O Estranho vale de Artur Barrio e Edgard Navarro
DOI:
https://doi.org/10.33871/21750769.2023.17.2.8076Keywords:
experimental film, visual arts, body, uncanny valley, repulsionAbstract
The present work proposes a discussion about the flow of aesthetic-political concepts between the film O Rei do Cagaço, by Edgard Navarro, with three works by the Portuguese-Brazilian visual artist Artur Barrio, specifically Trouxas de Sangue, Livro Carne and 21 Petites Sculptures en Cheveux. The article starts, primarily, from a reflection based on assumptions of a new Brazilian avant-garde to be built through a break with the classic molds of artistic making throughout the 1960s and 1970s. Reading texts by authors such as Décio Pignatari, Frederico Morais and Hélio Oiticica, it is noted, for example, that there is an excessive, but fortuitous, idea of having the body as the protagonist of this avant-garde proposal. Then, a perusal of the concept of the uncanny valley will be carried out, derived from a study by the Japanese roboticist Masahiro Mori here adapted for the field of aesthetics. Analyzing, in this way, the precepts cited here, we seek to understand how both Barrio and Navarro work the human body through the repulsive and the scatological and, at the same time, how they make these artistic expressions of their acts, above all, political ones.
Downloads
Downloads
Published
How to Cite
Issue
Section
License
Copyright (c) 2023 O Mosaico
This work is licensed under a Creative Commons Attribution-NonCommercial-ShareAlike 4.0 International License.
The authors retain the copyright, when licensing their production in the journal O Mosaico, which is licensed under a Creative Commons license. When submitting the work, and upon acceptance, the author assigns his/her copyright for publication in the journal. Readers can download, print and use the articles published in the journal, as long as there is always an explicit mention to the author (s) and to the O Mosaico, and no changes to the original work are allowed. When submitting an article to the journal O Mosaico and after accepting it for publication, the authors allow, without remuneration, to pass the following rights to the journal: the first edition rights and the authorization for the editorial team to transfer, according to their judgment, this article and its meta data to indexing and reference services.