Under the perspective of family relationships and marriage:

Analysis of the films "Mar de Rosas" (1977) and "Sonho de Valsa" (1987), by Ana Carolina

Authors

  • Alina Chiaradia Cardoso Unespar

DOI:

https://doi.org/10.33871/21750769.2023.17.2.8157

Keywords:

Ana Carolina, Film Analysis, Family Relationships, Marriage

Abstract

Ana Carolina is a Brazilian cineaste who started her career by directing documentaries during the 1960s. In 1977, she directed her first full lenght fictional feature, Mar de Rosas, which forms a trilogy with other films she conducted shortly after: Das Tripas Coração (1982) and Sonho de Valsa (1987). The present study proposes an analysis of the films Mar de Rosas (1977) and Sonho de Valsa (1987) under the perspective of family relationships and marriage. In Ana Carolina’s cinema, these institutions – family and marriage – are characterized by frictions, breakups and disintegration. From this breakage, the movies in question are related with the themes mentioned before not only in the narrative sphere, but also in the creative and filmic processes of the cineast.

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Author Biography

Alina Chiaradia Cardoso, Unespar

Alina Chiaradia is a cinema and audiovisual graduate from Unespar. For her concluding paper, she studied the themes of family and marriage in filmmaker Ana Carolina's movies. Moreover, Alina directed the short film "Conversa com meu avô" (2020), which was played at the fifth Metrô - Brazilian academic film festival. Are also joined as examples some of her works of still and portrait photography.

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Published

2023-12-20

How to Cite

Chiaradia Cardoso, A. (2023). Under the perspective of family relationships and marriage:: Analysis of the films "Mar de Rosas" (1977) and "Sonho de Valsa" (1987), by Ana Carolina. O Mosaico, 17(2), 297–321. https://doi.org/10.33871/21750769.2023.17.2.8157

Issue

Vol. 17 No. 2 (2023): Revista O Mosaico nº 25

Section

Outros temas

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