Expanded Modal Rhythm

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Autores

  • Luigi Antonio Irlandini Universidade do Estado de Santa Catarina

DOI:

https://doi.org/10.33871/23179937.2017.5.1.1859

Resumo

This article is written by a composer on his own music. It describes a set of rhythmic organization principles used in my compositional research since 1989. These principles greately expand what is traditionally known as "modal rhythm" , which appears for the first time in the music of the 12th century polyphonists of the Notre Dame School: Leoninus and Perotinus. For this reason, I call this group of rhythmic principles "expanded modal rhythm" . They are a part of a larger context of temporal organization principles designed to generating ametric textures, complex polyrhythm and cross rhythms, and certain desired types or rhythmic flow. I use examples taken from four of my compositions.

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Biografia do Autor

Luigi Antonio Irlandini, Universidade do Estado de Santa Catarina

Composer and performer (piano and shakuhachi), born in Rio de Janeiro, is a professor at UDESC since 2010. Works recently in evidence are Peace, my Heart, for choir a cappella, on a poem by Rabindranath Tagore (Prêmio Funarte de 2016), Thirteen Moons on Turtle's Back, for piano and violoncello, premiered at the 22º Rio International Cello Encounter in 2016, and Phoînix (from the series Bestiarium, vol. 1): the chamber version was premiered at the 50º Festival Música Nova Gilberto Mendes in 2016, and the original orchestral version at the Festival Tinta Fresca, in Belo Horizonte, 2012. Irlandini received his Ph.D. in Composition from the University of California, Santa Barbara (UCSB), where he also worked in post-doctoral research in computer music at the Center for Research in Electronic Art Technology (CREATE, UCSB). For more information and samples of his works, go to https://sites.google.com/site/cosmofonialai/.

Referências

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COOPER, Grosvenor and Leonard B. Meyer. The rhythmic structure of music. Chicago: University of Chicago Press, 1963.

DÜRR, Walther and Walther Gerstenberg. "Rhythm: II, 4: 13th-century polyphony: modal rhythm". New Grove Dictionary of Music and Musicians, Ed. Stanley Sadie, London: Macmillan Publishers Limited,Vol. 15, 1980.

HOPPIN, Richard H. Medieval Music. New York: W. W. Norton & Company, 1978.

IRLANDINI, Luigi Antonio. "Cosmologia da composição e suas interações com a teoria e análise musicais". In: IV Encontro de Musicologia de Ribeirão Prêto, 2012, Ribeirão Preto, SP. Anais do IV Encontro de Musicologia de Ribeirão Prêto, 2012, ISBN 9788577470396, pp. 239-245, 2012.

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__________. "...a natureza ama esconder-se...". Florianópolis: L.A.I. Editio Princeps, 1989.

__________. Mojave. Florianópolis: L.A.I Editio Princeps, 1989.

__________. Archipelago. Florianópolis: L.A.I. Editio Princeps, 1989

Messiaen, Olivier. (1949) Mode des valeurs et d"™intensités. Paris: Editions Durand & Cie.

REIMERT, Erich. Johannes de Garlandia: De mensurabili musica. Wiesbaden: Franz Steiner Werlag GMBH, 1972.

ROESNER, Edward H. (2007-2017) "Rhythmic modes". Grove Music Online. Oxford University Press, 2007-2017.

ROWELL, Lewis. "Aristoxenus on rhythm". Journal of Music Theory, vol. 23, no. 1 (Spring 1979), pp.63-79, 1979. DOI: https://doi.org/10.2307/843694

SACHS, Curt. Rhythm and Tempo – a study in music history. New York: Columbia University Press, 1953.

SCLIAR, Esther Elementos de Teoria Musical. 2nd edition. São Paulo: Novas Metas, 1986.

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Publicado

30.06.2017

Como Citar

Irlandini, L. A. (2017). Expanded Modal Rhythm. Revista Vórtex, 5(1), 1–24. https://doi.org/10.33871/23179937.2017.5.1.1859

Edição

v. 5 n. 1 (2017): Revista Vórtex

Seção

Artigos

Licença

Copyright (c) 2017 Luigi Antonio Irlandini

Creative Commons License
Este trabalho está licenciado sob uma licença Creative Commons Attribution 4.0 International License.

Autores mantêm os direitos autorais e concedem à revista o direito de primeira publicação, com o trabalho simultaneamente licenciado sob a Licença Creative Commons Attribution que permite o compartilhamento do trabalho com reconhecimento da autoria e publicação inicial nesta revista.

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