From Seeds to Gardens: Transcription and Orchestration in Notations VII by Pierre Boulez
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https://doi.org/10.33871/vortex.2024.12.8731Keywords:
Transcription, Proliferation, Orchestration, Pierre Boulez, NotationsAbstract
This paper analyzes the transcription carried out by Pierre Boulez of the seventh movement of the Douze Notations for piano, resulting in the piece Notations VII for orchestra. Our goal is to comprehend the compositional techniques employed, addressing structural, temporal, harmonic, and timbral aspects. Divided into five parts, the text begins with an introduction to the Douze Notations and Boulez's transcriptions, grounded in his own writings. Subsequently, we provide an analysis of the piano miniature, followed by a contextualization of the term “proliferation” and an analysis of the orchestral version. The final reflection highlights the types of proliferation carried out by Boulez, which we label as temporal-structural proliferation, temporal-heterophonic proliferation, and harmonic-timbral proliferation.
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Copyright (c) 2024 Igor Leão Maia, Felipe Mendes Vasconcelos, Samuel Araújo Alves
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