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Girl with a pearl earring or trans-gressing the art of gender

Evidential paradigm and regimes of visibility in pictorial representations of gender

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DOI:

https://doi.org/10.33871/sensorium.2025.12.10539

Abstract

In this text, we analyze the various meanings that the painting Girl with a Pearl Earring by Dutch artist Johannes Vermeer has taken on throughout history, based on different works and artistic genres from the 17th century to the present day. By engaging in interdisciplinary categories and authorships, we propose a discussion that takes into account the effects of the evidentiary paradigm and the regimes of visibility that operate in the representations of gender in the aforementioned work. With this, we propose other perspectives on Girl with a Pearl Earring, from the perspectives of trans arts, but also the possibilities of racializing the debate.

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Author Biographies

Evandro Piza Duarte, Universidade de Brasília

Doutor em Direito pela Universidade de Brasília (UnB) e Professor de Direito Penal, Processo Penal e Criminologia pela mesma instituição. Vinculado à linha 5 “Criminologia Estudos Étnico-Raciais e de Gênero” do Programa de Pós-Graduação em Direito da Universidade de Brasília (PPGD/UnB).

Maria Leo Araruna, Universidade de Brasília

Atriz, performer e escritora travesti. Mestranda em Direito pelo Programa de Pós-Graduação da Universidade de Brasília (PPGD/UnB)

Victor de Oliveira Martins, Universidade de Brasília

Mestrando em Direito pelo Programa de Pós-Graduação da Universidade de Brasília (PPGD/UnB). Pesquisador do LabDiv - Laboratório de Informação, Tecnologia, Direito e Diversidade da Universidade de Brasília (CNPq/UnB).

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Published

2025-05-21

Versions

Issue

Vol. 12 No. 01 (2025): Art&Sensorium

Section

Artigos

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Copyright (c) 2025 International Interdisciplinary Journal of Visual Arts - Art&Sensorium

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