Taste This Score
Visualizações: 66DOI:
https://doi.org/10.33871/23179937.2023.11.1.7775Palavras-chave:
Percepción transmodal, Gastrosónica, Textura visual, Partitura digitalResumo
Las partituras digitales han arribado a la música contemporánea hace ya algunas décadas, así como la incorporación de imágenes y signos visuales extra musicales en la escritura musical. Lo que aún no está muy explorado y parecería ser un terreno muy fértil es la escritura musical a partir de investigaciones basadas en transmodalidad. Este artículo indaga en algunas de las posibilidades de escritura musical y sonora a partir de la incorporación de imágenes de texturas de alimentos. Se enmarca dentro de un trabajo más extenso que abarca una investigación sobre posibles asociaciones sonoras con texturas visuales (no solo de alimentos) y que también indaga en las posibilidades compositivas e interpretativas de partituras digitales dinámicas (video partituras) transmodales.
Downloads
Referências
ABBADENI, Noureddine; ZHOU, Djemel; WANG, Shengrui. Autocovariance- based perceptual textural features corresponding to human visual perception. In: PROCEEDINGS, 15TH INTERNATIONAL CONFERENCE ON PATTERN RECOGNITION. ICPR-2000.
AMADASUN, Moses; KING, Robert. Textural Features Corresponding to Textural Properties. IEEE Transactions on Systems, man and cybernetics, Vol 19, No 5., September/October. 1264-1274, 1978. DOI: https://doi.org/10.1109/21.44046
BATTIATO, Sebastiano; GALLO, Giovanni; NICOTRA, Salvatore. Perceptive visual texture classification and retrieval. In: PROCEEDINGS 12th INTERNATIONAL CONFERENCE ON IMAGE ANALYSIS AND PROCESSING, ICIAP, 2003. 524-529.
BHAGWATI, Sandeep; COSSETTE, Isabelle; BERZOWSKA, Joanna; BASANTA, Adam. Musicking the Body Electric: “The body:Suit:Score” as a polyvalent score interface for situational scores. 2006. Conference TENOR: 2nd International Conference on Technologies for Music Notation and Representation.
EITAN, Zohar; ROTHSCHILD, Inbar. How music touches: Musical parameters and listeners' audio-tactile metaphorical mappings. Psychology of Music. 39, 4. 2011. 449-467. DOI: https://doi.org/10.1177/0305735610377592
GIANNAKIS, Kostas. Perceptual-Based Visualization of Auditory Information Using Visual Texture. Digital Multimedia Perception and Design. IGI Global. 2006. 152-186. DOI: https://doi.org/10.4018/978-1-59140-860-4.ch007
HERMES, Thorsten; MIENE, Andrea; MOEHRKE, O. Automatic Texture Classification by Visual Properties. Classification and Information Processing at the Turn of the Millennium. Springer, Berlin, Heidelberg, 2000. 219-226. DOI: https://doi.org/10.1007/978-3-642-57280-7_24
KELLER, Damián; MILETTO, Evandro; OTERO, Nuno. Creative surrogates: Supporting decision-making in ubiquitous musical activities. In PROCEEDINGS OF THE 3RD INTERNATIONAL CONFERENCE ON COMPUTATION, COMMUNICATION, AESTHETICS AND X, 3, 2015, Glasgow, Scotland, 2015. 169-183.
KELLER, Damián; SIMURRA, Ivan; MESSINA, Marcello. Toward andicipatory ubimus, EAI Endorsed Transactions on Creatives Technologies: Disponivel em: https://eudl.eu/pdf/10.4108/eai.13-7-2018.164664. Acceso em: 21 May 2020. DOI: https://doi.org/10.4108/eai.13-7-2018.164664
KLATZY, Roberta; LEDERMAN, Susan. Multisensory Texture Perception. In: The Handbook of multisensory processses. Massachusetts Institute of Technology, 2004. 107-122. DOI: https://doi.org/10.7551/mitpress/3422.003.0010
MESZ, Bruno; TREVISAN, Marcos; SIGMAN, Mariano. The Taste of Music. Perception 40, 2. Pion, 2011. 209-19. DOI: https://doi.org/10.1068/p6801
MOOS, Anja; SIMMONS, David; SIMNER, Julia; SMITH, Rachel. Color and texture associations in voice-induced synesthesia. Frontiers in psychology. 4. 568. 10.3389/fpsyg.2013.00568. 2003. DOI: https://doi.org/10.3389/fpsyg.2013.00568
ROVAN, Joseph; HAYWARD, Vincent. Typology of tactile sounds and their synthesis in gesture-driven computer music performance. Editions IRCAM. 2000.
SIMNER, Julia; CUSKLEY, Christine; KIRBY, Simon. What Sound Does That Taste? Cross-Modal Mappings across Gustation and Audition. Perception 39, 4. 2010. 553-569. DOI: https://doi.org/10.1068/p6591
SPENCE, Charles. Eating with our ears: assessing the importance of the sound of the consumption on our perception and enjoyment of multisensory flavour experiences. Flavour 4, 3. 2015. DOI: https://doi.org/10.1186/2044-7248-4-3
SUZUKI, Yasuhiro; SUZUKI, Rieko. Tactile Score: a knowledge media for tactile sense. Springer Briefs in Applied Sciences and Technology. 2014. DOI: https://doi.org/10.1007/978-4-431-54547-7
TAMURA, Hideyuki; MORI, Shunji; YAMAWAKI, Takashi. Textural features corresponding to visual Perception. IEEE Transactions on Systems, man and cybernetics, Vol SMC-8, No 6., 1978, June. 460-473. DOI: https://doi.org/10.1109/TSMC.1978.4309999
VICKERY, Lindsay. With the fishes 2015. Available at https://www.youtube.com/watch?v=ZN6hzonw9jw
WEST, Travis; BACHMEYER, Alexandra; BHAGWATI, Sandeep; BERZOWSKA, Joanna; WANDERLEY, Marcelo. The design of the body: suit: score, a full-body vibrotactile musical score. In INTERNATIONAL CONFERENCE ON HUMAN-COMPUTER INTERACTION. Springer, Cham. 2019. 70-89. DOI: https://doi.org/10.1007/978-3-030-22649-7_7
Downloads
Publicado
Como Citar
Edição
Seção
Licença
Copyright (c) 2023 Eliana Rosales
Este trabalho está licenciado sob uma licença Creative Commons Attribution 4.0 International License.
Autores mantêm os direitos autorais e concedem à revista o direito de primeira publicação, com o trabalho simultaneamente licenciado sob a Licença Creative Commons Attribution que permite o compartilhamento do trabalho com reconhecimento da autoria e publicação inicial nesta revista.
