The Reunion with the public in the end of “the pandemics"

Pedagogies and afections of the six edition of the Festival International du Documentaire Émergent (FIDÉ-BRAZIL)

Authors

  • nathan dos santos alves Universidade Nova de Lisboa

DOI:

https://doi.org/10.33871/21750769.2024.18.1.7662

Keywords:

Film Festivals, Documentary, Student’s Films, Curatorial and Programme Studies, Ethnography and Rituals

Abstract

In this paper we analyze the sixth edition of FIDÉ-Brasil, held in May 2022. However, our study does not take the festival as a whole, as it is not a study of the institution itself, a historiography of the event or a work with sociopolitical and economic issues that cross the festival, but rather with the articulations, strategies, organization and performance of the sixth edition of this ritual through an ethnographic approach. This research involved more than just observing and taking notes in a field diary, or merely taking those who are part of the organization, curatorship and programming of the festival to be interviewed, even though these are also techniques articulated for the production of this work. Our approach is based on a research that involves at the same time a participant observation in the curatorship, in the workshops and in the multiple exhibition sessions of the event, as well as interviews with the event organizers, leading members of the curatorial teams and the public participating in the festival. Filmic materialities are also taken for study thus trying to correlate ritual performance with the artistic objects under which the festival is also anchored.

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Author Biography

nathan dos santos alves, Universidade Nova de Lisboa

Pesquisador associado ao Centro em Rede de Investigação em Antropologia (CRIA-PT), a  Sociedade Brasileira de Estudos de Cinema e Audiovisual (SOCINE) e a Latin American Studies Association (LASA). Doutorando em Antropologia: Políticas e Imagens da Cultura e Museologia na Faculdade de Ciências Sociais e Humanas de Lisboa (NOVA-FSCH) em associação com o Instituto Universitário de Lisboa (ISCTE-IUL). Cursou Mestrado em Cinema e Artes do Vídeo pela Universidade Estadual do Paraná (Unespar), campus de Curitiba II/Faculdade de Artes do Paraná (FAP), com enfâse em Cinemas Africanos e Geopolítica. Possui graduação em Bacharelado em Ciências Sociais pela Universidade Federal do Tocantins (UFT-Campus de Porto Nacional) com especialização em Sociologia das Artes e Antropologia Visual. Atuou como antropólogo residente no departamento de arqueologia do Museu Paranaense (MUPA-PR) e no setor de acervo do Museu de Arte Contemporânea do Paraná (MAC-PR). Também foi Colunista pela Revista PMW Digital mantendo duas colunas (uma mensal e outra semanal) dedicadas a Cinema e outras manifestações videográficas. 

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Published

2024-06-25

How to Cite

dos santos alves, nathan. (2024). The Reunion with the public in the end of “the pandemics": Pedagogies and afections of the six edition of the Festival International du Documentaire Émergent (FIDÉ-BRAZIL) . O Mosaico, 18(1), 1–19. https://doi.org/10.33871/21750769.2024.18.1.7662

Issue

Vol. 18 No. 1 (2024): Revista O Mosaico nº 26

Section

Em fluxo

License

Copyright (c) 2024 O Mosaico

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