Taste This Score

Eliana Rosales

doi:10.33871/23179937.2023.11.1.7775

Authors

Eliana Rosales Universidad Nacional de Tres de Febrero | Argentina https://orcid.org/0009-0001-8034-5839

DOI:

https://doi.org/10.33871/23179937.2023.11.1.7775

Keywords:

Cross-modal perception, Gastrosonic, Visual texture, Digital score

Abstract

Digital scores were introduced in contemporary music some decades ago, as well as extra-musical images and visual signs in music writing. What is not yet explored and seems to be a very fertile field of research is musical writing based on research on transmodality. This article presents an investigation on some of the possibilities of musical and sonic writing through the incorporation of images of food textures. This is part of more extensive work that includes research on sonic relationships with visual textures (not only food) and that also investigates the compositional and performative possibilities of transmodal digital dynamic scores (video scores).

Downloads

Download data is not yet available.

Author Biography

Eliana Rosales, Universidad Nacional de Tres de Febrero | Argentina

Eliana Rosales es artista audiovisual, chelista y docente. Como cellista se presentó con diferentes proyectos en distintas salas de la Ciudad de Buenos Aires y del extranjero Medialab Prado (Madrid, España); CMMR Festival en Wilton's Music Hall (Londres, Reino Unido); Ciclo Escuchar en Museo de Arte Moderno de Buenos Aires- Alianza Francesa; Festival Enlaces (UNTreF). Fue becaria de investigación en MUNTREF, Laboratorio de Arte y Ciencia en Tecnópolis, en el proyecto Aromatorio de Bruno Mesz. Actualmente se encuentra finalizando la Licenciatura en Artes Electrónicas en la UNTreF, Argentina. ORCID: https://orcid.org/0009-0001-8034-5839. E-mail: eliana.rosalese@gmail.com

References

ABBADENI, Noureddine; ZHOU, Djemel; WANG, Shengrui. Autocovariance- based perceptual textural features corresponding to human visual perception. In: PROCEEDINGS, 15TH INTERNATIONAL CONFERENCE ON PATTERN RECOGNITION. ICPR-2000.

AMADASUN, Moses; KING, Robert. Textural Features Corresponding to Textural Properties. IEEE Transactions on Systems, man and cybernetics, Vol 19, No 5., September/October. 1264-1274, 1978.

BATTIATO, Sebastiano; GALLO, Giovanni; NICOTRA, Salvatore. Perceptive visual texture classification and retrieval. In: PROCEEDINGS 12th INTERNATIONAL CONFERENCE ON IMAGE ANALYSIS AND PROCESSING, ICIAP, 2003. 524-529.

BHAGWATI, Sandeep; COSSETTE, Isabelle; BERZOWSKA, Joanna; BASANTA, Adam. Musicking the Body Electric: “The body:Suit:Score” as a polyvalent score interface for situational scores. 2006. Conference TENOR: 2nd International Conference on Technologies for Music Notation and Representation.

EITAN, Zohar; ROTHSCHILD, Inbar. How music touches: Musical parameters and listeners' audio-tactile metaphorical mappings. Psychology of Music. 39, 4. 2011. 449-467.

GIANNAKIS, Kostas. Perceptual-Based Visualization of Auditory Information Using Visual Texture. Digital Multimedia Perception and Design. IGI Global. 2006. 152-186.

HERMES, Thorsten; MIENE, Andrea; MOEHRKE, O. Automatic Texture Classification by Visual Properties. Classification and Information Processing at the Turn of the Millennium. Springer, Berlin, Heidelberg, 2000. 219-226.

KELLER, Damián; MILETTO, Evandro; OTERO, Nuno. Creative surrogates: Supporting decision-making in ubiquitous musical activities. In PROCEEDINGS OF THE 3RD INTERNATIONAL CONFERENCE ON COMPUTATION, COMMUNICATION, AESTHETICS AND X, 3, 2015, Glasgow, Scotland, 2015. 169-183.

KELLER, Damián; SIMURRA, Ivan; MESSINA, Marcello. Toward andicipatory ubimus, EAI Endorsed Transactions on Creatives Technologies: Disponivel em: https://eudl.eu/pdf/10.4108/eai.13-7-2018.164664. Acceso em: 21 May 2020.

KLATZY, Roberta; LEDERMAN, Susan. Multisensory Texture Perception. In: The Handbook of multisensory processses. Massachusetts Institute of Technology, 2004. 107-122.

MESZ, Bruno; TREVISAN, Marcos; SIGMAN, Mariano. The Taste of Music. Perception 40, 2. Pion, 2011. 209-19.

MOOS, Anja; SIMMONS, David; SIMNER, Julia; SMITH, Rachel. Color and texture associations in voice-induced synesthesia. Frontiers in psychology. 4. 568. 10.3389/fpsyg.2013.00568. 2003.

ROVAN, Joseph; HAYWARD, Vincent. Typology of tactile sounds and their synthesis in gesture-driven computer music performance. Editions IRCAM. 2000.

SIMNER, Julia; CUSKLEY, Christine; KIRBY, Simon. What Sound Does That Taste? Cross-Modal Mappings across Gustation and Audition. Perception 39, 4. 2010. 553-569.

SPENCE, Charles. Eating with our ears: assessing the importance of the sound of the consumption on our perception and enjoyment of multisensory flavour experiences. Flavour 4, 3. 2015.

SUZUKI, Yasuhiro; SUZUKI, Rieko. Tactile Score: a knowledge media for tactile sense. Springer Briefs in Applied Sciences and Technology. 2014.

TAMURA, Hideyuki; MORI, Shunji; YAMAWAKI, Takashi. Textural features corresponding to visual Perception. IEEE Transactions on Systems, man and cybernetics, Vol SMC-8, No 6., 1978, June. 460-473.

VICKERY, Lindsay. With the fishes 2015. Available at https://www.youtube.com/watch?v=ZN6hzonw9jw

WEST, Travis; BACHMEYER, Alexandra; BHAGWATI, Sandeep; BERZOWSKA, Joanna; WANDERLEY, Marcelo. The design of the body: suit: score, a full-body vibrotactile musical score. In INTERNATIONAL CONFERENCE ON HUMAN-COMPUTER INTERACTION. Springer, Cham. 2019. 70-89.