Analysis and interpretation of the Sonatina for guitar by Sérgio Vasconcellos-Corrêa

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Authors

  • Jéfrey Antônio de Andrade Universidade Federal de São João del-Rei
  • Rogério Tavares Constante Universidade Federal do Rio de Janeiro https://orcid.org/0009-0007-0553-2558

DOI:

https://doi.org/10.33871/vortex.2024.12.8864

Keywords:

Sérgio Vasconcellos-Corrêa, Musical Analysis, Musical Interpretation, Musical Performance, Sonatina

Abstract

This article aims to conduct a musical analysis of the first movement of the Sonatina for guitar by Sérgio Vasconcellos-Corrêa, while also investigating its implications for musical interpretation through practical experiments, aiming at performance. We start from the premise that a thorough examination of the work can enrich the creative process of the performer, providing theoretical grounding for their musical experiments and contributions. Authors such as Rink (2007), Cook (1999), and Rothstein (1995) constitute the theoretical framework in a brief reflection on musical analysis, interpretation, and performance. The analytical method proposed by John White (1976) has been employed, subdividing the process into microanalysis, intermediate analysis, and macroanalysis. The results demonstrate the relevance of analysis as an important tool, providing data for practical experiments that range from minor elements, such as motivic relationships, through phraseological issues, to broader considerations such as harmonic motion and musical form.

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Author Biographies

Jéfrey Antônio de Andrade, Universidade Federal de São João del-Rei

Jéfrey Andrade has a degree in guitar and a master's degree in Music Performance from UFSJ, and is studying for a doctorate at UFMG. He won the Frederico Grassano Guitar Competition, second place in the Fabio Lima Online Guitar Competition and third place in the Teresina National Guitar Competition. He is one of the founding members of AssoVio Vertentes (Vertentes Guitar Association). He has taught as a guest teacher at festivals such as the Ouro Branco Music Week and the Vertentes Guitar Circuit, and is currently a guitar teacher at the Pe. José Maria Xavier State Music Conservatory in São João del-Rei.

Rogério Tavares Constante, Universidade Federal do Rio de Janeiro

Rogério Tavares Constante holds a bachelor's degree in Music - Guitar from the Federal University of Rio Grande do Sul (1997), a master's degree in Music from the Federal University of Rio Grande do Sul (2000) and a doctorate in Music from the Federal University of Rio Grande do Sul (2006). He is currently a professor at the Federal University of Rio de Janeiro and a collaborating professor in the Postgraduate Program in Music at the Federal University of São João Del-Rei. He has experience in the Arts, with an emphasis on Musical Composition, working mainly on the following subjects: composition, guitar, musical interpretation and musical analysis.

References

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COOK, Nicholas. Analysing Performance and Performing Analysis. In: COOK, Nicholas; EVERIST, Mark. Rethinking music. Oxford University Press: Oxford, 1999. 574 p. DOI: https://doi.org/10.1093/oso/9780198790037.001.0001

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Published

2024-09-09

How to Cite

Antônio de Andrade, J., & Tavares Constante, R. (2024). Analysis and interpretation of the Sonatina for guitar by Sérgio Vasconcellos-Corrêa. Vortex Music Journal, 12, 1–44. https://doi.org/10.33871/vortex.2024.12.8864

Issue

Vol. 12 (2024): Revista Vórtex

Section

Research Papers

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Copyright (c) 2024 Jéfrey Antônio de Andrade, Rogério Tavares Constante

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