Editorial: Ebony & Ivory - History, Contexts and Practices Related to Piano

Visualizações: 36

Authors

  • Alfonso Benetti Universidade de Aveiro | Portugal

DOI:

https://doi.org/10.33871/vortex.2024.12.9555

Keywords:

piano

Abstract

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Author Biography

Alfonso Benetti, Universidade de Aveiro | Portugal

Alfonso Benetti is a pianist and assistant researcher at the University of Aveiro/INET-md (Portugal). He is a member of the committee of the IMPAR platform, associate editor and founder of ÍMPAR— Online Journal for Artistic Research, co-PI of the Xperimus Project/Ensemble (FCT)—an artistic research group devoted to experimentation in music, PI of the TransVariations Project—Music Beyond the Limits of Time and Technology (EEA Grants), and Ebony & Ivory Project—History of Piano in Portugal (FCT). Benetti has published articles and participated in several conferences and performances in Portugal, Brazil, Spain, Germany, England, Greece, Norway, Austria, Singapore, and Poland.

References

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DOLGE, Alfred. Pianos and Their Makers. New York: Dover Publications, 1972. 478 p.

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NAVICKAITÈ MARTINELLI, Lina. Piano performance in a semiotic key: Society, musical canon and novel discourses. Helsinki: Acta Semiotica Fennica, 2014. 490 p.

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TAGLIAFERRO, Magdalena. Quase tudo... Memórias de Magdalena Tagliaferro. Rio de Janeiro: Nova Fronteira, 1979.

Published

2024-08-08

How to Cite

Benetti, A. (2024). Editorial: Ebony & Ivory - History, Contexts and Practices Related to Piano. Vortex Music Journal, 12, 1–14. https://doi.org/10.33871/vortex.2024.12.9555

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Section

Ebony & Ivory: history, contexts and practices related to piano

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