Ruí­na Programada

Authors

  • Diego Rayck Universidade de Coimbra, Coimbra

DOI:

https://doi.org/10.33871/23580437.2014.1.02.69-78

Keywords:

desenho, ruí­na, processo artí­stico

Abstract

Este artigo apresenta considerações acerca da obra Partially Buried Woodshed do artista Robert Smithson priorizando a atenção na relação entre desenho e ruí­na. Para isto analisa o processo de realização desta obra mencionando a idéia de entropia e a tendência a uma metodologia dialética que foram fundamentais ao artista. O entendimento de temporalidade com o qual Smithson trabalha relativiza o encadeamento causal e lhe permite elaborar a noção de "ruí­na em reverso" , posicionamento que estimula a refletir sobre a participação do desenho em seu processo de trabalho.

Downloads

Download data is not yet available.

Author Biography

Diego Rayck, Universidade de Coimbra, Coimbra

Doutorando em Arte Contemporânea pelo Colégio das Artes - Bolsista Capes proc. 1189-12-3
Art&Sensorium Vol.1 - N.2

Downloads

Published

2014-12-17

Issue

Vol. 1 No. 02 (2014)

Section

Artigos

License

Copyright (c) 2022 International Interdisciplinary Journal of Visual Arts - Art&Sensorium

Creative Commons License

This work is licensed under a Creative Commons Attribution 3.0 Unported License.

Authors who publish with this journal agree to the following terms:
  1. Authors retain copyright and grant the journal right of first publication with the work simultaneously licensed under a Creative Commons Attribution License that allows others to share the work with an acknowledgement of the work's authorship and initial publication in this journal.
  2. Authors are able to enter into separate, additional contractual arrangements for the non-exclusive distribution of the journal's published version of the work (e.g., post it to an institutional repository or publish it in a book), with an acknowledgement of its initial publication in this journal.
  3. Authors are permitted and encouraged to post their work online (e.g., in institutional repositories or on their website) prior to and during the submission process, as it can lead to productive exchanges, as well as earlier and greater citation of published work (See The Effect of Open Access).