Composição e performance podem ser, e frequentemente tem sido, pesquisa

Visualizações: 138

Autores/as

  • Ian Pace City University of London
  • Vitória Liz P. Louveira Universidade Federal do Mato Grosso do Sul
  • William Teixeira Universidade Federal do Mato Grosso do Sul

DOI:

https://doi.org/10.33871/23179937.2020.8.1.1-23

Resumen

O artigo de John Croft “Composição não é Pesquisa” desafia uma concepção e um ideal de trabalho composicional na academia que ganhou destaque ao longo de várias décadas no Reino Unido. Como performer acadêmico, que também escreve sobre assuntos acadêmicos não relacionados à performance, abordo este desafio, partilhando algumas das restrições de Croft sobre as maneiras pelas quais essas concepções têm se manifestado, e também algumas preocupações sobre a integração indiscriminada de profissionais na academia e as implicações para as formas acadêmicas mais tradicionais. No entanto, eu creio que muitas das formulações e suposições de Croft são limitadas, e, ao invés disso, argumento que boa parte do processo de composição e performance constituem-se em pesquisa ao lidar com questões difí­ceis, explorando soluções, e produzindo trabalhos criativos que incorporam essas soluções, das quais outros podem se beneficiar também.

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Biografía del autor/a

Ian Pace, City University of London

Ian Pace é um pianista de reputação estabelecida, especializado nos mais distantes pontos do modernismo musical e do virtuosismo transcendental, além de escritor e musicólogo com foco em questões de performance, música e sociedade e vanguarda. Ele nasceu em Hartlepool, estudou na Escola de Música de Chetham, The Queen's College, Oxford e, como Fulbright Scholar, na Juilliard School, em Nova York. Seu professor principal, e uma grande influência em seu trabalho, foi o pianista húngaro György Sándor, um aluno de Bartók. Atualmente é professor da City University London. E-mail: ianpace1@city.ac.uk

Vitória Liz P. Louveira, Universidade Federal do Mato Grosso do Sul

Vitória Louveira é acadêmica do Curso de Música - Licenciatura da UFMS e ministra aulas de violão na Escola de Música da UFMS. Atualmente é bolsista de iniciação cientí­fica do PIBIC-CNPq. E-mail: vitorializparaguassu@gmail.com

William Teixeira, Universidade Federal do Mato Grosso do Sul

William Teixeira é Doutor em Música pela USP e Professor Adjunto da UFMS. Como violoncelista já atuou como solista frente a grupos como a Orquestra Sinfônica da UNICAMP, Orquestra Sinfônica de Rio Claro, Orquestra de Câmara da USP e a USP-Filarmônica. E-mail: william.teixeira@ufms.br

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Publicado

2020-02-27

Cómo citar

Pace, I., Louveira, V. L. P., & Teixeira, W. (2020). Composição e performance podem ser, e frequentemente tem sido, pesquisa. Revista Vórtex, 8(1), 1–23. https://doi.org/10.33871/23179937.2020.8.1.1-23

Número

Vol. 8 Núm. 1 (2020): Revista Vórtex

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Tradução

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