TRAVEL, IMAGINATION, AND THE STRANGEST OF THEATERS: MENDES PINTO'S TRAVELS AND GIL VICENTE'S BARCA DO INFERNO
DOI:
https://doi.org/10.33871/19805071.2009.4.1.1589Abstract
Este artigo reforça a afirmação de William Sherman de que a literatura de viagens
funde testemunhos, informações secundárias e fantasia. O livro Peregrinação (ou Viagens -1583), de Fernão Mendes Pinto é comparado com a peça Barca do Inferno (1517), de Gil Vicente, argumentando-se que a voz ficcional/poética atua simultaneamente como espectador e participante imaginário.
PALAVRAS-CHAVE: literatura de viagens; informações; fantasia; voz ficcional/poética
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