v. 9 n. 2 (2021): Revista Vórtex

Visualizar v. 9 n. 2 (2021): Revista Vórtex
Publicado: 10.12.2021

Dossier "Creative practices in Sound Art"

  • Editorial v9 n2 dossier "Creative Practices in Sound Art"

    Clayton Mamedes

    Visualizações: 34

  • Listening to/with Mar Paradoxo: a collective practice for sharing listenings

    Gustavo Branco Germano, Alexandre Marino, Daniel Tápia, Henrique Rocha de Souza Lima, Lílian Campesato, Marina Mapurunga de Miranda da Ferreira, Valéria Bonafé, Vicente Reis
    1

    Visualizações: 230
    DOI: https://doi.org/10.33871/23179937.2021.9.2.1

  • Noise is Not Volume Alone – Ambiences and Drony Experiments in Music and Sound Art

    Ianni Barros Luna
    2

    Visualizações: 143
    DOI: https://doi.org/10.33871/23179937.2021.9.2.2

  • Making Complex Music with Simple Algorithms, is it Even Possible?

    Risto Holopainen
    3

    Visualizações: 202
    DOI: https://doi.org/10.33871/23179937.2021.9.2.3

  • A Mathematical, Graphical and Visual Approach to Granular Synthesis Composition

    Fernando Falci de Souza, Adolfo Maia Jr.
    4

    Visualizações: 126
    DOI: https://doi.org/10.33871/23179937.2021.9.2.4

  • Teledescante nº1: polyphony in time of plague

    Maurício Funcia De Bonis, Fábio Scucuglia
    5

    Visualizações: 96
    DOI: https://doi.org/10.33871/23179937.2021.9.2.5

  • Poetics in sound art: an interview with Paulo Nenflidio

    Roseane Yampolschi, Clayton Rosa Mamedes, Paulo Nenflidio
    6

    Visualizações: 77
    DOI: https://doi.org/10.33871/23179937.2021.9.2.6

  • Petrasonic, a musical exploration of Iowa's geology

    Jean-François Charles
    7

    Visualizações: 89
    DOI: https://doi.org/10.33871/23179937.2021.9.2.7

  • We walk together (2020)

    Rui Chaves, Eduardo Patrício, Laura Romero, Lilian Nakahodo, Luz da Camara
    8

    Visualizações: 139
    DOI: https://doi.org/10.33871/23179937.2021.9.2.8

  • INKBLOT

    Serge Bulat
    9

    Visualizações: 101
    DOI: https://doi.org/10.33871/23179937.2021.9.2.9

  • Dead voices and lost sounds: an imagined sonic history

    Adrienne Kapstein
    10

    Visualizações: 100
    DOI: https://doi.org/10.33871/23179937.2021.9.2.10

Dossier "A quarter of century of Pd: past, present and future"

  • The Null Piece and Reality Check

    Miller Puckette
    11

    Visualizações: 98
    DOI: https://doi.org/10.33871/23179937.2021.9.2.11

  • Pd and Audio Programming in the 21st Century

    Eric Lyon
    12

    Visualizações: 88
    DOI: https://doi.org/10.33871/23179937.2021.9.2.12

  • What Pd Can't Teach; What It Can

    Joshua Hudelson
    13

    Visualizações: 93
    DOI: https://doi.org/10.33871/23179937.2021.9.2.13

  • Almost 20 years of Cyclone; past, present and future

    Alexandre Torres Porres, Matt Barber, Derek Kwan
    15

    Visualizações: 114
    DOI: https://doi.org/10.33871/23179937.2021.9.2.15

  • Poscolonial Peruvian Sheep and Their Digital Dreams: Pure Data as a Tool for Conceptual Reconfiguration in Peruvian Musical Education

    José Ignacio López Ramírez Gastón
    16

    Visualizações: 95
    DOI: https://doi.org/10.33871/23179937.2021.9.2.16

  • Pandemics, Delays, and Pure Data: on 'afterlives' (2020), for Flute and Live Electronics and Visuals

    José Henrique Padovani
    17

    Visualizações: 87
    DOI: https://doi.org/10.33871/23179937.2021.9.2.17

  • Overview of the CEAMMC PureData distribution and library

    Serge Poltavsky, Alex Nadzharov
    18

    Visualizações: 80
    DOI: https://doi.org/10.33871/23179937.2021.9.2.18

  • Scheduling and Sequencing Musical Events in Pure Data with Scheme for Pd

    Iain C. T. Duncan
    19

    Visualizações: 65
    DOI: https://doi.org/10.33871/23179937.2021.9.2.19

  • [vstplugin~] – A Pd external for hosting VST plugins

    Christof Ressi
    20

    Visualizações: 148
    DOI: https://doi.org/10.33871/23179937.2021.9.2.20

  • Patches in a timeline with ossia score

    Jean-Michaël Celerier
    21

    Visualizações: 135
    DOI: https://doi.org/10.33871/23179937.2021.9.2.21

  • Analysis and resynthesis of real instruments using Pure Data and the MKMR library

    Miguel Moreno
    22

    Visualizações: 100
    DOI: https://doi.org/10.33871/23179937.2021.9.2.22

  • EXC!TE SNARE DRUM — Making an Audio Plugin with Pure Data inside

    Max Neupert, Clemens Wegener, Philipp Schmalfuß, Sebastian Stang
    23

    Visualizações: 139
    DOI: https://doi.org/10.33871/23179937.2021.9.2.23

  • Elastic Rhythm in Signal-Synchronised Sequencing Objects for Pure Data

    Edward Kelly
    24

    Visualizações: 64
    DOI: https://doi.org/10.33871/23179937.2021.9.2.24

  • ESPER 2, an improvised oscilloscope music set

    Eric Lennartson
    25

    Visualizações: 69
    DOI: https://doi.org/10.33871/23179937.2021.9.2.25

  • Tool Study #1 – Audiovisual interface, performance

    Anton Lapov
    26

    Visualizações: 95
    DOI: https://doi.org/10.33871/23179937.2021.9.2.26

  • Building in-situ instruments for the Street Sonatas #1 and #5

    Hans Roels
    27

    Visualizações: 72
    DOI: https://doi.org/10.33871/23179937.2021.9.2.27

  • Beats + Sample Manipulation in Pure Data with Raspberry Pi

    Nick Demopoulos
    28

    Visualizações: 75
    DOI: https://doi.org/10.33871/23179937.2021.9.2.28