v. 9 n. 2 (2021): Revista Vórtex

					Visualizar v. 9 n. 2 (2021): Revista Vórtex
Publicado: 10.12.2021

Dossier "Creative practices in Sound Art"

  • Editorial v9 n2 dossier "Creative Practices in Sound Art"

    Clayton Mamedes
  • Listening to/with Mar Paradoxo: a collective practice for sharing listenings

    Gustavo Branco Germano, Alexandre Marino, Daniel Tápia, Henrique Rocha de Souza Lima, Lílian Campesato, Marina Mapurunga de Miranda da Ferreira, Valéria Bonafé, Vicente Reis
    1
    DOI: https://doi.org/10.33871/23179937.2021.9.2.1
  • Noise is Not Volume Alone – Ambiences and Drony Experiments in Music and Sound Art

    Ianni Barros Luna
    2
    DOI: https://doi.org/10.33871/23179937.2021.9.2.2
  • Making Complex Music with Simple Algorithms, is it Even Possible?

    Risto Holopainen
    3
    DOI: https://doi.org/10.33871/23179937.2021.9.2.3
  • A Mathematical, Graphical and Visual Approach to Granular Synthesis Composition

    Fernando Falci de Souza, Adolfo Maia Jr.
    4
    DOI: https://doi.org/10.33871/23179937.2021.9.2.4
  • Teledescante nº1: polyphony in time of plague

    Maurício Funcia De Bonis, Fábio Scucuglia
    5
    DOI: https://doi.org/10.33871/23179937.2021.9.2.5
  • Poetics in sound art: an interview with Paulo Nenflidio

    Roseane Yampolschi, Clayton Rosa Mamedes, Paulo Nenflidio
    6
    DOI: https://doi.org/10.33871/23179937.2021.9.2.6
  • Petrasonic, a musical exploration of Iowa's geology

    Jean-François Charles
    7
    DOI: https://doi.org/10.33871/23179937.2021.9.2.7
  • We walk together (2020)

    Rui Chaves, Eduardo Patrício, Laura Romero, Lilian Nakahodo, Luz da Camara
    8
    DOI: https://doi.org/10.33871/23179937.2021.9.2.8
  • INKBLOT

    Serge Bulat
    9
    DOI: https://doi.org/10.33871/23179937.2021.9.2.9
  • Dead voices and lost sounds: an imagined sonic history

    Adrienne Kapstein
    10
    DOI: https://doi.org/10.33871/23179937.2021.9.2.10

Dossier "A quarter of century of Pd: past, present and future"

  • The Null Piece and Reality Check

    Miller Puckette
    11
    DOI: https://doi.org/10.33871/23179937.2021.9.2.11
  • Pd and Audio Programming in the 21st Century

    Eric Lyon
    12
    DOI: https://doi.org/10.33871/23179937.2021.9.2.12
  • What Pd Can't Teach; What It Can

    Joshua Hudelson
    13
    DOI: https://doi.org/10.33871/23179937.2021.9.2.13
  • Almost 20 years of Cyclone; past, present and future

    Alexandre Torres Porres, Matt Barber, Derek Kwan
    15
    DOI: https://doi.org/10.33871/23179937.2021.9.2.15
  • Poscolonial Peruvian Sheep and Their Digital Dreams: Pure Data as a Tool for Conceptual Reconfiguration in Peruvian Musical Education

    José Ignacio López Ramírez Gastón
    16
    DOI: https://doi.org/10.33871/23179937.2021.9.2.16
  • Pandemics, Delays, and Pure Data: on 'afterlives' (2020), for Flute and Live Electronics and Visuals

    José Henrique Padovani
    17
    DOI: https://doi.org/10.33871/23179937.2021.9.2.17
  • Overview of the CEAMMC PureData distribution and library

    Serge Poltavsky, Alex Nadzharov
    18
    DOI: https://doi.org/10.33871/23179937.2021.9.2.18
  • Scheduling and Sequencing Musical Events in Pure Data with Scheme for Pd

    Iain C. T. Duncan
    19
    DOI: https://doi.org/10.33871/23179937.2021.9.2.19
  • [vstplugin~] – A Pd external for hosting VST plugins

    Christof Ressi
    20
    DOI: https://doi.org/10.33871/23179937.2021.9.2.20
  • Patches in a timeline with ossia score

    Jean-Michaël Celerier
    21
    DOI: https://doi.org/10.33871/23179937.2021.9.2.21
  • Analysis and resynthesis of real instruments using Pure Data and the MKMR library

    Miguel Moreno
    22
    DOI: https://doi.org/10.33871/23179937.2021.9.2.22
  • EXC!TE SNARE DRUM — Making an Audio Plugin with Pure Data inside

    Max Neupert, Clemens Wegener, Philipp Schmalfuß, Sebastian Stang
    23
    DOI: https://doi.org/10.33871/23179937.2021.9.2.23
  • Elastic Rhythm in Signal-Synchronised Sequencing Objects for Pure Data

    Edward Kelly
    24
    DOI: https://doi.org/10.33871/23179937.2021.9.2.24
  • ESPER 2, an improvised oscilloscope music set

    Eric Lennartson
    25
    DOI: https://doi.org/10.33871/23179937.2021.9.2.25
  • Tool Study #1 – Audiovisual interface, performance

    Anton Lapov
    26
    DOI: https://doi.org/10.33871/23179937.2021.9.2.26
  • Building in-situ instruments for the Street Sonatas #1 and #5

    Hans Roels
    27
    DOI: https://doi.org/10.33871/23179937.2021.9.2.27
  • Beats + Sample Manipulation in Pure Data with Raspberry Pi

    Nick Demopoulos
    28
    DOI: https://doi.org/10.33871/23179937.2021.9.2.28