Poetics in sound art: an interview with Paulo Nenflidio

Autores

  • Roseane Yampolschi Universidade Federal do Paraná
  • Clayton Rosa Mamedes Universidade Federal do Paraná
  • Paulo Nenflidio Universidade Federal do Paraná

DOI:

https://doi.org/10.33871/23179937.2021.9.2.4519

Palavras-chave:

Paulo Nenflidio, sound art, creative processes, poetics

Resumo

Paulo Nenflidio, in his biographic note, presents himself as an artist who works at the intersection between art, science and technology. A multiple and inventive artist, his works comprise sculptures, installations, objects, instruments and drawings in which sound, electronics, movement, construction, invention, randomness, physics, control, automatons, and workaround come together as elements of artistic expression. Paulo Nenflidio holds a degree in Fine Arts from the School of Communication and Arts of the University of São Paulo and is an electronics technician graduated from the Lauro Gomes Technical School in São Bernardo do Campo. Born in São Bernardo do Campo, the artist maintains his studio in this city. In this interview, we seek to deepen our study about the poetics of Paulo Nenflidio's works. How his creative trajectory developed, conceptual inspirations that guided the development of his creative processes and his artistic research, as well as the role of sound and silence as forms of poetic expression are issues addressed in this conversation. This interview was conducted by email, between the 20th and 24th of July 2021.

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Biografia do Autor

Roseane Yampolschi, Universidade Federal do Paraná

Roseane Yampolschi: Composer and interdisciplinary artist. Music Professor at the Federal University of Paraná. Graduated in Music Composition from the Federal University of Rio de Janeiro, earned a MA degree in Music from Eastern Illinois University and a DMA degree from the University of Illinois at Urbana-Champaign (USA). Reveived many prizes and distinctions for her works in Brazil and abroad, such as the Biennial Festival of Brazilian Contemporary Music (Rio de Janeiro), the International Fund for the Promotion of Culture by UNESCO, and the ISCM Festival World Music Days (Romania and Norway). As a researcher, her main interests today are focused in the areas of gestural embodiment in creative processes, interdisciplinarity and contemporary musical aesthetics / poetics. ORCID:https://orcid.org/0000-0002-4615-8116. E- mail:ryampolschi@gmail.com

Clayton Rosa Mamedes, Universidade Federal do Paraná

Clayton Rosa Mamedes: Professor in the Music Graduate Program at Federal University of Paraná (UFPR), professor at State University of Paraná (UNESPAR - EMBAP) and coordinator of the Laboratory of Music, Sonology and Audio (LaMuSA-UNESPAR). Doctor in music from the State University of Campinas (Unicamp), holding master and bachelor degrees in music composition also from Unicamp. Develops researches in the areas of multimedia installations, interaction, sound design, spectral music and electroacoustic music. ORCID: https://orcid.org/0000-0003-4355-8111. E-mail: claytonmamedes@gmail.com

Paulo Nenflidio, Universidade Federal do Paraná

Paulo Nenflidio is an artist who works at the intersection of art, science and technology. Graduated in Fine Arts from the School of Communication and Arts of the São Paulo University and in Electronics from Technical State School Lauro Gomes. His works include sculptures, installations, objects, instruments and drawings. Sound, electronics, movement, construction, invention, randomness, physics, control, automation and workaround are present in his work. His works look like animals, musical instruments or science fiction machines. In 2003 he participated in the Bolsa Pampulha artistic residency in Belo Horizonte, having performed the work Música dos Ventos. In 2005, he received the Sérgio Motta Art and Technology Award for his work. In 2009 he held an artist residency at the ASU Art Museum in Arizona, having produced an individual exhibition during the residency period. He participated in the 7th Mercosul Visual Arts Biennial and in the Paralela 2010 exhibition. In 2011 he received the CNI SESI Marcantonio Vilaça Visual Arts Award and in 2013 the Funarte Marcantonio Vilaça Award. In 2017 he participated in the International Biennial of Contemporary Art in South America. ORCID: https://orcid.org/0000-0002-6415-8849. E-mail: paulonenflidio@yahoo.com.br

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Publicado

30.11.2021

Como Citar

Yampolschi, R., Mamedes, C. R., & Nenflidio, P. (2021). Poetics in sound art: an interview with Paulo Nenflidio. Revista Vórtex, 9(2). https://doi.org/10.33871/23179937.2021.9.2.4519

Edição

Seção

Dossier "Creative practices in Sound Art"