Editorial: Ebony & Ivory - History, Contexts and Practices Related to Piano

Visualizações: 12

Autores/as

  • Alfonso Benetti Universidade de Aveiro | Portugal

DOI:

https://doi.org/10.33871/vortex.2024.12.9555

Palabras clave:

piano

Resumen

Não aplicável.

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Biografía del autor/a

Alfonso Benetti, Universidade de Aveiro | Portugal

Alfonso Benetti is a pianist and assistant researcher at the University of Aveiro/INET-md (Portugal). He is a member of the committee of the IMPAR platform, associate editor and founder of ÍMPAR— Online Journal for Artistic Research, co-PI of the Xperimus Project/Ensemble (FCT)—an artistic research group devoted to experimentation in music, PI of the TransVariations Project—Music Beyond the Limits of Time and Technology (EEA Grants), and Ebony & Ivory Project—History of Piano in Portugal (FCT). Benetti has published articles and participated in several conferences and performances in Portugal, Brazil, Spain, Germany, England, Greece, Norway, Austria, Singapore, and Poland.

Citas

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DELEUZE, Gilles. [1969] Lógica do sentido. Tr. Br. Luiz Roberto Salinas Fortes, 3ª Edição. São Paulo: Perspectiva, 1994.

DOLGE, Alfred. Pianos and Their Makers. New York: Dover Publications, 1972. 478 p.

GERIG, Reginald. Famous Pianists and their Technique. Washington-New York: Robert B. Luce, 1974. 560 p.

GEORGII, Walter. Klaviermusik. Third edition. Zurich: Atlantis Verlag, 1950. 652 p.

FONSECA, Gláucio Xavier da. Intertextualidade e Aspectos Técnico-Interpretativos na Sonata Para Trompete e Piano, de José Alerto Kaplan. 2005. 115 p. Tese (Doutorado, Práticas Interpretativas - Trompete). Universidade Federal da Bahia, Salvador, 2005.

GOMES, João Carlos Teixeira. Gregório de Matos, o Boca de Brasa: Um Estudo de Plágio e Criação Intertextual. Petrópolis: Vozes, 1985. 390 p.

HATTEN, Robert. The Place of Intertextuality in Music Studies. American Journal of Semiotics, n. 3, ed. 4, p. 69–82, 1985. https://doi.org/10.5840/ajs1985345. Disponível em: <https://www.pdcnet.org/ajs/content/ajs_1985_0003_0004_0069_0082?file_type=pdf>. DOI: https://doi.org/10.5840/ajs1985345

HILDEBRANDT, Dieter. Piano Forte – A Social History of the Piano. New York: George Braziller, 1999. 224 p.

HINSON, Maurice. Guide to the pianist’s repertoire. Bloomington: Indiana University Press, 1973. 831 p.

KAPLAN, José Alberto. Ars Invendi. Claves, Programa de Pós-Graduação em Música da Universidade Federal da Paraíba, v.1, p. 15-25, Maio, 2006. Disponível em: <https://periodicos.ufpb.br/index.php/claves/article/view/2678>.

KLEIN, Michael L. Intertextuality in Western Art Music. Bloomington: Indiana University Press, 2005. 200 p.

LEPPERT, Richard. Music and Image: Domesticity, ideology and socio-cultural formation in eighteenth-century England. Cambridge: Cambridge University Press, 1993. 268 p.

LOESSER, Arthur. Men, Women and Pianos. London: Victor Gollancz, 1954. 654 p.

MAYER, Richard. Learning strategies for making sense out of expository text: The SOI model for guiding three cognitive processes in knowledge construction. Educational Psychology Review, [S. l.], v. 8, n. 4, p. 357–371. 1996. Disponível em: <https://doi.org/10.1007/BF01463939>. DOI: https://doi.org/10.1007/BF01463939

NAVICKAITÈ MARTINELLI, Lina. Piano performance in a semiotic key: Society, musical canon and novel discourses. Helsinki: Acta Semiotica Fennica, 2014. 490 p.

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TAGLIAFERRO, Magdalena. Quase tudo... Memórias de Magdalena Tagliaferro. Rio de Janeiro: Nova Fronteira, 1979.

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Publicado

2024-08-08

Cómo citar

Benetti, A. (2024). Editorial: Ebony & Ivory - History, Contexts and Practices Related to Piano. Revista Vórtex, 12, 1–14. https://doi.org/10.33871/vortex.2024.12.9555

Número

Vol. 12 (2024): Revista Vórtex

Sección

Ebony & Ivory: história, contextos e práticas associadas ao piano

Licencia

Derechos de autor 2024 Alfonso Benetti

Creative Commons License

Esta obra está bajo una licencia internacional Creative Commons Atribución 4.0.

Los autores conservan los derechos de autor y conceden a la revista el derecho de primera publicación, con el trabajo simultáneamente bajo la licencia Creative Commons Attribution Licence que permite compartir el trabajo con reconocimiento de autoría y publicación inicial en esta revista.

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