Música e imagem

reflexões sobre uma “improvisação livre coletiva” inspirada na pintura “O Pescador” de Tarsila do Amaral

Authors

DOI:

https://doi.org/10.33871/21750769.2023.17.2.8161

Keywords:

Música e Imagem, Improvisação Livre, Tarsila do Amaral, Ensino Coletivo, Ambisonic

Abstract

This article aims to share, reflect and report on the methodological approach adopted for the creation of a collective musical improvisation, inspired by the painting “The Fisherman” by Tarsila do Amaral and the concepts of free improvisation by Machado (2014 and 2018). The creative process was conducted remotely by the author during the COVID-19 pandemic, in collaboration with the Reference Group “Camerata de Violões de Araçatuba” of Projeto Guri, through three meetings held through the Zoom web conferencing platform. The resulting work was incorporated into the “Tarsila do Amaral Suite”, a new piece in 5 movements, created by the group in celebration of the centenary of the Modern Art Week of 1922. The free improvisation was recorded on video by the participants and edited in DaVinci Resolve software, while editing and mixing audio tracks were performed in Reaper software, with two specialized tracks in the Ambisonic domain through the Ambisonic StereoEncoder and BinauralDecoder plug-ins from the Institute of Electronic Music and Acoustics (IEM Plug-in Suite).

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Author Biography

André Campos Machado, Universidade Federal de Uberlândia

PhD in Music from the School of Communications and Arts of the University of São Paulo; associate professor at the Institute of Arts at the Federal University of Uberlândia, Minas Gerais; researcher at the Center for Performance and Interpretive Practices in Music (NUPPIM) and the Center for Music and Technology (NUMUT); coordinator of the Multimedia Teaching and Research Laboratory (LABMUL). Email: andrecampos1965@gmail.com. Lattes Curriculum: http://lattes.cnpq.br/0640395027024026

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Published

2023-12-20

How to Cite

Campos Machado, A. (2023). Música e imagem: reflexões sobre uma “improvisação livre coletiva” inspirada na pintura “O Pescador” de Tarsila do Amaral. O Mosaico, 17(2), 15–36. https://doi.org/10.33871/21750769.2023.17.2.8161

Issue

Vol. 17 No. 2 (2023): Revista O Mosaico nº 25

Section

Dossiê Improvisação e a linha da vida

License

Copyright (c) 2023 O Mosaico

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