Developing a Crossover Idiomatic Writing for the Double Bass: Composing/Arranging & Playing, and ... Da capo !

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Autores/as

  • Fausto Borém Universidade Federal de Minas Gerais

DOI:

https://doi.org/10.33871/23179937.2020.8.2.7

Palabras clave:

music performance construction, idiomatic writing for the double bass, double bass composition and arrangement, double bass performance, crossover music and music genres

Resumen

Based on works of crossover nature (classical + popular) composed or arranged for the "2019 International Society of Bassists Convention" , I discuss the development of idiomatic writing of the acoustic double bass. Departing from the interaction between three creative musical processes - composing, arranging and playing, in various musical genres (classical song, Broadway musical song, blues, rock, ballad and samba), I discus (1) the refinement of the notation in the score; (2) the heterogeneity of the seven double bass registers; (3) exploring the double bass as a harmonic instrument; (4) exploring the double bass as percussion instrument; (5) the exploration of the text-music binomial (6) the reduction of larger instrumentations (symphony orchestra, chamber groups, blues and rock bands) to smaller groups (duo, trio and quartet with double bass, voice, piano and percussion) and (7) the development of extended techniques on the double bass not documented in the literature.

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Biografía del autor/a

Fausto Borém, Universidade Federal de Minas Gerais

Fausto BoreÌm is Full Professor at UFMG, Brazil, where he created the Music Graduate Program and the scholarly journal Per Musi, to which he has served as Chief-Editor for 20 years. He has premiered significant double bass works in the US, Europe and Brazil, and published dozens of double bass originals, transcriptions and scholarly articles on music analysis and performance. He has won several prizes in Brazil and US as a soloist, composer and theorist (see details at http://lattes.cnpq.br/5589268218426587). He has accompanied musicians such as Yo-Yo Ma, Midori, Menahen Pressler, Gismonti, Hermeto Pascoal, Toninho Horta, Henry Mancini and Bill Mays. Fausto BoreÌm leads the theatrical music ensemble "Musa Brasilis". ORCID: https://orcid.org/0000-0002-4769-106X

Citas

TEXT REFERENCES

BILLÈ, Isaia. (1928). Gli strumenti ad arco. Roma: Ausonia.

BONTA, Stephen. (1988). Catline strings revisited. American Musical Instruments Society Journal.

v.19. p.38-60. 171p.

BONTA, Stephen. (1976). Further thoughts on the history of strings. The Catgut Acoustical Society

Newsletter. N.26, November, p.21-26.

BONTA, Stephen. (1990). The Use of Instruments in Sacred Music in Italy 1570–1700. Early

Music, vol. 18, pp. 519–536.

BORÉM, Fausto. (2011) Um Sistema sensório-motor de controle da afinação no contrabaixo: contribuições interdisciplinares do tato e da visão na performance musical [A Sensorimotor system for the control of intonation on the double bass: interdisciplinar contributions of tact and vision in music performancer]. Belo Horizonte: UFMG. 187 p. (Post-Doctoral Dissertation).

BORÉM, Fausto. (2019) mAAVm: um método de análise de áudios e ví­deos de música e suas ferramentas [mAAVm: a method for the analysis of audios and videos of music and its tools]. Belo Horizonte: UFMG, 25p. (Projeto de pesquisa submetido e aprovado pelo CNPq).

BORÉM, Fausto. (2016) MaPA e EdiPA: duas ferramentas analí­ticas para as relações texto-som- imagem em ví­deos de música [MaPA and EdiPA: two analytical tools for the text-sound-image trinomial in music videos]. Musica Theorica, v.1, p.1-37. São Paulo: TeMA/USP.

BORÉM, Fausto; LAGE, Guilherme Menezes. (2016) Intonation in the Performance of the Double Bass: The Role of Vision and Tact in Undershoot and Overshoot Patterns. The Online Journal of Bass Research (OJBR). vol.10, May. (Available at www.ojbr.com/volume-10-number- 1.asp).

BORÉM, Fausto; TAGLIANETTI, Ana. (2016) Construção de uma performance cênica para as três modinhas imperiais de Lino José Nunes (1789-1847) [Construction of a theatrical performance for the three imperial modinhas by Lino José Nunes (1789-1847)]. Opus, v.2, n.2. Campinas: UNICAMP, 2016, p.195-196. DOI 10.20504/opus2016b2208.

BRUN, Paul. A History of the double bass. (1989). Trad. Lynn Morrel e Paul Brun. Enschede, Holanda: Febodruk Press.

COHEN, Irving Hersch. (1967) The historical development of the double bass. New York: New York University. 263p. (Doctoral Dissertation).

DENYER, Ralph. (1983). Toque; curso completo de violão & guitarra [Play: A Complete course for acoustic and electric guitar]. Translated into Portuguese by Ingrid Lena Klein and José Augusto Lemos. Revised and enlarged Brazilian edition by Sí­lvio Lancellotti and Maurí­cio Kubrusly. Rio de Janeiro: Rio Gráfica.

DREW, Lucas. (1979) "Comparative Double Bass Fingerings Systems," International Society of Bassists, v.5, no. 2, p.480.

HATOUM, Milton. (2010) Floresta do Amazonas. Preface to the CD jacket "Floresta doAmazonas" ["Amazon Forest"], with Orquestra do Estado de São Paulo, John Neschling (orchestra conductor), Anna Korondi (soprano), Male Choir of OSESP, Naomi Munakata (choir conductor). São Paulo: OSESP, 2010.

LACHER, Iene. Peter. Wendy. Lenny? (2008) Los Angeles Times. Seção Teatro. Santa Barbara. December, 14, 2008. p.1-2. Available at: https://www.latimes.com/archives/la-xpm-2008-dec-14- ca-peter-pan14-story.html. (Access in August, 3, 2019).

MAGILL, R. A. (2000). Aprendizagem motora: conceitos e aplicações. 5.ed. São Paulo: Edgard Blucher.

PLANYAVSKY, Alfred. (1998) The Baroque Double Bass. Translated by James Barket. London: Scarecrow Press.

SACHS, Curt. (1940). The history of the musical instruments. New York: Norton.

SAS, Stephen. (1999). A history of double bass performance practice: 1500-1900. New York:

Juilliard School. (Doctoral Dissertation).

SPARKES, Andrew. C. (2016) Autoethnography and Narratives of Self: Reflections on Criteria in Action. Sociology of Sport Journal, v.17, p.21-43, 2000. Available at: https://tinyurl.com/y6ezbjba. Access in: November, 29, 2016.

TURETZKY, Bertram. (1989). The Contemporary contrabass. 2ed. rev. Berkeley: University of California.

MUSIC SCORE REFERENCES

BERNSTEIN, Leonard. (1950) Dream with me. Song from Peter Pan (music score for voice, cello and piano trio). Winona, Minnesota: Hal Leonard.

BORÉM, Fausto. (2018) Sunset Blues, for voice, double bass and piano. Belo Horizonte: Musa Brasilis (edition by the composer).

BORÉM, Fausto. (2019) Gimme Five, for voice and double bass. Belo Horizonte: Musa Brasilis (edition by the composer).

BUARQUE, Chico; LOBO, Edu. (1994) Sol e chuva [Sun and rain]. In: Song Book - Edu Lobo. Transcribed and edited by Almir Chediak. Revision by Ian Guest and Ricardo Gilly. Rio de Janeiro: Editora Lumiar (leadsheet). p.207.

MAYS, Bill. (2018) Surprise Samba. New York: manuscript (lead sheet by the composer).

MERCURY, Freddie. (2018) My melancholy blues. (transcribed from the Youtube video). Available at https://www.youtube.com/watch?v=85gBquP4y3k . (Access in January, 3, 2018).

VILLA-LOBOS, Heitor; VASCONCELOS, Dora. (2002) Canção de amor [Love song]. Song from the symphonic poem "Floresta do Amazonas". Revision and edition by Roberto Duarte. Rio de Janeiro: Academia Brasileira de Música (electronic music score).

MUSIC VIDEO REFERENCES

BORÉM, Fausto; MEDEIROS, Rita; BERNSTEIN, Leonard. (2019) Dream with me. Song by Leonard Bernstein, arrangement by Fausto Borém, performed by Fausto Borém (double bass) and Rita Medeiros (voice). Bloomington: Jacobs School of Music (Auer Hall), Indiana University. Available at youtu.be/b3s4q8_k7xQ.

BORÉM, Fausto; MEDEIROS, Rita. (2019a) Gimme Five. Music and lyrics by Fausto Borém, performed by Fausto Borém (double bass) and Rita Medeiros (voice). Bloomington: Jacobs School of Music (Auer Hall), Indiana University. Available at youtu.be/cVJIuC_enD4.

BORÉM, Fausto; MEDEIROS, Rita. (2019b) Sunset Blues. Composition by Fausto Borém, performed by Fausto Borém (double bass) and Rita Medeiros (voice). Bloomington: Jacobs School of Music (Auer Hall), Indiana University. Available at youtu.be/sCgANI3QFsE.

BORÉM, Fausto; MEDEIROS, Rita; BUARQUE, Chico; LOBO, Edu. (2019) Sol e chuva [Sun and Rain]. Song by Chico Buarque and Edu Lobo, arrangement by Fausto Borém, performed by Fausto Borém (double bass) and Rita Medeiros (voice). Bloomington: Jacobs School of Music (Auer Hall), Indiana University. Available at youtu.be/OprZ-_M5qTI.

BORÉM, Fausto; MEDEIROS, Rita; MERCURY, Freddie. (2019) My melancholy blues. Canção de Freddie Mercury, arrangement by Fausto Borém, performed by Fausto Borém (double bass) and Rita Medeiros (voice). Available at youtu.be/Ck0RRh5EuwY.

BORÉM, Fausto; MEDEIROS, Rita; VILLA-LOBOS, Heitor; VASCONCELOS, Dora. (2019) Canção de amor [Love Song]. Song by H. Villa Lobos and Dora Vasconcelos, arrangement by Fausto Borém, performed by Fausto Borém (double bass) and Rita Medeiros (voice). Bloomington: Jacobs School of Music (Auer Hall), Indiana University. Available at youtu.be/C8-jEwbtVtU.

MAYS, Bill; BORÉM, Fausto; MEDEIROS, Rita; FRONCEK, Tim (2019) Surprise Samba. Peça de Bill Mays, arrangement by Fausto Borém, performed by Bill Mays (piano and voice), Fausto Borém (double bass and voice), Rita Medeiros (voice) and Tim Froncek (samba tamborim). Bloomington: Jacobs School of Music (Auer Hall), Indiana University. Available at youtu.be/Tuobi1XE6C8.

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Publicado

2020-09-15

Cómo citar

Borém, F. (2020). Developing a Crossover Idiomatic Writing for the Double Bass: Composing/Arranging & Playing, and . Da capo !. Revista Vórtex, 8(2), 7. https://doi.org/10.33871/23179937.2020.8.2.7

Número

Vol. 8 Núm. 2 (2020): Revista Vórtex

Sección

Artigos

Licencia

Derechos de autor 2021 Fausto Borém

Creative Commons License

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