v. 10 n. 1 (2022): Revista Vórtex

Visualizar v. 10 n. 1 (2022): Revista Vórtex
Publicado: 24.04.2022

Editorial

Dossier "18th Brazilian Symposium on Computer Music"

  • From Compact Discs to Streaming: A Comparison of Eras within the Brazilian Market

    DOI: https://doi.org/10.33871/23179937.2022.10.1.2
    Danilo B. Seufitelli, Gabriel P. Oliveira, Mariana O. Silva, Gabriel R. G. Barbosa, Bruna C. Melo, Juliana E. Botelho, Luiza de Melo-Gomes, Mirella M. Moro

  • Idiosyncratic Audio Feedback Networks for Music Creation

    DOI: https://doi.org/10.33871/23179937.2022.10.1.1
    Adriano Claro Monteiro

  • Map, Trigger, Score, Procedure: machine-listening paradigms in live-electronics

    DOI: https://doi.org/10.33871/23179937.2022.10.1.3
    Vinícius Cesar de Oliveira, José Henrique Padovani

  • Real-time Analysis of Interactive Scores in PWGL

    DOI: https://doi.org/10.33871/23179937.2022.10.1.4
    Mika Kuuskankare

  • Schaeffer's Solfège, Percussion, Audio Descriptors: Towards an Interactive Musical System

    DOI: https://doi.org/10.33871/23179937.2022.10.1.5
    Sérgio Freire, José Henrique Padovani, Caio Costa Campos

  • Audiovisual interactive artwork via web-deployed software: Motus composes Homino-idea

    DOI: https://doi.org/10.33871/23179937.2022.10.1.6
    Augusto Piato Amstalden, Tiago Fernandes Tavares, Anésio Azevedo Costa Neto, Giovana Cardi Camarini

  • Improvisation Pedagogy: An Epistemological Perspective of the 4‘E’ Model within Digital Musical Instruments

    DOI: https://doi.org/10.33871/23179937.2022.10.1.7
    Isabela Corintha, Giordano Cabral
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  • A Networked Hybrid Interface for Audience Sonification and Machine Learning

    DOI: https://doi.org/10.33871/23179937.2022.10.1.4695
    Konstantinos Vasilakos