PERFORMANCE ARTE: PRÁTICAS SIMULTÂNEAS, COLETIVAS E COLABORATIVAS

Abstract

This article seeks to provide a brief overview of some encounters of performance artists and the modes of existence in simultaneous, collective, and collaborative practices. By focusing on some encounters that are connected to each other in some way, we aim to highlight the adopted assumptions, the approaches, periodicity, and dynamics, from open source performances, open sessions, gatherings, group performances, etc. At times, chronology becomes important, especially because several of the encounters served as inspiration or even support for new initiatives. There are also encounters that interconnect the others, creating a kind of central point. In the second part, one of the authors provides a report of their participation in some of the events with the aim of exemplifying the forms of articulations and negotiations in the artistic field. That is, how the structures provide methodologies that, while allowing individuality, are geared towards collectivity. We also present, minimally, the bibliographies indicated on the websites or in the event programs.