Music Segmentation and Similarity Estimation Applied to a Gaze-Controlled Musical Interface

Visualizações: 80

Autores/as

DOI:

https://doi.org/10.33871/23179937.2023.11.1.7068

Palabras clave:

Music Information Retrieval, Eye tracking, Optimization, Musical Interface

Resumen

Assistive technology, especially gaze-controlled, can promote accessibility, health care, well-being and inclusion for impaired people, including musical activities that can be supported by interfaces controlled using eye tracking. Also, the Internet growth has allowed access to a huge digital music database, which can contribute to a new form of music creation. In this paper, we propose the application of Music Information Retrieval techniques for music segmentation and similarity identification, aiming at the development of a new form of musical creation using an automatic process and the optimization algorithm Harmony Search to combine segments. These techniques for segmentation and similarity of segments were implemented in an assistive musical interface controlled by eye movement to support musical creation and well-being. The experimental results can be found in [https://bit.ly/2Zl7KSC].

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Biografía del autor/a

Higor A. F. Camporez, Federal University of Espirito Santo

Higor A. F. Camporez was born in Espírito Santo, Brazil. He received his B.S. degree in computer engineering in 2018 and his M.S. degree in electrical engineering in 2020 both from the Federal University of Espírito Santo (UFES), Espírito Santo, Brazil. He is a PhD student in electrical engineering at UFES since 2020. He is a member of the NESCoM research group that carries on Computer Music related research, especially on Ubiquitous Music. His research interest includes Ubimus, robotic musicians, optimization, artificial intelligence and telecommunication systems.

Yasmin M. de Freitas, Federal University of Espirito Santo

Yasmin M. de Freitas is a master student of the Postgraduate Program in Art and New Media (PPGA - UFES). Graduated in Music Degree at the Federal University of Espírito Santo (UFES) and Member of the Sound Experimentation Group (GEXS) with partnership with the Spirit-Santense Core of Musical Computing (NESCOM).

Jair A. L. Silva, Federal University of Espirito Santo

Jair A. L. Silva received his BS, MS, and PhD degrees in electrical engineering from the Federal University of Espŕito Santo (UFES), Vitória, Brazil, in 2003, 2006, and 2011, respectively. In 2012, he joined the Department of Electrical Engineering of UFES. His research interests include optical fiber communication, orthogonal frequency division multiplexing (OFDM), and passive optical network (PON).

Leandro L. Costalonga, Federal University of Espirito Santo

Leandro Costalonga has a Computer Science Degree with Masters (UFRGS/Brazil) and PhD (University of Plymouth/UK) in Computer Music. Associate professor at the Federal University of Espírito Santo (UFES/Brazil) where teaches on undergraduate programs in Computer Science and Computer Engineering and Graduate Program in Arts. Head of the NESCoM Research Group that carries on Computer Music related research, especially on Ubiquitous Music. Besides Computer Music, other research interest includes Human-Computer Interaction, Programming Languages and Artificial Intelligence.

Helder R. O. Rocha, Federal University of Espirito Santo

Helder R. O. Rocha was born in Santo Antao, Cabo Verde. He received his B.S. degree in electrical engineering in 2002 and his M.S. and D.S. degrees in computing science in 2005 and 2010 from the Federal University of Fluminense (UFF), Rio de Janeiro, Brazil. In 2013, he joined the Department of Computing and Electronic of UFES and in 2018 the Department of Electrical Engineering of UFES. His research interest includes optimization, artificial intelligence in smart grids and telecommunication systems.

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Publicado

2023-05-02

Cómo citar

A. F. Camporez, H., M. de Freitas, Y. ., A. L. Silva, J., L. Costalonga, L., & R. O. Rocha, H. . (2023). Music Segmentation and Similarity Estimation Applied to a Gaze-Controlled Musical Interface. Revista Vórtex, 11(1), 1–25. https://doi.org/10.33871/23179937.2023.11.1.7068

Número

Vol. 11 Núm. 1 (2023): Revista Vórtex

Sección

Dossier “Ubimus, Gastrossônica e Bem-estar”

Licencia

Derechos de autor 2023 Higor Camporez, Yasmin M. de Freitas, Jair A. L. Silva, Leandro L. Costalonga, Helder R. O. Rocha

Creative Commons License

Esta obra está bajo una licencia internacional Creative Commons Atribución 4.0.

Los autores conservan los derechos de autor y conceden a la revista el derecho de primera publicación, con el trabajo simultáneamente bajo la licencia Creative Commons Attribution Licence que permite compartir el trabajo con reconocimiento de autoría y publicación inicial en esta revista.

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