El concepto de timbre en el piano: perspectivas de cinco pianistas de posgrado
DOI:
https://doi.org/10.33871/vortex.2024.12.9190Palabras clave:
Timbre, Timbre en el piano, Pensamiento metafóricoResumen
El objetivo de este estudio fue investigar cómo los pianistas de posgrado comprenden, explican y producen diferentes timbres en el piano en obras de los siglos XX y XXI. La investigación se desarrolló en dos etapas. En la primera, participaron dos pianistas que interpretaron el mismo fragmento de la obra Vers la flamme, de Scriabin. Tras el análisis preliminar de los datos recopilados, se formuló la siguiente hipótesis: el proceso de maduración de una obra requiere tiempo y reflexión en torno a la práctica. Con base en esta premisa, se realizaron ajustes en los criterios de selección de la muestra para la recolección de datos de la segunda etapa. En esta fase, participaron 3 pianistas de posgrado que interpretaron obras de sus respectivos repertorios. Los resultados permitieron concluir que la producción de timbres en el piano está relacionada con la interacción de múltiples parámetros interpretativos, el uso del pensamiento metafórico...
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