Vol. 10 Núm. 1 (2022): Revista Vórtex

Ver Vol. 10 Núm. 1 (2022): Revista Vórtex
Publicado: 2022-04-24

Editorial

Dossier "18th Brazilian Symposium on Computer Music"

  • From Compact Discs to Streaming: A Comparison of Eras within the Brazilian Market

    Danilo B. Seufitelli, Gabriel P. Oliveira, Mariana O. Silva, Gabriel R. G. Barbosa, Bruna C. Melo, Juliana E. Botelho, Luiza de Melo-Gomes, Mirella M. Moro
    DOI: https://doi.org/10.33871/23179937.2022.10.1.2

  • Idiosyncratic Audio Feedback Networks for Music Creation

    Adriano Claro Monteiro
    DOI: https://doi.org/10.33871/23179937.2022.10.1.1

  • Map, Trigger, Score, Procedure: machine-listening paradigms in live-electronics

    Vinícius Cesar de Oliveira, José Henrique Padovani
    DOI: https://doi.org/10.33871/23179937.2022.10.1.3

  • Real-time Analysis of Interactive Scores in PWGL

    Mika Kuuskankare
    DOI: https://doi.org/10.33871/23179937.2022.10.1.4

  • Schaeffer's Solfège, Percussion, Audio Descriptors: Towards an Interactive Musical System

    Sérgio Freire, José Henrique Padovani, Caio Costa Campos
    DOI: https://doi.org/10.33871/23179937.2022.10.1.5

  • Audiovisual interactive artwork via web-deployed software: Motus composes Homino-idea

    Augusto Piato Amstalden, Tiago Fernandes Tavares, Anésio Azevedo Costa Neto, Giovana Cardi Camarini
    DOI: https://doi.org/10.33871/23179937.2022.10.1.6

  • Improvisation Pedagogy: An Epistemological Perspective of the 4‘E’ Model within Digital Musical Instruments

    Isabela Corintha, Giordano Cabral
    7
    DOI: https://doi.org/10.33871/23179937.2022.10.1.7

  • A Networked Hybrid Interface for Audience Sonification and Machine Learning

    Konstantinos Vasilakos
    DOI: https://doi.org/10.33871/23179937.2022.10.1.4695