Conducting pedagogues: a dialogue with Maestro Jean-François Rivest, act II

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DOI:

https://doi.org/10.33871/vortex.2024.12.8348

Palabras clave:

Jean-François Rivest, Conducting Teaching and Learning, Conductors Pedagogues

Resumen

Understanding the didactic-pedagogical structures concerning the teaching-learning process of the conducting, are not summarized to the technical-gestural aspects, it permeates administrative, logistics and psych-pedagogical elements. To visualize this perspective in the light of labor reality, the narratives of academic, artistic and professional life are resorted through a cycle of interviews with national (Brazil) and international conductors. The professional to be interviewed is the Canadian conductor and professor Jean-François Rivest. Considered one of the most prominent violinist of his generation, Rivest studied at Julliard School with Ivan Galamian, and his musical path soon led him to a fruitful international career. As a Professor at the Université de Montréal, founded the institution's Symphony Orchestra. Giving voice to conductors as Rivest allows us to visualize new practical, conceptual and pedagogical perspectives, and directs us to look at the real needs of the field of conducting: to think and act beyond the gestural technique.

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Biografía del autor/a

Erickinson Lima, Research Centre on Didactics and Technology in the Education of Trainers | Portugal

Erickinson Lima: Doctor in Conducting (University of Aveiro). Integrated PhD Researcher at the Research Centre on Didactics and Technology in the Education of Trainers (CIDTFF), and a CEEC-IND researcher at the “Fundação para a Ciência e a Tecnologia”. Assistant coordinator of the Advanced Studies Group in Conducting. He is currently a professor in the e-learning music degree program at the State University of Rio Grande do Norte (DEaD-UERN).

André Muniz, Advanced Studies Group in Conducting | Brazil

André Oliveira: Doctor in Conducting (Université de Montréal). Coordinator of the Advanced Studies Group in Conducting. Conducts research in conducting focused on the construction of musical performance.

Citas

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LIMA, Erickinson Bezerra de; OLIVEIRA, André Luiz Muniz; SOUZA, David; ALMEIDA, Victor. Estado da Arte: a produção científica brasileira nos primeiros 20 anos do séc. XXI no campo da regência. Orfeu, Florianópolis, v. 8, n. 2, p. e0208, 2023. DOI: https://doi.org/10.5965/2525530408022023e0208

LIMA, Sonia Regina Albano de. Música e memória emotiva. In: LIMA, Sonia Regina Albano de. (Org). Memória, performance e aprendizado musical: um processo interligado. São Paulo: Paco Editorial, 2013.

MAGALHÃES, Carlos Eduardo Dias. Epistemologia do conhecimento a priori: uma introdução. Dissertação de Mestrado. Pontifícia Universidade Católica do Rio Grande do Sul, Porto Alegre, 2014.

PRAUDE, Carlos C. Teoria Ator-rede e Arte. Anais Do 15º Encontro Internacional de Arte e Tecnologia (#15.ART) 15: 14-21, 2016.

RIVEST, Jean-François. Biography. Available at: <https://recherche.umontreal.ca/english/our-researchers/professors-directory/researcher/is/in14678/>. Accessed on September 13, 2023.

RUDOLF, Max. The grammar of conducting: a comprehensive guide to baton technique and interpretation. California: Schirmer, Thomson Learning, 1994.

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SCHULLER, Gunther. The complete conductor. New York: Oxford University Press, 1997.

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Publicado

2024-04-16

Cómo citar

Lima, E., & Muniz, A. . (2024). Conducting pedagogues: a dialogue with Maestro Jean-François Rivest, act II. Revista Vórtex, 12, 1–29. https://doi.org/10.33871/vortex.2024.12.8348

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