v. 10 n. 1 (2022): Revista Vórtex

Visualizar v. 10 n. 1 (2022): Revista Vórtex
Publicado: 24.04.2022

Editorial

Dossier "18th Brazilian Symposium on Computer Music"

  • From Compact Discs to Streaming: A Comparison of Eras within the Brazilian Market

    Danilo B. Seufitelli, Gabriel P. Oliveira, Mariana O. Silva, Gabriel R. G. Barbosa, Bruna C. Melo, Juliana E. Botelho, Luiza de Melo-Gomes, Mirella M. Moro

    Visualizações: 460
    DOI: https://doi.org/10.33871/23179937.2022.10.1.2

  • Idiosyncratic Audio Feedback Networks for Music Creation

    Adriano Claro Monteiro

    Visualizações: 338
    DOI: https://doi.org/10.33871/23179937.2022.10.1.1

  • Map, Trigger, Score, Procedure: machine-listening paradigms in live-electronics

    Vinícius Cesar de Oliveira, José Henrique Padovani

    Visualizações: 277
    DOI: https://doi.org/10.33871/23179937.2022.10.1.3

  • Real-time Analysis of Interactive Scores in PWGL

    Mika Kuuskankare

    Visualizações: 242
    DOI: https://doi.org/10.33871/23179937.2022.10.1.4

  • Schaeffer's Solfège, Percussion, Audio Descriptors: Towards an Interactive Musical System

    Sérgio Freire, José Henrique Padovani, Caio Costa Campos

    Visualizações: 311
    DOI: https://doi.org/10.33871/23179937.2022.10.1.5

  • Audiovisual interactive artwork via web-deployed software: Motus composes Homino-idea

    Augusto Piato Amstalden, Tiago Fernandes Tavares, Anésio Azevedo Costa Neto, Giovana Cardi Camarini

    Visualizações: 307
    DOI: https://doi.org/10.33871/23179937.2022.10.1.6

  • Improvisation Pedagogy: An Epistemological Perspective of the 4‘E’ Model within Digital Musical Instruments

    Isabela Corintha, Giordano Cabral
    7

    Visualizações: 360
    DOI: https://doi.org/10.33871/23179937.2022.10.1.7

  • A Networked Hybrid Interface for Audience Sonification and Machine Learning

    Konstantinos Vasilakos

    Visualizações: 272
    DOI: https://doi.org/10.33871/23179937.2022.10.1.4695