AFFECTIVE MEMORIES: MAMOOTOT (2003)

Mamootot (2003)

Authors

  • Demmy Cristina Ribeiro de Sousa Universidade do Estado de Santa Catarina

DOI:

https://doi.org/10.33871/19805071.2024.30.1.8891

Keywords:

Mamootot; Processo criativo; Linguagem Gaga; Ohad Naharin.

Abstract

In this text I present elements of the biography, allegories, and reflections on choreographic composition Mamootot (2003) of Ohad Naharin, an Israeli choreographer, who since 1990 has been working at the head of the Batsheva Dance Company in the elaboration of the movement language he called Gaga. I highlight the historical context with the objective of identifying how Naharin's language developed and highlighting the main artistic currents that moved his practice and his language until it gained international relevance. I raise questions about death regarding analysis of the choreographic work Mamootot through which I articulate the notions of body, pedagogical aspects to achieve some relationship with Gaga. I use as sources interviews, texts and documentaries produced through the image-speech of the choreographer. It is worth noting that most of the information contextualized so far was collected in the British documentary has the fabulation of stories about Naharin and his achievements inside Batsheva produced by Tomer Heymann, Mr. Gaga: A true story of love and dance (2015), translated into Portuguese as Gaga: the love of dance.

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Author Biography

Demmy Cristina Ribeiro de Sousa, Universidade do Estado de Santa Catarina

“Demmy Cristina Ribeiro de Sousa, Professora de Arte, Doutoranda em Artes-Cênicas, Mestra em Letras e Artes, Graduação plena em Dança, com experiência em processos criativos em dança-teatro. Atuo em montagens coreográficas, oficinas de dança contemporânea e performance desde 2012 até o presente momento. Tenho experiência em projetos de iniciação científica atuando na área do corpo, performance, processos criativos e dança contemporânea, em específico – o método de Dança-Teatro desenvolvido pela coreógrafa alemã Pina Bausch e, a linguagem de movimento Gaga do coreógrafo israelense Ohad Naharin.”

References

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GALLILI, Deborah Friends. Going Gaga: My Intro to Dance Classes. Israel: 2008. Disponível em: <https://www.danceinisrael.com/2008/11/going-gaga-my-intro-to- gaga-dance/ >. Acesso em: 08 mar. 2021.

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RESTREPO, Iván A. Montoya; DÁVILA, Celia Dávila. El kibutz desde el período pre-estatal (1945-1948) hasta finales del siglo XX. ver. Innovar. Vol. 16, No. 28, julio a diciembre de 2006.

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Published

2024-07-01

How to Cite

RIBEIRO DE SOUSA, Demmy Cristina. AFFECTIVE MEMORIES: MAMOOTOT (2003): Mamootot (2003). Revista Cientí­fica/FAP, Curitiba, v. 30, n. 1, p. 109–124, 2024. DOI: 10.33871/19805071.2024.30.1.8891. Disponível em: https://periodicos.unespar.edu.br/revistacientifica/article/view/8891. Acesso em: 3 jul. 2024.

Issue

Vol. 30 No. 1 (2024): History and Imagination in the Arts

Section

Dossiê Temático

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