Bream, Birtwistle, and Beyond: The Genesis of a New Work
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https://doi.org/10.33871/23179937.2020.8.3.1.53Resumo
In this personal memoir, the author describes his five-year association with Julian Bream during the founding of the Julian Bream Trust. He charts the genesis of Harrison Birtwistle's work Beyond the White Hand and describes meetings with Bream and Birtwistle to discuss potential revisions to the guitar writing. Additional sections describe Bream's approach to working with composers, building concert programs, and his approach to interpretation in general.Downloads
Referências
BIRTWISTLE, Harrison. Beyond the White Hand: Construction with Guitar Player (2013). Edited by Julian Bream. London: Boosey & Hawkes, 2019. Score, 24 pages. Guitar.
"”"”"”. Guitar and White Hand (2007). Performed by Forbes Henderson, guitar. August 17, 2011. Online: <https://youtu.be/HvyfJvwYUmQ>. Accessed December 28, 2020.
GERHARD, Robert. Fantasia (1957). London: Mills Music, 1964. Score, 3 pages. Guitar.
GOLLANCZ, Victor. Man and God: Passages Chosen and Arranged to Express a Mood about God and Man. Boston: Houghton Mifflin, 1951.
PALMER, Tony. Julian Bream: A Life on the Road. London and Sydney: Macdonald, 1982.
UMLAND, Anne. Picasso: Guitars 1912–1914. New York: Museum of Modern Art. 2011.
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Copyright (c) 2021 Jonathan Leathwood
Este trabalho está licenciado sob uma licença Creative Commons Attribution 4.0 International License.
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