Kirchner and Time – An Analysis of Linear and Nonlinear Time in Leon Kirchner's Interlude I

Visualizações: 105

Autores/as

  • Adriana Jarvis Twitchell Universidade do Estado de Santa Catarina
  • Guilherme Sauerbronn Barros Universidade do Estado de Santa Catarina

DOI:

https://doi.org/10.33871/23179937.2019.7.1.2670

Resumen

This article aims to analyze temporality in Leon Kirchner's Interlude I for solo piano, in light of Jonathon Kramer's book The Time of Music. The first section serves as an introduction to the composer – his biography, influences, and compositional style. The following section introduces Jonathon Kramer's book and his concepts of linear and nonlinear time in music. Thereafter an analysis of aspects of the Interlude's linear time, as defined by Kramer, is presented, including linearity manifest through developing variation, step-wise motion, tonal references, changes in tempo, flexion count changes, and transpositions. The next section seeks to examine manifestations of nonlinear time in the Interlude, such as balance and recapitulation, and discusses the implications of Kramer's nonlinear moment time. The conclusion summarizes interactions between linearity and nonlinearity in the Interlude.

Descargas

Los datos de descargas todavía no están disponibles.

Biografía del autor/a

Adriana Jarvis Twitchell, Universidade do Estado de Santa Catarina

Adriana Jarvis Twitchell is a graduate in piano performance from Brigham Young University (USA) and Master of Music from UDESC in Florianópolis. Her quartet Avery Ensemble was awarded the 2016 American Prize in Chamber Music, and her duo with Hans Twitchell was a prize winner at the 2011 International Liszt-Garrison Duo Competition in Baltimore, MD. Ms. Jarvis has recorded on the Zephyr, Parma and Ablaze record labels. ORCID: https://orcid.org/0000-0001-6991-3869. E-mail: adrijarvist@yahoo.com

Guilherme Sauerbronn Barros, Universidade do Estado de Santa Catarina

Dr. Guilherme Sauerbronn Barros holds a Bachelor's Degree from UNIRIO (1994), Masters Degree in piano from UFRJ (1998) and a Doctorate of Musicology from the Universidade Federal do Estado do Rio de Janeiro (2005). Currently he is a professor of piano at UDESC, and is editor of the musicology journal Orfeu (PPGMUS-UDESC), and on the board of editors for Debates (UNIRIO). ORCID: https://orcid.org/0000-0001-7887-8807. E-mail: guisauer@gmail.com

Citas

BAKER, James. M.; BEACH, David; and BERNARD, Jonathon. W. Music Theory in Concept and Practice. Rochester, NY: University of Rochester Press, 1997.

BASS, Richard. Models of Octatonic and whole-tone interaction: George Crumb and his predecessors. Journal of Music Theory, vol. 38, no. 2, p. 155- 186, fall 1994. DOI: https://doi.org/10.2307/843771

DELAERE, Mark. Tempo, Metre, Rhythm: Time in Twentieth Century Music. In: Unfolding Time: Studies in Temporality in Twentieth-Century Music, edited by Darla Crispin, Leuven University Press, 2009, pp. 13–44. DOI: https://doi.org/10.2307/j.ctt9qdxmr.4

ELIOT, T.S. Little Gidding. Available at: www.columbia.edu/itc/history/winter/w3206/edit/tseliotlittlegidding.html. Accessed 4 May, 2018.

FEISST, Sabine. Schoenberg's New World: The American Years. New York, NY: Oxford University Press, 2011. DOI: https://doi.org/10.1093/acprof:oso/9780195372380.001.0001

GROUT, Donald Jay, and Claude V. PALISCA. A History of Western Music. Fourth ed., New York, NY: W.W. Norton and Company, Inc., 1988.

Interlude. Webster's New Universal Unabridged Dictionary. Barnes Noble Books, 1996.

KIRCHNER, Leon. Composer/Pianist Leon Kirchner: a Conversation with Bruce Duffie, Dec. 16, 1990. Interview. Available at: http://www.bruceduffie.com/kirchner.html. Accessed: 31 Oct. 2017.

______. Interlude I. New York, NY: Associated Music Publishers, Inc, 1989. 1 score. Piano.

KRAMER, Jonathon D. The Time of Music. New York, NY: Schirmer books, 1988.

RIGGS, Robert. Leon Kirchner: Composer, Performer, and Teacher. Rochester: University of Rochester Press, 2010. DOI: https://doi.org/10.1017/9781580467650

RINGER, Alexander L. Leon Kirchner. In: Grove Music Online, 2005. Available at: http://www.oxfordmusiconline.com/public/book/omo_t237. Accessed: 12 Jul. 2017.

______. Leon Kirchner. Musical Quarterly, vol. 43, no. 1, p. 1-20, 1957. DOI: https://doi.org/10.1093/mq/XLIII.1.1

SCHOENBERG, Arnold. Coherence, Counterpoint, Instrumentation, Instruction in Form. Editor: S. Neff. Translation: C. Cross. Lincoln and London: University of Nebraska Press, 1994.

______. Fundamentals of Musical Composition. Editors: G. Strang and L. Stein. New York, NY: St. Martin"™s Press, 1967.

______. The Musical Idea and the Logic, Technique and Art of Its Presentation. Editor: Patricia Carpenter and Severine Neff, Indiana University Press, 2006.

______. Style and Idea. Translation: E. Stein and L. Black. New York, NY: St. Martin"™s Press, 1975.

SIMMS, Brian R. Music of the Twentieth Century: Style and Structure. Belmont, CA: Thompson Learning, 1996.

SWART, Inette. An analysis of For the Left Hand by Leon Kirchner with specific reference to the use of the octatonic scale. Thesis (Master of Music)"”Music Department, University of Pretoria, Pretoria, South Africa 2005. Available at: http://www.repository.up.ac.za/dspace/bitstream/ handle/2263/25271/00dissertation.pdf?sequence=1>. Accessed: 12 July 2017.

TOMMASINI, Anthony. Leon Kirchner, Composer and Teacher, Dies at 90. The New York Times, 17 Sept. 2009. Available at: www.nytimes.com/2009/09/18/arts/music/18kirchner.html?mcubz=1. Accessed: 3 May 2018.

TRUE, Nelita. A style analysis of the published solo piano music of Leon Kirchner. 1976. Dissertation (Doctorate of Music)"”Peabody conservatory of music, Johns Hopkins University, Baltimore, Maryland 1976.

WEBERN, Anton. The Path to New Music. Bryn Mawr, PA: Theodore Presser Company, 1963.

Descargas

Publicado

2019-04-01

Cómo citar

Twitchell, A. J., & Barros, G. S. (2019). Kirchner and Time – An Analysis of Linear and Nonlinear Time in Leon Kirchner’s Interlude I. Revista Vórtex, 7(1). https://doi.org/10.33871/23179937.2019.7.1.2670

Número

Vol. 7 Núm. 1 (2019): Revista Vórtex

Sección

Artigos

Licencia

Derechos de autor 2021 Vortex Music Journal

Creative Commons License

Esta obra está bajo una licencia internacional Creative Commons Atribución 4.0.

Los autores conservan los derechos de autor y conceden a la revista el derecho de primera publicación, con el trabajo simultáneamente bajo la licencia Creative Commons Attribution Licence que permite compartir el trabajo con reconocimiento de autoría y publicación inicial en esta revista.

Métrica