Rhythm perception and music cognition: a brief survey
Visualizações: 112DOI:
https://doi.org/10.33871/23179937.2017.5.3.2159Resumo
How does our mind process musical rhythm? Based on recent researches and theories on music cognition, the present paper seeks to clarify this question by discussing some issues related to rhythm perception, such as the mental processes involved in the recognition, coding, and retrieval of rhythm and the influence of enculturation and formal musical training on these processes.Downloads
Referências
BERRY, Wallace. Structural Functions in Music. 2. ed. New York: Dover Publications, 1987.
CIRELLI, Laura K.; SPINELLI, Christina; NOZARADAN, Sylvie; TRAINOR, Laurel J. Measuring Neural Entrainment to Beat and Meter in Infants: Effects of Music Background. Front. Neurosci, v. 10 (229), p. 1-11, 2016. DOI: https://doi.org/10.3389/fnins.2016.00229
CLARKE, Eric F. Rhythm and timing in music. In: DEUTSCH, Diana (Org.). The Psychology of Music. 2. ed. Chap. 13. p. 473-500. San Diego: Elsevier, 1999. DOI: https://doi.org/10.1016/B978-012213564-4/50014-7
COOPER, Grosvenor W.; MEYER, Leonard B. The Rhythmic Structure of Music. Chicago/London: The University of Chicago Press, 1960.
DAWE, Lloyd A.; PLAT, John R.; RACINE, Ronald J. Harmonic accents in inference of metrical structure and perception of rhythm patterns. Attention, Perception & Psychophysics, v. 54 (6), p. 794-807, 1993. DOI: https://doi.org/10.3758/BF03211804
DELIÈGE, Irene. Grouping Conditions in Listening to Music: An Approach to Lerdahl & Jackendoff's Grouping Preference Rules. Music Perception: An Interdisciplinary Journal, v. 4 (4), p. 325-359, 1987. DOI: https://doi.org/10.2307/40285378
DESAIN, Peter; HONING, Henkjan. The formation of rhythmic categories and metric priming. Perception, v. 32 (3), p. 341-365, 2003. DOI: https://doi.org/10.1068/p3370
DEUTSCH, Diana. Grouping Mechanisms in Music. In: DEUTSCH, Diana (Ed.). The Psychology of Music. 3 ed. Chap. 6. p. 183-248. Amsterdam: Academic Press, 2013. DOI: https://doi.org/10.1016/B978-0-12-381460-9.00006-7
ECK, Douglas. A Positive-Evidence Model for Rhythmical Beat Induction. Journal of New Music Research, v. 30(2), p. 187-200, 2001. DOI: https://doi.org/10.1076/jnmr.30.2.187.7110
FRAISSE, Paul. Psicología del ritmo. Tradução de: Dolores Blasco. Madrid: Ediciones Morata, 1976.
FRANKLAND, Bradley W.; COHEN, Annabel J. Parsing of Melody: Quantification and Testing of the Local Grouping Rules of Lerdahl and Jackendoff's A Generative Theory of Tonal Music. Music Perception, v. 21 (4), p. 499-543, 2004. DOI: https://doi.org/10.1525/mp.2004.21.4.499
HAMAOUI, Kamil; DEUTSCH, Diana. The perceptual grouping of musical sequences: Pitch and timing as competing cues. In: S. M. Demorest et al. (Eds.), Proceedings of the 11th International Conference on Music Perception and Cognition. Seattle: ICMPC, p. 81–87, 2010.
HANNON, Erin E.; TREHUB, Sandra E. Metrical Categories in Infancy and Adulthood. Psychological Science, v. 16(1), p. 48-55, 2005. DOI: https://doi.org/10.1111/j.0956-7976.2005.00779.x
HASTY, Christopher F. Meter as Rhythm. New York: Oxford University Press, 1997.
HONING, Henkjan. Structure and Interpretation of Rhythm in Music. In: DEUTSCH, Diana (Org.). The Psychology of Music. 3. ed. Chap. 9. p. 369-404. San Diego: Elsevier, 2013. DOI: https://doi.org/10.1016/B978-0-12-381460-9.00009-2
HURON, David. Sweet Anticipation: Music and the Psychology of Expectation. Cambridge: MIT Press, 2006. DOI: https://doi.org/10.7551/mitpress/6575.001.0001
IVERSEN, John R.; PATEL, Aniruddh D.; OHGUSHI, Kengo. Perception of rhythmic grouping depends on auditory experience. Acoustical Society of America, v. 124(4), p. 2263-2271, 2008. DOI: https://doi.org/10.1121/1.2973189
JONES, Mari R. Musical Time. In: HALLAM, Susan; CROSS, Ian; THAUT, Michael (Ed.). The Oxford Handbook of Music Psychology. Chap. 8. p. 81-92. Oxford: Oxford University Press, 2009.
KARPINSKI, Gary S. Aural Skills Acquisition: The Development of Listening, Reading, and Performing Skills in College-Level Musicians. Oxford: Oxford University Press, 2000. DOI: https://doi.org/10.1093/oso/9780195117851.001.0001
KRAMER, Jonathan D. The Time of Music: New Meanings, New Temporalities, New Listening Strategies. New York/London: Schirmer/Macmillan, 1988.
LARGE, Edward W.; KOLEN, John F. Resonance and the Perception of Musical Meter. Connection Science, v. 6(2-3), p. 177-208, 1994. DOI: https://doi.org/10.1080/09540099408915723
LERDAHL, Fred; JACKENDOFF, Ray S. A Generative Theory of Tonal Music. Cambridge/London: MIT Press, 1983.
LONDON, Justin. Hearing in Time: Psychological Aspects of Musical Meter. Oxford: Oxford University Press, 2012. DOI: https://doi.org/10.1093/acprof:oso/9780199744374.001.0001
McAULEY, J. Devin. Tempo and Rhythm. In: JONES, Mari R.; FAY, Richard R.; POPPER, Arthur N. (Ed.). Springer Handbook of Auditory Research: Music Perception. Chap. 6. p. 165-199. New York: Springer, 2010. DOI: https://doi.org/10.1007/978-1-4419-6114-3_6
MESQUITA, Marcos. Segmentation and Juxtaposition: A brief critical survey. Percepta, v. 3 (2), p. 69-80, 2016.
NOORDEN, Leon; DIRK, Moelants. Resonance in the Perception of Musical Pulse. Journal of New Music Research, v. 28(1), p. 43-66, 1999. DOI: https://doi.org/10.1076/jnmr.28.1.43.3122
NOZARADAN, Sylvie; PERETZ, Isabelle; MISSAL, Marcus; MOURAUX, André. Tagging the Neuronal Entrainment to Beat and Meter. Journal Of Neuroscience, v. 31(28), p. 10234-10240, 2011. DOI: https://doi.org/10.1523/JNEUROSCI.0411-11.2011
NOZARADAN, Sylvie. Exploring how musical rhythm entrains brain activity with electroencephalogram frequency-tagging. Philosophical Transactions Of The Royal Society B: Biological Sciences, v. 369 (1658), p. 20130393-20130393, 2014. DOI: https://doi.org/10.1098/rstb.2013.0393
PALMER, Caroline; KRUMHANSL, Carol L. Mental Representations for Musical Meter. Journal Of Experimental Psychology: Human Perception And Performance. v. 16 (4), p. 728-741, 1990. DOI: https://doi.org/10.1037/0096-1523.16.4.728
PARNCUTT, Richard. A Perceptual Model of Pulse Salience and Metrical Accent in Musical Rhythms. Music Perception, v. 11(4), p. 409-464, 1994. DOI: https://doi.org/10.2307/40285633
PATEL, Aniruddh D. Music, Language, and the Brain. Oxford: Oxford University Press, 2008.
PATEL, Aniruddh D.; IVERSEN, John R. The evolutionary neuroscience of musical beat perception: the Action Simulation for Auditory Prediction (ASAP) hypothesis. Frontiers in Systems Neuroscience, v. 8(57), p. 1-14, 2014. DOI: https://doi.org/10.3389/fnsys.2014.00057
PATEL, Aniruddh D.; PERETZ, Isabelle; TRAMO, Mark; LABREQUE, Raymonde. Processing Prosodic and Music Patterns: A Neuropsychological Investigation. Brain and language, v. 61, p. 123-144, 1998. DOI: https://doi.org/10.1006/brln.1997.1862
SAKAI, Katsuyuki; HIKOSAKA, Okihide; MIYAUCHI, Satoru; TAKINO, Ryousuke; TAMADA, Tomoe; IWATA, Nobue K.; NIELSEN, Mathew. Neural Representation of a Rhythm Depends on Its Interval Ratio. The Journal of Neuroscience, v. 19(22), p. 10074-10081, 1999. DOI: https://doi.org/10.1523/JNEUROSCI.19-22-10074.1999
TAN, Siu-Lan; PFORDRESHER, Peter; HARRÉ, Rom. Psychology of Music: from sound to significance. Hove/New York: Psychology Press, 2010. DOI: https://doi.org/10.4324/9780203855362
TEMPERLEY, David. The Cognition of Basic Musical Structures. Cambridge/London: MIT Press, 2001.
THOMPSON, William F. Music, Thought, and Feeling: Understanding the Psychology of Music. 2. ed. New York/Oxford: Oxford University Press, 2015.
THOMPSON, William F.; SCHELLENBERG, E. G. Listening to Music. In: COLWELL, Richard (Ed.). MENC Handbook of Musical Cognition and Development. Chap. 3. p. 72-123. Oxford: Oxford University Press, 2006. DOI: https://doi.org/10.1093/acprof:oso/9780195304565.003.0004
TODD, Neil P. The auditory "Primal Sketch": A multiscale model of rhythmic perception. Journal of New Music Research, London, v. 23 (1), p. 25-70, 1994. DOI: https://doi.org/10.1080/09298219408570647
ZARCO, W.; MERCHANT, H.; PRADO, L.; MENDEZ, J. C. (2009). Subsecond timing in primates: comparison of interval production between human subjects and rhesus monkeys. J. Neurophysiol. v.102, p. 3191–3202, 2009. DOI: https://doi.org/10.1152/jn.00066.2009
Downloads
Publicado
Como Citar
Edição
Seção
Licença
Copyright (c) 2017 Letícia Dias de Lima
Este trabalho está licenciado sob uma licença Creative Commons Attribution 4.0 International License.
Autores mantêm os direitos autorais e concedem à revista o direito de primeira publicação, com o trabalho simultaneamente licenciado sob a Licença Creative Commons Attribution que permite o compartilhamento do trabalho com reconhecimento da autoria e publicação inicial nesta revista.