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Found 102 items.

  • Application of the Aesthetic of Guqin (古琴) for Contemporary Music Composition

    Barry Yuk Bun Wan
    2
    15.12.2021
    DOI: https://doi.org/10.33871/23179937.2021.9.3.2

  • Space in Music: what we call ‘space’ in music and what it really is

    Fabio Wanderley Janhan Sousa
    1-24
    18.06.2024
    DOI: https://doi.org/10.33871/vortex.2024.12.8490

  • Music Composition Today

    Ming Tsao
    1-10
    27.02.2020
    DOI: https://doi.org/10.33871/23179937.2020.8.1.1-10

  • The night, the music: a cognitive hypothesis

    Maurício Dottori
    7
    27.02.2020
    DOI: https://doi.org/10.33871/23179937.2020.8.1.7

  • Listening to/with Mar Paradoxo: a collective practice for sharing listenings

    Gustavo Branco Germano, Alexandre Marino, Daniel Tápia, Henrique Rocha de Souza Lima, Lílian Campesato, Marina Mapurunga de Miranda da Ferreira, Valéria Bonafé, Vicente Reis
    1
    30.11.2021
    DOI: https://doi.org/10.33871/23179937.2021.9.2.1

  • Idiosyncratic Audio Feedback Networks for Music Creation

    Adriano Claro Monteiro
    30.04.2022
    DOI: https://doi.org/10.33871/23179937.2022.10.1.1

  • Map, Trigger, Score, Procedure: machine-listening paradigms in live-electronics

    Vinícius Cesar de Oliveira, José Henrique Padovani
    30.04.2022
    DOI: https://doi.org/10.33871/23179937.2022.10.1.3

  • An introduction to the poetics of sacred sound in twentieth-century music

    Luigi Antonio Irlandini
    65-86
    30.12.2013
    DOI: https://doi.org/10.33871/23179937.2013.1.2.430

  • Discussing the teaching of composition at the university

    Yuri Behr, Clayton Rosa Mamedes, Isaac Felix Chueke
    14
    27.02.2020
    DOI: https://doi.org/10.33871/23179937.2020.8.1.14

  • Escritos no pó, para violão e sons eletrônicos: reflexões sobre a música mista com tape e sua relação com a tradição

    Felipe Vasconcelos, Renan Simões
    1-37
    17.11.2025
    DOI: https://doi.org/10.33871/vortex.2025.13.10837

  • Editorial v.8 n.1 (2020)

    Felipe de Almeida Ribeiro
    27.03.2020

  • Teaching Music Composition: A Poetic Interdisciplinary Path Through Art and Life

    Roseane Yampolschi
    15
    27.03.2020
    DOI: https://doi.org/10.33871/23179937.2020.8.1.15

  • Reimagining a Riemannian symbology for the structural harmonic analysis of 19th-century tonal music.

    Marcus Alessi Bittencourt
    30-48
    30.12.2013
    DOI: https://doi.org/10.33871/23179937.2013.1.2.428

  • Teaching electronic music – journeys through a changing landscape

    Simon Emmerson
    12
    27.02.2020
    DOI: https://doi.org/10.33871/23179937.2020.8.1.12

  • Real-time Analysis of Interactive Scores in PWGL

    Mika Kuuskankare
    30.04.2022
    DOI: https://doi.org/10.33871/23179937.2022.10.1.4

  • Ecosystem [512]: Acoustic Ecology Surveys as Music

    Garrison Gerard
    1-27
    03.12.2024
    DOI: https://doi.org/10.33871/vortex.2024.12.9521

  • Interview with Luigi Abbate

    Luigi Abbate, Eduardo Campolina, Igor Leão Maia
    1-31
    27.02.2020
    DOI: https://doi.org/10.33871/23179937.2020.8.1.1-31

  • Jade God In

    Ivan Eiji Simurra
    181-188
    30.12.2014
    DOI: https://doi.org/10.33871/23179937.2014.2.2.471

  • Schaeffer's Solfège, Percussion, Audio Descriptors: Towards an Interactive Musical System

    Sérgio Freire, José Henrique Padovani, Caio Costa Campos
    30.04.2022
    DOI: https://doi.org/10.33871/23179937.2022.10.1.5

  • Estratégias de uma pianista expert para o aprendizado de uma música por melodia cifrada

    Joao G A Lima, Danilo Ramos
    1-45
    05.08.2024
    DOI: https://doi.org/10.33871/vortex.2024.12.8443

  • A Mathematical, Graphical and Visual Approach to Granular Synthesis Composition

    Fernando Falci de Souza, Adolfo Maia Jr.
    4
    30.11.2021
    DOI: https://doi.org/10.33871/23179937.2021.9.2.4

  • Almost 20 years of Cyclone; past, present and future

    Alexandre Torres Porres, Matt Barber, Derek Kwan
    15
    30.11.2021
    DOI: https://doi.org/10.33871/23179937.2021.9.2.15

  • Poetics in sound art: an interview with Paulo Nenflidio

    Roseane Yampolschi, Clayton Rosa Mamedes, Paulo Nenflidio
    6
    30.11.2021
    DOI: https://doi.org/10.33871/23179937.2021.9.2.6

  • Personal Thinking on the Creative Directions of Chinese Contemporary Zheng Music

    Peng Liu
    1-9
    27.02.2020
    DOI: https://doi.org/10.33871/23179937.2020.8.1.1-9

  • Halny, for flute and guitar

    Eduardo Frigatti
    01.09.2018
    DOI: https://doi.org/10.33871/23179937.2018.6.2.2624
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