuel Henrique da Silva Cianbroni, Regina Antunes Teixeira Dos Santos
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Conselho Nacional de Desenvolvimento Científico e Tecnológico
Números de la subvención 423417/2021-5
