Analysis and resynthesis of real instruments using Pure Data and the MKMR library
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https://doi.org/10.33871/23179937.2021.9.2.22Palabras clave:
Additive Synthesis, Pure Data, Spectrograph, Idiophones, Instrument DesignResumen
In this experience report, I present my method for synthesizing realistic sounding instruments. Starting from the analysis of a marimba sample to how to recreate it using additive synthesis while reducing the number of objects, memory and CPU load. This synthesized model only uses pd vanilla objects, allowing an ease of implementation with projects using libpd. The instrument detailed in this article and many more are part of my open-source library: mkmr. This repository is a compilation of vanilla made abstractions with different categories such as: oscillators, filters, effects, instruments, waveshapers, sequencers, etc.Descargas
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DOEL; PAI. Modal Synthesis for Vibrating Objects. Vancouver, Canada. University of British Columbia. Available at: <https://persianney.com/kvdoelcsubc/publications/modalpaper.pdf>. Accessed on: 23 Nov 2021
FRITTS, Lawrence. Music Instrument Samples. Iowa, U.S.A. University of Iowa. Available at: <http://theremin.music.uiowa.edu/Mismarimba.html>. Accessed on: 23 Nov 2021
GUILLOT, Pierre. Camomile: creating audio plugins with pure data. Saint-Denis, France. University Paris 8. Available at: <https://lac.linuxaudio.org/2018/pdf/44-paper.pdf>. Accessed on: 26 Nov 2021
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Derechos de autor 2021 Miguel Moreno
Esta obra está bajo una licencia internacional Creative Commons Atribución 4.0.
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