Some Compositional Approaches in the Practice of live-electronic music from the perspective of technique and technological tools

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Autores

  • Vinícius Cesar de Oliveira Universidade Estadual de Campinas
  • Thales Roel P. Pessanha Universidade Estadual de Campinas

DOI:

https://doi.org/10.33871/23179937.2021.9.3.8

Palavras-chave:

live-electronics, technical object, musical poetics, compositional process

Resumo

Tools and their technical frameworks impact directly the compositional processes, thus, placing itself as an element of fundamental importance, either in the conception of poetic ideas and images or in the technical realization of a work. In this sense, the present work aims to discuss some aspects of the correlation between technics, poetics, aesthetics, and musical writing in the context of interactive/live-electronics music. This takes place from a dialogue between the ideas of authors and composers, such as Gilbert Simondon, Helmut Lachenmann, and Pierre Boulez about technical frameworks and their implications in musical practice. Thus, we aim to discuss the interrelation between technological devices, musical elements, and poetic images, which are established within the compositional process. These reflections will serve as a theoretical field to introduce and describe some characteristics about compositional thinking of two-piece: "Espasmos" (2017), for trombone and live-electronics, by Vinicius Cesar, and "Caminhos que Levam" (2018), for clarinet and live-electronics, by Thales Roel.

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Biografia do Autor

Vinícius Cesar de Oliveira, Universidade Estadual de Campinas

Viní­cius Cesar de Oliveira holds a bachelor's degree in music composition (2018) and a master's degree in creative processes (2022) from Unicamp. Currently, he is studying for a doctorate's degree in music at the Arts Institute (Unicamp), where he researches compositional strategies in the use of machine listening and music information retrieval associated with machine learning in the context of live-electronic music under the supervision of Prof. Dr. José Henrique Padovani. ORCID: https://orcid.org/0000-0002-7711-3949. E-mail: oviniciuscesar@gmail.com

Thales Roel P. Pessanha, Universidade Estadual de Campinas

Thales Roel holds a bachelor's degree in music composition (2021) and specialization in Sound Engineering (2021) at State University of Campinas. He is co-founder of the multimodal art group Grupo Corpo Generativo, whose main proposal is the expansion of creative processes in the areas of Dance, Music, Media Science, Performing and Visual Arts, Computer Engineering and Electrical Engineering, as well as contributing to the discussion of themes such as dialogues, collaborative creation, generative processes, among others, that currently occur in the arts through the use of technological supports. ORCID: https://orcid.org/0000-0002-3046-9710. E-mail: thalesroel@hotmail.com

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Publicado

15.12.2021

Como Citar

de Oliveira, V. C., & Pessanha, T. R. P. (2021). Some Compositional Approaches in the Practice of live-electronic music from the perspective of technique and technological tools. Revista Vórtex, 9(3), 8. https://doi.org/10.33871/23179937.2021.9.3.8

Edição

v. 9 n. 3 (2021): Revista Vórtex

Seção

Dossier "SiMN 2021"

Licença

Copyright (c) 2022 Viní­cius Cesar de Oliveira, Thales Roel P. Pessanha

Creative Commons License
Este trabalho está licenciado sob uma licença Creative Commons Attribution 4.0 International License.

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