Encenação, cinematografia e expressão no documentário "Santiago"
DOI:
https://doi.org/10.33871/19805071.2025.32.1.10255Keywords:
cinematografia, documentário, narrativa, encenaAbstract
Cinematography – the manner in which the cinematic narrative is constructed through shots, framing, camera angles, movements and depth of field – will be addressed here having as a goal the documentary Santiago: reflections on the raw material (João Moreira Salles, 2007) with a focus on the expression of the director's ideas and the feelings of the portrayed Character. We will also inquire with aspects of staging, such as the building of fictional scenes for the expression of subjectivities. In the reflection on cinematography, we will make use of the concept of mise-en-scène by David Bordwell and Kristin Thompson (2013), involving all the technical-stylistic procedures that materialize on the screen a cinematographic narrative.
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References
BORDWELL, David. Figuras traçadas na luz: A encenação no cinema. Campinas, SP: Papirus, 2008.
BORDWELL, David e THOMPSON, Kristin. A arte do cinema: uma introdução. Campinas, SP: Editora da USP, 2013.
DA-RIN, Sílvio. Espelho Partido: tradição e transformação do documentário. Rio de Janeiro, RJ: Azougue Editorial, 2004.
LIRA, Bertrand de Souza. Mudança de rota: quando o diretor se torna personagem de um documentário. ALAIC – Revista Latinoamericana de Ciencias de la Comunicación, volume 11. n. 20, 2014. (p. x-y).
MARTIN, Marcel. A linguagem cinematográfica. São Paulo: Brasiliense, 2007.
NICHOLS, Bill. Introdução ao documentário. Campinas, SP: Papirus, 2005.
RAMOS, Fernão Pessoa. Mas afinal...o que é mesmo documentário? São Paulo: editora Senac São Paulo, 2008.
Filmografia
SANTIAGO: Reflexões sobre o material bruto [longa-metragem, digital]. Dir. João Moreira Salles. Videofilmes., Brasil, 2007. 1h20min.
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